Little Piece of You - - West End Articles Page 14

The festival's second weekend kicks off with intestinal trouble, a footloose priest, and imperialist clowns.

Activating Lower East Side community gardens on weekends this May, see first look photos  of Remote Theater Project's free interactive community play EVERYBODY HAS A STORY TO TELL, an original work by Obie Award-winning playwright Carmen Rivera.

BARTLEBY begins with a tease. The curtain only rises a little, just enough to show feet. Expressive. Unexpected and intriguing from the first second. When it finally lifts, Vincent Lemaire’s set reveals itself in clean, minimal lines, white bricks, a black table, black chairs, and a bust. It’s atemporal, and still you feel the lawyer’s office in your bones.

“Stories are stories are stories, whether it’s Wagner’s Wotan and Fricka (in the Ring), Handel’s Jupiter and Juno (in Handel’s SEMELE) or Broadway’s Tevye and Golde (FIDDLER ON THE ROOF) and they repeat in different cultures and traditions,” General Manager and Artistic Director of the Atlanta Opera, Tomer Zvulun, said to me. “And whether it’s talking about siblings or spouses, or parents and children, we always end with similar concerns.” Our conversation was about his company’s new production of Wagner’s TWILIGHT OF THE GODS, better known to Wagner aficionados as GOTTERDAMMERUNG, which opens on May 30 at Atlanta’s Cobb Performing Arts Center.

6/8-9, Jenn Colella brings BIG DYKE ENERGY to NYC's Beechman Theatre. It features “music, mischief, and unapologetically queer storytelling.” Colella spoke about the show, what made her want to create it, and why Pride should be celebrated year-round.

This summer, Chicago is offering a wide variety of plays and musicals, as well as comedy, dance, music, and more. To highlight these productions, The League of Chicago Theatres is publishing its Summer Theatre Guide.

The semester ended, and I hopped on a train to New York City. With sheet music in my hands and showtunes in my earbuds, I was ready for my 54 Below debut. What is it really like to perform at one of NYC’s most iconic cabaret spaces?

Hollywood legend Judy Garland is preparing to take the stage at the infamous Talk of the Town theatre-restaurant in 1968. In her room at The Ritz Hotel, she unravels. The star’s glitz and glamour dim, and the harsh reality of what it takes to make it in Hollywood transpires. The show must go on, but Garland is fighting a whole array of demons and she would pass away the following year in London, overdosing on barbiturates. Peter Quilter’s play (with music) is genre-questioning and tonally indecisive. Former drag queen turned Broadway star  Jinkx Monsoon could have taken on the role of a lifetime, but the lack of cohesion in Rupert Hands’s direction fails her.

This Pittsburgh-centric update of the seventies cult musical bridges the gap between the old world and the new.

When HAIRSPRAY begins its run at Maine State Music Theatre on June 3, the new revival, created as a co-production with Lancaster’s Fulton Theatre, will be an evening of professional firsts for its young star, Eden Franco, who plays the demanding role of the musical’s protagonist, Tracy Turnblad. For Franco, who was graduated from college only two years ago, this production marks her first professional contract, her first experience in regional theatre, her debut in Maine, and her role debut in the Marc Shaiman-Scott Wittman musical.

The festival's first weekend closes out with grief, 'inspiration porn', and a cacophony of kazoos.

What is a pro-shot and how is it different than an adapted film? Pro-shot is an abbreviation for professionally shot, denoting a stage play that was captured in its native habitat: a theatre. In general, a pro-shot seeks to film the exact experience that audience members would have at a live performance of the show, in contrast with a feature film which actually adapts the piece into a new form, including different locations, the removal of theatrical aesthetic, and changes to make the script work as a film as opposed to as a live theatrical show.

2026 marks the first time that Glyndbourne has staged Puccini's Tosca, a devastating opera of love and betrayal. It’s also a first for Glyndebourne Music Director Robin Ticciati, who conducts this powerfully dramatic piece, as well as a Festival debut from exciting American director Ted Huffman.

Players Ring in New Hampshire will close its 2025-26 season with a stage adaptation of EMMA, the classic Jane Austen novel, marking the theater's recent name change and new branding.

Bergen County Players announced its 2026-27 season, opening with the area premiere of Mel Brooks' THE PRODUCERS at the Little Firehouse Theatre, marking the musical's 25th Broadway anniversary.

The age-old literary mystery of the circumstances surrounding the death of the perennially wedding-dress-clad Miss Havisham in Charles Dickens’ 1851 novel “Great Expectations” is reexamined through a contemporary lens in “(re)Dressing Miss Havisham,” by local playwright John Minigan, being performed May 19–24 at Boston Playwrights’ Theatre as part of the company’s New Play Incubator program.

Oh What A Ride! Productions and Crow's Theatre will present DANCER at Toronto's Terminal Theatre, featuring the original creative team and cast in an expanded staging of the 2023 Fringe Festival hit.

The Original Broadway Cast Recording of THE LOST BOYS will be available to pre-order Friday, May 29. More details on the album, including digital and physical release date, will be announced soon.

THE BOOK OF MORMON has been delighting audiences for 15 years with its audacious blend of irreverent comedy and genuine heart. As the show enters its second decade of touring, it's currently running its long-awaited New Orleans engagement at the Saenger Theatre.

When you really stop to think about it, the late stage capitalist grind we find ourselves in (or rather, that billionaires and certain politicians have forced upon us) has created a disembodied culture marked by rampant labor, optimized efficiency, and fractured connections — and that’s a pretty absurd way to live life.

​​​​​​​What if you were forced to spend eternity with your ex? That’s the deliciously awkward premise behind For The Record, in which former lovers David and Nancy reunite in a kind of musical purgatory to revisit their relationship — and wrestle with the question of what might have been.

The new album, THE WAY I FEEL INSIDE, is a soundtrack to the wonder, loneliness and nostalgia of life in the modern world. See it in NYC on Wednesday, June 3rd at 9:30 p.m

It is now a few days since I left Treowen, a gorgeous 17th century Manor House set in the even-more-gorgeous Welsh countryside and I am still processing the experience. To call Lemon Difficult's The Key of Dreams simply an 'immersive experience' is to sell it very short. Where else can you spend 24 hours with the run of an entire house, crammed to the rafters with puzzles, clues to dark secrets and sinister rituals, where every decision you make may change the course of everything that happens next?

Theatre Passe Muraille's THROUGH THE EYES OF GOD led the 2026 Toronto Theatre Critics' Awards with three wins, including best production of a play, while Crow's Theatre productions collectively took home eight prizes.

As directed by Kristin Hanggi and led by actors Emma Hunton, Diana Huey and Aynsley Bubbico, KILLING MUSICALS looks to blend pathos, satire and female empowerment not always particularly smoothly.