Cross-town - 1937 - Broadway Articles Page 7

Classic Stage Company presents Marc Blitzstein's allegorical play in music The Cradle Will Rock, directed by John Doyle, March 21 - May 19, 2019.

In June of 1937, the United States government padlocked New York's Maxine Elliot Theatre and sent security guards to prevent the performance of a new musical, but the unknown leading lady Olive Stanton courageously fought her fears and led an act of defiance that made headlines the morning after opening night.

Good morning, BroadwayWorld! Get over the hump today by catching up on the latest Broadway news!

Country super-group, Midland, will headline the inaugural Million Dollar Music Fest, a free, all-ages, big-stage concert on the Jackson Hole Town Square, on Sunday May 26 from 4 – 10pm. Presented by the iconic Cowboy Bar, and co-sponsored with the Jackson Hole Chamber of Commerce, this Memorial-weekend concert is designed to energize Old West Days by celebrating Jackson's western heritage and the cowboy culture.  

Following the success of last year's program, Stephane Wrembel returns to New York City withDjango a Gogo 2019: A Celebration of Guitar Mastery Through The Music of Django Reinhardt, at The Town Hall in New York City on Saturday, April 27, 2019 at 8 p.m. This year's program will not only feature Reinhardt's classics and originals inspired by his work, but also an unusual glimpse of the legendary guitarist's solo pieces. This is a music treasure rarely explored -- and the subject of Wrembel's latest research. 

Funicular is turning back the clock to 1937 this Spring. After a phenomenally successful second run of The Murder Express, the immersive dining and experience experts have created a whole new adventure set on London's favourite (and most crime-ridden!) train. Ticket holders will join London's wealthiest socialites for an evening of glitz, glamour, and fine dining, all in the company of the world's largest cut diamond. What could possibly go wrong?

Never underestimate the power and talent of a woman. 11 Fearless Women Playwrights will have their plays grace the stage in the Strawberry One-Act Festival with BOLD new ideas that are unapologetic and thought provoking! Beginning with JESSICA MARIE FISHER'S Welcome To Narnia, to JO RODRIGUEZ'S Why We're Here, NATASHA COBB'S Doin' Good and CAROLYN MOSES' Adam's Eve; these women playwrights tackle everything from sexual abuse, identity, empowerment, careers, family and chasing Jibouti forces.

Segerstrom Center for the Arts welcomes the Center debut performance of the Grammy®-winning quartet Third Coast Percussion on April 5, 2019 at 8:00pm in a program that will feature the West Coast Premiere of a new work composed by Philip Glass. Quartet members include percussionists David Skidmore, Robert Dillon, Peter Martin, and Sean Connors.

From the second we step through the doors of Anacostia Playhouse, we're asked to join the world of Dominique Morisseau's Blood at the Root - not just as observers but participants. Every corner of the lobby has been decked out like the hallways of a high school - in this case, Cedar High, located somewhere north of New Orleans. We glance upward and see a banner prominently featuring their mascot, the Pelican. There's a bulletin board littered with flyers and posters - Keep Calm and Wear Your Uniform. And just next to the entrance of the theater is a pair of lockers covered with real-life photographs of the young cast in their natural habitats - school, church, family reunions, summer camp. There's a lot to explore.

The Cleveland Opera has fallen on hard times and the only person who can saver it is Tito Merelli, or El Stupendo as he is known. Tito (Magnificently portrayed by Jamie Michael Parnell) has been hired to perform as the lead I Giuseppe Verdi's opera, Otello. The issue initially is that Tito has failed to arrive at the allotted time, sending the General manager of the opera into a panic.

Had Lucy's family stayed in Trenton, history might have been very different, but the Garden State stayed peripherally involved the Queen of Comedy's life and work.

Irish Repertory Theatre announced today special events and programming for the month of March as part of the The Sean O'Casey Season, a comprehensive retrospective of the work of renowned Irish playwright Sean O'Casey, celebrating 30 years of Irish Repertory Theatre.

