Opening Night review — Sheridan Smith shines but the show struggles to connect
4 / 10
For a film that was panned at its own premiere, John Cassavetes’s 1977 Opening Night is experiencing a remarkable extended life. Now recognised as an audacious masterpiece, it was the inspiration for The Second Woman — the 24-hour-epic delivered by Ruth Wilson last year — and it drives this similarly ambitious and conceptually complex, though, alas, less successful, musical. That’s a shame for the whole team — director Ivo van Hove, composer Rufus Wainwright — but particularly for Sheridan Smith, who gives a terrific performance at its heart.
