After The Fall - 1964 - Broadway Articles Page 2

The majority of Broadway’s Best Musical winners and nominees become some of the most produced shows in America and beyond, for decades to come. But for a small number of the shows to be nominated for Best Musical, Broadway is one of the only places audiences will ever be able to see that piece.

The Fred Ebb Foundation in association with the Roundabout Theatre Company will present the twentieth annual Fred Ebb Award for aspiring musical theatre songwriters to the team of Cheeyang Ng & Eric Sorrels. Learn more!

Next up on the Bluma Appel stage this season, Canadian Stage will present an all-new production of one of the most simmering dramas in the history of modern theatre, Edward Albee's WHO'S AFRAID OF VIRGINIA WOOLF?, on stage January 18th to February 2nd.

The Fred Ebb Foundation and Birdland Jazz Club announced additional performers for Sing Happy: The Lyrics of Fred Ebb, which will take place next week at Birdland Jazz Club.

BAM has revealed its 2025 Winter Spring Season, featuring Paul Mescal in A Streetcar Named Desire, Whitney White's Macbeth in Stride, and more. Learn more about the full lineup here!

The Fred Ebb Foundation will present the twentieth annual Fred Ebb Award for aspiring musical theatre songwriters to the team of Cheeyang Ng & Eric Sorrels. Learn more about the award and the ceremony here!

Music Director Kent Tritle will lead “Classics for Christmas: Mozart, Bach & Beethoven,” a festive program with two renowned guest artists: Mozart’s ebullient motet Exsultate at Carnegie Hall.

The Fred Ebb Foundation will present SING HAPPY: THE LYRICS OF FRED EBB, a special event celebrating the work of the renowned lyricist. Performers include Kate Baldwin, Heidi Blickenstaff, Telly Leung and more.

This time, the reader question was: With Yellow Face on Broadway, have there been other semi-autobiographical shows on Broadway where the writer made themself a character?

On Sunday, November 3rd, excerpts from the forthcoming Season 2 will be staged LIVE at The Tank in a pre-election stress buster event.

CAT has announced the final three 'Tales at the Dormer House' for 2024, featuring works by George Ade and Will Rogers.

Barry Primus's new play, SOUP IN THE SECOND ACT, will be presented at Theater for the New City from September 26 to October 6. Learn more about the resident theater production.

Casting for American Ballet Theatre’s 2024 Fall season at the David H. Koch Theater from October 16–November 3 has been revealed. See the productions and learn how to purchase tickets.

Rudolph the Red-Nosed Reindeer: The Musical will be presented at The Fabulous Fox Theatre. Learn how to purchase tickets.

Bay Area-based contemporary music group Ensemble for These Times has announced its 17th Home Season entitled 'Women in Transit,' the first in a two-year exploration of the transformational effects of women's border-crossing and liminality in 'our times.'

Portland’s Pink Martini is celebrating their 30th Anniversary this year. The festivities include a massive North American tour and the release of new music this Summer and Fall. Now, they share the first of the new music, their take on the 1947 single “I Told Ya I Love Ya, Now Get Out.”

American Ballet Theatre has revealed its 2024 Fall Season at the David H. Koch Theater from October 16 to November 3, featuring a diverse repertoire of classic and contemporary works. Learn more and see how to purchase tickets.

Umeda Arts Theater will present two new UK-Japan collaboration projects featuring up-and-coming Japanese writers and directors at London’s Charing Cross Theatre.

This time, the reader question was: Have there been a lot of Sondheim productions in New York City since the legendary composer and lyricist passed away?

Long Island's ARGYLE THEATRE has revealed its 2024-25 season featuring a diverse lineup of productions. Learn more about the lineup and see how to purchase tickets.

On Friday, July 26, 2024, Academy Award-winning composer Kris Bowers and GRAMMY Award-winning violinist Charles Yang are spotlighted on a heartfelt new album, For A Younger Self, featuring the talented musicians of the American Youth Symphony (AYS) conducted by Carlos Izcaray.

Psycho Beach Party is a classic summer comedy at the Matrix Theatre on Melrose through July 7th.  It is glorious, glorious fun, campy, frisky, outrageous, and hilarious from start to finish.

Encore! Performing Arts’ production of HELLO, DOLLY! leans heavily into the relentless optimism and good time that’s made the musical a classic. They’ve crafted together a show which takes advantage of every aspect of its production, from the costumes to the orchestrations to the simple power of a Look from the lead.

Catch the jukebox musical BURT & ME this June, featuring the iconic songs of Burt Bacharach and Hal David.

VJM: Thank you both for giving of your time to answer my questions.  I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of.  How did that come about for both of you? Ellenore Scott:  Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival. Ayodele Casel:  I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in.  Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.