There are some stories you never forget. You cannot forget because they are seared into your memory like a brand. One of those is John Steinbeck's Of Mice and Men. Omaha Community Playhouse has brought that story of loneliness, love, and hope to life with a brilliance you won't want to miss.

Never underestimate the power and talent of a woman. 11 Fearless Women Playwrights will have their plays grace the stage in the Strawberry One-Act Festival with BOLD new ideas that are unapologetic and thought provoking! Beginning with JESSICA MARIE FISHER'S Welcome To Narnia, to JO RODRIGUEZ'S Why We're Here, NATASHA COBB'S Doin' Good and CAROLYN MOSES' Adam's Eve; these women playwrights tackle everything from sexual abuse, identity, empowerment, careers, family and chasing Jibouti forces.

Classic Stage Company presents Marc Blitzstein's allegorical play in music The Cradle Will Rock, directed by John Doyle, March 21 - May 19, 2019. A Depression-era indictment of rampant capitalism told almost entirely in song, The Cradle Will Rock maintains a twinkle in its eye while bearing sharp fangs. The 1937 premiere of this story of American class tensions-directed by Orson Welles-was famously shut down on the eve of opening night by federal authorities over so-called 'budget cuts,' commonly considered a thin veil for fears of the play's pro-labor stance. The artists involved rebelliously circumvented its cancellation, making for one of the most memorable stories in 20th century theater history. While Blitzstein's libretto is very much a product of its own 1930s political context, The Cradle Will Rock pulses with immediacy in an era of expanding economic inequality and policy for purchase. CSC's 2018-2019 season began with The Resistible Rise of Arturo Ui, Bertolt Brecht's allegory about the rise of fascism via a charismatic tyrant; this spring, it closes with an all-American Brecht-and-Weill-inspired work, which carries a message of defiance built into its very title.

Follow your passion to the Maltz Jupiter Theatre for the award-winning regional theatre's 2019/20 season!

Next week, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.

Like most of his work, Ken Ludwig's Baskerville: A Sherlock Holmes Mystery is a sure-fire crowd pleaser. Ludwig reimagines an Arthur Conan Doyle classic as a farce, complete with madcap antics and a small troupe of actors playing a multitude of memorable characters. Michael Duffy's production for Sumter Little Theatre is a great reason to check out a lovely playhouse outside of the Metro.

Park Avenue Armory announced its 2019 season, which includes evocative new visual and performing arts commissions along with a timely and eclectic lineup of multidisciplinary world and North American premiere productions and installations.

The saying, 'Good things come to those who wait,' could certainly be applied to the world premiere of The Good Swimmer playing at BAM's Fishman Space as part of the Next Wave festival from November 28th-December 1st. Defined as a pop requiem for the youth of the Vietnam War, this collaboration between Heidi Rodewald (music) and Donna Di Novelli (lyrics) directed by Kevin Newbury has been the better part of a decade in the making since the two women began working on the piece at a Eugene O'Neill Theater Center residency and left with three songs based on text from out-of-print lifesaving manuals that would become the foundation of The Good Swimmer -- the title song, 'Red Cross' and 'Double Drowning'.

A 1930s comedy for Christmas, Jeannie by rediscovered female playwright Aimee Stuart will open at the Finborough Theatre for a four-week limited season on Tuesday, 27 November 2018 (Press Nights: Thursday, 29 November and Friday, 30 November 2018 at 7.30pm).

A 1930s comedy for Christmas, Jeannie by rediscovered female playwright Aimee Stuart will open at the Finborough Theatre for a four-week limited season on Tuesday, 27 November 2018 (Press Nights: Thursday, 29 November and Friday, 30 November 2018 at 7.30pm).

While nobody onstage reminded us exactly what we were celebrating, Charlotte Symphony's MUSIC FOR A ROYAL CELEBRATION, commemorating the Queen City's 250th anniversary, was a concert fit for a king.

Bang on a Can and the Jewish Museum's 2018-2019 concert season, pairing innovative music with the Museum's exhibitions and showcasing leading female performers and composers, continues on Thursday, November 15, 2018 at 7:30pm.