Opening Night
Closing: July 27, 2024Opening Night - 2024 West End History , Info & More
Gielgud Theatre
(Piccadilly Circus) Shaftesbury Avenue London
The incomparable Sheridan Smith returns to musical theatre in the world premiere of Opening Night from the creative minds of Rufus Wainwright, one of the most acclaimed songwriters of his generation, and celebrated director Ivo van Hove.
Based on John Cassavetes' legendary film, Opening Night follows a theatre company's preparations to stage a major new play on Broadway. But drama ignites behind the scenes when their leading lady is rocked by tragedy, and her personal turmoil forces everybody to deliver the performance of their lives.
This beautifully rich new musical premieres at London's Gielgud Theatre for a strictly limited run from 6 March 2024.
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Audio Described & Captioned: TBC
Signed: Saturday 20 April 2024 2.30pm
Opening Night - 2024 - West End Cast
FEATURED REVIEWS FOR Opening Night
Opening Night with Sheridan Smith in the West End review – a baffling waste of talent
3 / 10
In transferring the film to the stage, Van Hove, who is adaptor as well as director, deliberately disrupts an already jagged story still further – introducing a documentary film crew who beam the cast’s reactions onto huge screens. Sometimes the screen shows what we are seeing on stage, sometimes it is a little behind. And sometimes, confusingly, it moves our attention to an action that is happening at the edge of things. The focus is always shifting, so that there is never an opportunity to get to understand any character before the next development lands. At the same time, Jan Versweyveld’s cluttered set, with mirrors and a table where the crew meet and chat, often doesn’t differentiate between scenes onstage in the play within the play that is being previewed to an audience, and the chaos backstage that is caused by Myrtle’s meltdown.
Review: OPENING NIGHT, Gielgud Theatre
2 / 10
Now a stage musical, John Cassavetes’ 1977 film Opening Night was a commercial flop when it was released, later becoming something of a cult classic of American independent cinema. Director Ivo van Hove specialises in bringing work to the stage that may be called “challenging”. Challenging can be hugely successful, but I’ve rarely seen a production more determined to confuse and frustrate an audience.
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