Little Piece of You

BalletX will present THE LITTLE PRINCE, a full-length ballet choreographed by Annabelle Lopez Ochoa with a live score by Peter Salem, at the Suzanne Roberts Theatre in Philadelphia as the finale of its 20th Anniversary Season.

When it comes to experimental theatre in North America, few have a legacy as long, dedicated, and influential as Richard Foreman. When Foreman died in 2025, he left an archive of over 50 years of work from his Ontological-Hysteric Theatre company, founded in 1968. Foreman’s theatrical explorations prioritized immediacy and the present over a fixed sense of narrative, focusing on the process of the play’s creation and the audience’s interpretation.

Dave Malloy's a cappella musical OCTET transfers from Raven Theatre to Goodman Theatre's Owen Theatre, featuring the original Chicago cast and directed by Keira Fromm.

George Street Playhouse will present Good Witch Bad Witch, featuring Broadway’s former Glinda and Elphaba, Alli Mauzey and Dee Roscioli, with musical direction by Evan Zevada.

The singer is re-imagining the classic 1979 album with a full live band and fresh EDM flair on June 19 at NYC's Green Room 42 in Hell's Kitchen. Read a conversation with Carly about the new show.

Café Carlyle is getting ready to welcome back Tony and Grammy Award nominee Megan Hilty for a special residency this summer. She just checked in with BroadwayWorld to tell us all about the upcoming gig!

GOODBYE DANDELION, written and performed by siblings Maddie Rice and Marcus Rice, will have its world premiere at Underbelly during the Edinburgh Festival Fringe as the inaugural recipient of the Underbelly Futures Fund Award.

The Guilty, written by Chloë Moss, is making its world premiere at the Donmar Warehouse this month. The show, based on the screenplay Den Skyldige by Gustav Möller and Emil Nygaard Albertsen, follows a police officer, Joe [Russell Tovey], who receives a troubling 999 call while on the night shift. Recently, we had the chance to speak with Moss about adapting The Guilty for the stage. We discussed what made her want to work on the project, what it has been like working with Felix Barrett and the creative process for writing for one person on stage.

Award-winning writer and performer Maddie Rice will return to the Edinburgh Festival Fringe after a seven-year absence with GOODBYE DANDELION, a new play created with her brother, composer Marcus Rice. Directed by Katie Pesskin, the production will make its world premiere at Underbelly this August.

Carla Hall delivers her signature flavor in new, autobiographical, one-person play. See what our critic had to say.

HERE Arts Center has unveiled its 2026-27 season, featuring the world premieres of The Kick Inside, See/Unsee and Water Walker, plus new works developed through its artist residency program.

ABT’s cast is gangbusters. Try to imagine T. S. Eliot's prim little book of poems getting high—not on catnip, but on theatrical glitter—and deciding to stage a feverish feline dream with help from Andrew Lloyd Webber. And there you have it. That's CATS.  

Rory Kinnear and Royal Ballet principal Natalia Osipova will star in the world premiere of James Graham's THE STANDARD OF LIVING, directed by Nicholas Hytner at the Theatre Royal Haymarket.

With the recent Rocky Horror revival reminding everyone how much fun the macabre can be, how lucky is Columbia County to have its own creepy, kooky, mysterious and spooky night out right there at the Mac-Haydn? The production runs through 6/21.

The Hunchback of Notre Dame will be playing the Houston Broadway Theatre at the Cullen Theater in the Wortham Center. Diego Guevara is playing Clopin, and spoke about creating a sexier, fashion-forward, yet still dark version of the classic tale.   

What did our critic think of GUDEG NANIK: WUTAH at MIMIC THEATER?

This exciting sizzling hit arrives just in time for summer!

Jihye Lee’s 13-piece big band opened its second of two sets at The JAI in La Jolla with an original she called “Why Is That.” She explained the title in a 2024 Jazz Times interview. “I started out writing a simple blues tune, but it didn’t go well. … Why Is That? Why can’t I do that?” Since she’s asked, I’ll take a stab at answering. Lee was raised in Korea and graduated from a Korean University with a major in voice performance. After graduation, she sang locally as an Indie-K-pop singer. She had little or no experience with the blues or jazz before moving to the U.S. to attend the Berklee School of music in Boston where she began training as a jazz arranger/composer because registrations were closed for the classical, sound track and pop equivalents she’d planned to choose from.

A stellar cast led by Ann Hampton Callaway and Billy Stritch celebrated the songs of Alan and Marilyn Bergman, featuring Broadway favorites Nikki Renée Daniels, Brandon Victor Dixon, and Ali Stroker.

Ahead of Fire Island Dance Festival, Aydin Eyikan spoke about his unconventional path to Broadway, why the festival keeps drawing him back and what makes dancing on its iconic waterfront stage unlike anything else in his career.

ISHIDA DANCE had a world premiere with their presentation of waiting / REX at the Asia Society Texas Center. This program is an adaptation of Samuel Beckett's Waiting for Godot and Sophocles' Oedipus Rex. Both are choreographed by the company’s artistic director.

I must admit that The Taming of the Shrew has never been my favorite Shakespeare play. I've always appreciated its place in theatrical history, but it wasn't one I found myself eagerly revisiting. Then Darby Lytle and the incredible cast at The Weekend Theater came along and completely wrecked my opinion in the best possible way.

Broadwayworld had the pleasure of interviewing playwright, Jack Canfora about his career and The Vienna Lessons.  He shared with us very interesting insights.

Stephen Spinella has spent decades helping define queer theater through work like ANGELS IN AMERICA. Now, the Tony Award winner is bringing his talents to JEROME, a moving new play that explores love, companionship & survival in the early 1990s.

Songwriter Joey Contreras, who wrote the viral musical 'In Pieces,' exclusively tells BroadwayWorld what’s next after the show’s recent sold-out London run.