Met-A-Mora Revival 1856

Get a first look at Terence Blanchard’s Fire Shut Up in My Bones' return to the Met stage. The production's remount begins performances on April 8 for seven performances. Its 2021 premiere made history as the first opera by a Black composer to be presented at the Met and won the 2023 Grammy Award for Best Opera Recording.

Watch as Puccini’s glittering romance La Rodine returns to The Met, starring soprano Angel Blue as Magda, opposite tenor Jonathan Tetelman in his highly anticipated company debut as Ruggero. 

Get a first look as Nadine Sierra and Benjamin Bernheim come together as the star-crossed lovers in Gounod’s sumptuous Shakespeare adaptation, with Met Music Director Yannick Nézet-Séguin on the podium to conduct Bartlett Sher’s towering production

Watch as Lise Davidsen sings an excerpt from Leonora’s Act II aria in an early dress rehearsal of La Forza del Destino in an all-new video.

Get a first look at Puccini’s Madama Butterfly which returns to the Met stage for 16 performances, starting January 11.

The Met’s production of NABUCCO from Elijah Moshinsky may date back to 2001 but its style hearkens back even further--a fancy, old-fashioned unit set that uses the house’s big turntable--and it’s a whale of a show, design-wise, thanks to John Napier’s scenic design.

The Metropolitan Opera somehow managed to upstage itself on Thursday, when it offered audiences a spectacular recital by Norwegian soprano Lisa Davidsen, with her excellent musical partner James Baillieu, on piano, 12 days before the company’s official opening night (the Jake Heggie-Terrence McNally DEAD MAN WALKING on the 26th). It’ll be a hard act to follow.

On July, 13, 14, and 15, Ballet Hispánico will perform a new work choreographed by Artistic Director and CEO of Ballet Hispánico Eduardo Vilaro, inspired by The Met's exhibition Juan de Pareja, Afro-Hispanic Painter. 

Following his acclaimed 2019 performances as Alberich in the Ring cycle, bass-baritone Tomasz Konieczny stars as the accursed Dutchman in Wagner’s eerie drama, alongside incandescent soprano Elza van den Heever as the woman determined to redeem his soul. Get a first look at the cast in action.

Get a sneak peek at Ivo van Hove's debut at the Met Opera with his production of Mozart's Don Giovanni, featuring Peter Mattei and an exceptional cast.

​​​​​​​Ivo van Hove, the Tony Award–winning director of Broadway's A View from the Bridge, makes a major Met debut with Mozart's Don Giovanni (May 5–June 2), re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the work's dark corners.

Get a first look at Baritone Peter Mattei singing the title character’s Act II aria, “Deh vieni alla finestra,” in an early rehearsal, accompanied by assistant conductor Jonathan C. Kelly. 

What did our critic think of RENE FLEMING GREATEST MOMENTS AT THE MET at A?

Watch highlights from the Met Opera's production of Falstaff, now on stage through April 1st. Verdi’s glorious Shakespearean comedy features a brilliant ensemble cast in Robert Carsen’s celebrated staging.

Written over 400 years ago, Cherubini’s MEDEA finally made it to the Met on the season’s opening night, in a new production by David McVicar. Was it worth the wait? If you take it for Sondra Radvanovsky’s performance in the title role, a chilling, a Herculean task, it earns an unqualified yes. She’s not afraid to rant and rave, or emit ugly sounds to show off her anger.

Maestro Keri-Lynn Wilson, following a triumphant tour leading the Ukrainian Freedom Orchestra last summer, makes her Metropolitan Opera debut conducting Shostakovich’s Lady Macbeth of Mtsensk for six performances beginning September 29.

Brody Price has signed with Niles City Records, a label by singer/songwriter Robert Ellis, producer Josh Block (Leon Bridges, White Denim, Caamp), and artist manager Cara Merendino (Robert Ellis, Liz Cooper). The album features Ellis, as well as John Paul White of The Civil Wars, Will Johnson of Centro-matic, and Andy Baxter of Penny & Sparrow.

The Metropolitan Opera, Decca Classics, and Deutsche Grammophon present A Concert for Ukraine, an album recorded live at the Met on March 14, 2022, that features the company’s complete special concert expressing solidarity with the people of Ukraine.

Anthony Roth Costanzo is an opera superstar who brings his otherworldly talent to the title role of AKHNATEN at the Met Opera (which opens tonight and runs through June 10). But along with his celebrated gifts as a countertenor and actor, Anthony is being increasingly recognized by major institutions at home and abroad as a preternaturally gifted producer, arts innovator, community builder, civic leader, and negotiator of change.

Well, no one can say that the Met doesn’t have guts. After the tepid response that subscribers gave its Las Vegas version of Verdi’s RIGOLETTO by Michael Mayer, no one would have suspected that they’d come up with a version of Donizetti’s LUCIA DI LAMMERMOOR that made anything else it’s produced look tame. And while the new LUCIA isn’t something that will send every Met attendee into quivers of excitement--I don’t think I’ve ever heard so many pros and cons discussed at an intermission before--it also won’t send them to sleep either.

Richard Strauss’s ELEKTRA is simply overwhelming--particularly when you have Nina Stemme and, especially, Lise Davidsen, as the title character and her sister Chrysothemis, ably abetted by Greer Grimsley as their brother, Orest, and an incredible supporting cast top to bottom.

Ailyn Pérez has excited Met audiences in several of opera’s benchmark soprano roles, and she adds another one this season as Tatiana, the naïve young girl who grows into a sophisticated beauty in Tchaikovsky’s sumptuous opera of unrequited love.

The Metropolitan Opera announced today A Concert for Ukraine on Monday, March 14, at 6:00pm ET, with Music Director Yannick Nézet-Séguin leading the Met Orchestra and Chorus, featuring a roster of star soloists.

Soprano Nina Stemme brought down the house when she headlined the premiere of visionary director Patrice Chéreau’s 2016 staging of Elektra. Now she returns to Strauss’s unhinged heroine, opposite one of today’s most in-demand artists, soprano Lise Davidsen, as her sister, Chrysothemis. Donald Runnicles is on the podium for one of opera’s most blistering scores, leading a cast that also includes mezzo-soprano Michaela Schuster as Klytämnestra, tenor Stefan Vinke as Aegisth, and bass-baritone Greer Grimsley as Orest.

Soprano Eleonora Buratto takes on the touchstone title role of the tragic geisha, following earlier Met successes as Norina in Don Pasquale and Liù in Turandot. Tenor Brian Jagde is the callous American naval officer who betrays her, alongside mezzo-soprano Elizabeth DeShong as her devoted maid Suzuki and baritone David Bizic as the consul Sharpless. Alexander Soddy conducts Anthony Minghella’s evocative, ever-popular staging.