MOFFIE to Return to South African Stages at Toyota Stellenbosch Woordfees
The one-man show MOFFIE, starring David Viviers, will play the Adam Small Auditorium in Stellenbosch following acclaimed runs in London and at the Baxter Theatre.
The one-man show MOFFIE, starring David Viviers, will play the Adam Small Auditorium in Stellenbosch following acclaimed runs in London and at the Baxter Theatre.
The 10-disc collection compiles Kim Carnes' recordings for A&M, EMI America and MCA, featuring rare 12-inch dance mixes, bonus duets and a limited autographed print edition.
GRAVEST GRAVY, a previously unreleased 1977 album by THE CRAMPS produced by Alex Chilton, has been released by The Cramps Inc. on Vengeance Records in vinyl, CD, and digital formats.
Pianist and composer Steve Rawlins will release WORD ON THE STREET, an album of original compositions featuring Southern California musicians and members of his own family.
Fantasy Records announced a vinyl reissue of Chamaco Ramírez's 1979 solo debut, ALIVE AND KICKING, bringing the classic recording back to physical format for collectors and fans.
OPERA America announced $135,000 in commissioning grants to seven opera companies through its Opera Grants for Women Composers program, supported by the Virginia B. Toulmin Foundation since 2014.
National Black Theatre announced its 2026–2027 season, themed 'Just Beyond the Horizon,' featuring five productions including Sarah Jones' North American Premiere and a new musical by Lynn Nottage and John Legend.
Philadelphia's Tony Award-winning Wilma Theater announced Lindsay Smiling as its sole Artistic Director, transitioning from his Co-Artistic Director role to lead the company alongside Managing Director Leigh Goldenberg.
The Louisville Orchestra with Music Director Teddy Abrams, Dashon Burton, and Jeffrey Kahane will release The Year of Silence, featuring commissioned works by Christopher Cerrone and Andrew Norman.
Riverside Studios has announced details of more special events being staged to celebrate the West London venue's 50th anniversary. Learn more about the lineup here!
The Kruger Brothers will perform at the historic Vergennes Opera House in Vermont, closing out the 2025-2026 season in a donor-underwritten concert expected to sell out, as it did during their previous visit.
The Wallis Annenberg Center will present DANCING WITH BOB, a centennial tribute to Robert Rauschenberg, with Trisha Brown Dance Company performing works by Brown and Cunningham May 7-9.
The 2025 Sydney Theatre Awards have announced their winners, celebrating outstanding achievements in theatre across various categories.
The Palm Canyon Theatre’s production of 'Falsettos,' running through July 20, is a captivating rendition of this beloved musical. Directed by David Brooks, with musical direction by Chuck Peery and choreography by Se Layne, the production manages to capture the essence of William Finn and James Lapine’s Tony Award-winning musical with sensitivity and depth.
Hell in a Handbag Productions will continue its 22nd season with the world premiere of POOR PEOPLE! The Parody Musical. See photos from the production.
The World Choreography Awards will be held on November 15, 2022 at the Avalon Hollywood. Being its twelfth year in existence, I spoke with Allen Walls, Creator and Producer of the World Choreography Awards to catch up with this now seasoned Presentation and how it has been evolving through the years. I have reviewed the event in the past and it is a unique evening whose purpose is to present, celebrate and honor the best Choreographed Dance pieces or segments for the year in a now myriad of categories. It has also built upon it's live presentation and quality of live performances, special guests and hosting of the highest caliber.
TOTE is re-staging Ralph Pape’s Comedy-Drama Say Goodnight, Gracie for a full second run, opening September 17th and running through October 30th. See photos of the cast in action.
The YouTube channel The Shows Must Go On! continues July 3 with the Celtic Tiger, starring famed Irish dancer-choreographer Michael Flatley.
One Performance Only! This Sunday, November 3, 2019! Long ago but not far away at all, there were many TV Variety Shows, Award Ceremonies, Music Centers and Theatre abounding with live Musical Performances, all with massive budgets; and dancers in this town, Los Angeles, made a darn good living, albeit having to work their asses off to do so, but it was a good and plentiful, fulfilling life. Besides myself, there was a plethora of working, professional dancers who ended up bonding together pretty easily, as a dancer's life is one of a nomad, or gypsy, going from one job to another, but in doing so, finding kindred spirits and lifelong connections. Jay Johnson, husband of one of these dancers and artistically gifted himself, was part of the artistic community, as was his wife, Sandi, and, typical with dancers, became close friends and comrades with other dancers, choreographers, and like-minded performers. As Jay was earning international fame as a ventriloquist, actor and comedian, and starring on the hit TV Series 'Soap,' us dancers were slaving away, happy to be able to make a living doing what we loved. Jay is best known for his role on ' Soap' as Chuck Campbell, a ventriloquist who believed his puppet Bob was real and demanded everyone treat Bob as human.
In 10th Grade, I was in the chorus of a production of Oklahoma! in the auditorium of my synagogue and it was the best theatrical experience I've ever had. I remember getting home from the closing night cast party and crying myself to sleep. I could cry now putting on the movie or listening to 'The Farmer and the Cowman,' or maybe most of all, if I sing a little bit of the introduction to the title song.
This quote is the opening sentence from the author of the book and the words that inspired, created and catapulted The White Album -- a theatrical representation in full of Didion's autobiographical, literary essays of the same name published in 1979 but focused on the tumultuous period of time between 1966 (though it was officially started in 1968) and 1971, which had an engagement as part of BAM's Next Wave Festival November 28 - December 1, through collaborators between Lars Jan/Early Morning Opera, Mia Barron (who portrayed Didion herself), and multiple commissioners and supporters including Center Theatre Group, arts centers at CalArts, UCLA, Ohio State University and the UCross Foundation, amongst others.