Oh, Mary! - West End Creative Team

David Dabbon started as a dancer with the Boston Ballet, but after attending Hartt and later Carnegie Mellon, he had a musical change of direction. Currently making a name for himself as a Broadway dance arranger, his job is to re-imagine and re-interpret, but not rewrite. He also works as a composer, musical director, arranger and coach, because in show business, one always needs many irons in the fire. His driving force is always maintaining specificity in what he does, having compassion for young artists, and being able to use the word interstitial casually in a sentence. COLE ESCOLA is a comedian, actor, and writer. They’ve received a Drama Desk Award, a Theatre World Award, and two Outer Critics Circle Awards for Oh, Mary! and they’re thrilled to be making their Broadway debut with the show. Notable TV includes: “Search Party,” “At Home with Amy Sedaris,” “Difficult People” (on which they also wrote), “Man Seeking Woman,” “Mozart in the Jungle,” and “Ziwe” (for which they were also a writer). Cole consulted on “Hacks” for HBO and also wrote for “The Other Two” for Comedy Central. They were the co-creator, writer, and star of the lo-fi cult-hit TV ... read more Kluger's Broadway credits include Marvin's Room, Significant Other. Other New York credits include I Was Most Alive With You, The Light Years, Antlia Pneumatica, Marjorie Prime, Iowa (Playwrights Horizons); Man From Nebraska (Second Stage); The Effect, Tribes (Barrow Street Theatre); The Mystery of Love and Sex, Nikolai and the Others (Lincoln Center); Lost Girls, The Nether (MCC); Describe The Night, I'm Gonna Pray for You So Hard, Women or Nothing (Atlantic Theater Company). Broadway: Oklahoma! (Tony nom., Drama Desk nom.), Honeymoon in Vegas (Drama Desk nom.), Chaplin (Drama Desk Award), The Winslow Boy, The Importance of Being Earnest, Present Laughter. Off-Broadway: Judgment Day (Park Avenue Armory), Oklahoma! (St. Ann’s), Cleopatra, One Day the Musical, The Weir, Why Torture Is Wrong…, Emergence-See!, Rainbow Kiss, Dutchman (AUDELCO Viv nom.). Regional: The Old Globe, “Heartbreak Hotel” (Chicago), ART, Williamstown, Huntington, Westport Country Playhouse, Two River Theater, McCarter Theater, Arena Stage, Long Wharf. Broadway: Time and the Conways; Marvin’s Room; Natasha, Pierre and the Great Comet of 1812; Sweat; Oh, Hello!; The Heidi Chronicles, On the Town, A Night with Janis Joplin; Vanya and Sonia and Masha and Spike; American Idiot; Irena’s Vow. The Public Theater: Sweat, Plenty, Barbecue, Fortress of Solitude. Shakespeare in the Park series: Julius Caeser, Taming of the Shrew, Love’s Labour’s Lost, Into the Woods. Ms. Loukas has designed various productions at many regional theaters including: La Jolla Playhouse, Paper Mill Playhouse, Dallas Theater Center and The Muny. His first Broadway credit was in 2014 as assistant director, working on The Lyons by Nicky Silver. Pinkleton’s first choreography credit on Broadway was for a revival of Sophie Treadwell’s Machinal. He started working on the musical Natasha, Pierre & The Great Comet of 1812 in 2013 after seeing the first performance of it in 2012 at the Ars Nova theater in New York City. The director of the show, Rachel Chavkin, asked Pinkleton to help with staging the show for a bigger space, which he agreed to do. The Great Comet then had a third run at American Repertory Theater ... read more