Tony-Winning Producer Jim Walsh, Of I'M NOT RAPPAPORT, Dies At 89
Jim Walsh, a two-time Tony Award-winning producer whose Broadway career spanned nearly four decades, has died. His credits include I'M NOT RAPPAPORT and THE HEIDI CHRONICLES.
Jim Walsh, a two-time Tony Award-winning producer whose Broadway career spanned nearly four decades, has died. His credits include I'M NOT RAPPAPORT and THE HEIDI CHRONICLES.
54 Below will host a lineup of performers including Britani Bateman with Lagoona Bloo, Claybourne Elder, Charles Busch, Ute Lemper, Linda Eder, Orfeh, and Jeanna de Waal, alongside a Frank Sinatra tribute concert and other cabaret acts.
S.E.M. Ensemble, led by Petr Kotik, will perform premieres of electronic works by Michael J. Schumacher and Kotik himself at Paula Cooper Gallery in New York.
BritBox will premiere AGATHA CHRISTIE'S TOMMY & TUPPENCE starring Antonia Thomas, Josh Dylan and Imelda Staunton, headlining a fall slate that also includes new seasons of LUDWIG, DEATH VALLEY and TIME.
The Vince Guaraldi Trio's 1965 soundtrack has been certified 6x Platinum by the RIAA, becoming the best-selling jazz album of all time, Craft Recordings announced.
The Boston Symphony Orchestra will open single ticket sales for its upcoming subscription season, featuring Andris Nelsons' final season as music director and guest artist Yo-Yo Ma.
American Ballet Theatre revealed its upcoming seasons at the David H. Koch Theater, featuring a world premiere by Brady Farrar and company premieres of Helen Pickett's Petal, and more.
Cyril Nri will take on the role of Willy Loman in Arthur Miller's DEATH OF A SALESMAN at the Liverpool Everyman, directed by Olivier Award-winning Tristan Fynn-Aiduenu.
Lisa Lampanelli has joined Cause Célèbre Productions as associate producer for the world premiere of THE PEOPLE VERSUS LENNY BRUCE, a play by Susan Charlotte directed by Antony Marsellis at Theatre Row in New York.
A second batch of shows for this year's Edinburgh Festival Fringe has been announced, bringing the current total number on sale for 2026 to 2,083. Learn more here!
VJM: Thank you both for giving of your time to answer my questions. I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of. How did that come about for both of you? Ellenore Scott: Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival. Ayodele Casel: I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in. Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.
What did our critic think of DOUBT: A PARABLE at Beck Center For The Arts?
Read our critic's review - twelve years after MARY POPPINS first flew into Australian theatres, the musical theatre adaptation of P.L. Travers’ famous magical nanny returns to the Sydney stage to the delight of young and old.
Orlando was a deeply engaging, intriguing and thought-provoking exploration whose pondering, messages, striking soundscapes and visuals reverberated and lingered long after the curtain had closed. It is a highly ambitious undertaking but Neuwirth and her colleagues were up for the challenge. What is most exciting is what has now been established for a venue such as The Wiener Straatsoper as we move into a new decade of uncertain times when it is vital that radical expressions of art and activism combined are given such a grand stage with which to proclaim their truths.
The Fred Ebb Foundation (Mitchell S. Bernard, Trustee) in association with the Roundabout Theatre Company (Todd Haimes, Artistic Director) presented the fifteenth annual Fred Ebb Award for aspiring musical theatre songwriters to Angela Sclafani & Benjamin Velez. The award, named in honor of the late award-winning lyricist Fred Ebb, was presented by Kate Baldwin on Monday, December 2nd from 6-8pm at a by-invitation-only ceremony in the Penthouse Lounge of The American Airlines Theater.
Main Street Theater continues its 42nd Season with the Regional Premiere of Daisy by Sean Devine. "Daisy is a story that, through history's irritating tendency to repeat itself, resonates so deeply with our current moment that it should be required viewing for all registered voters." --Seattle Weekly
Burt Bacharach and Hal David, whose pop songs pretty much defined the mid-to-late 1960s and early 1970s, only wrote one Broadway show, Promises, Promises. There may have been many reasons for the success of the show. With stellar turns by Marcelo Medici as the big-corporation employee whose idea on how to get ahead in business consists of lending his bachelor apartment to his married bosses, and by Malu Rodrigues as the cafeteria waitress with whom he falls in love even though she is having an affair with the personnel director, and with Alonso Barros in charge of choreography and Claudio Botelho & Charles M eller directing, the musical proves that it is still as fresh and vibrant as it was when it was first created, opening in Brazil now, 50 years after his debut on Broadway.
As previously announced, the critically acclaimed Beautiful Soup Theater Collective will present the world premiere production of Steven Carl McCasland's Memorare this winter. The new drama, featuring an all female ensemble, will bow at St. John's Lutheran Church on Christopher Street in January of 2018. Set to star in the production is Helen Hayes Award-winner Patti Mariano as Sister Mary Cecelia (Broadway: Original Cast of The Music Man, George M!, The Full Monty and more) and newcomer Ashleigh Awusie as Sister Mary Azu (Ain't Never Been Easy). Award-winning director Peter Darney (5 Guys Chillin') directs the limited engagement.
As previously announced, the critically acclaimed Beautiful Soup Theater Collective will present the world premiere production of Steven Carl McCasland's Memorare this winter. The new drama, featuring an all female ensemble, will bow at St. John's Lutheran Church on Christopher Street in January of 2018. Set to star in the production is Helen Hayes Award-winner Patti Mariano as Sister Mary Cecelia (Broadway: Original Cast of The Music Man, George M!, The Full Monty and more) and newcomer Ashleigh Awusie as Sister Mary Azu (Ain't Never Been Easy). Award-winning director Peter Darney (5 Guys Chillin') directs the limited engagement.
An undisputed comic legend, Lenny Bruce was one of the greatest artists of the 20th century. His life and work have had an impact on poetry, politics, music, film and comedy from Don Rickles to Richard Pryor and Chris Rock, and any other comedian who is now free to speak his/her mind without fear of legal retribution thanks to Bruce challenging our First Amendment freedom of speech rights. Lenny's tempestuous personal and professional life which Marmo embodies with his body, heart and soul, was marked by great passion and great pain, thanks to his unwavering commitment to free speech, which led to numerous obscenity charges and arrests.
The Theatre Group at SBCC opens the 17/18 season with Cole Porter's sparkling musical, HIGH SOCIETY, July 12-29 in the Garvin Theatre.
Sex, power, institutional failure, human frailty, betrayal, dreams and madness are at the core of celebrated Cuban-American writer Maria Irene Fornes's Pulitzer-Prize nominated play What of the Night?
The Original Theatre Company and Salisbury Playhouse in association with Eastbourne Theatres will present the national tour of Emlyn Williams's psychological thriller, NIGHT MUST FALL, directed by Luke Sheppard and starring Gwen Taylor as Mrs Bramson, Daragh O'Malley as Inspector Belsize, Niamh McGrady as Olivia and Will Featherstone as Dan. The tour will begin at Devonshire Park Theatre in Eastbourne on 19 August, with a National press night on Wednesday 7 September at Salisbury Playhouse.
The Center Theatre Group / Mark Taper Forum production of 'The Price' by Pulitzer Prize, Tony Award and National Medal of Honor-winner Arthur Miller, is a penetrating family drama by one of America's greatest dramatists. The play opened at Mark Taper Forum this weekend, on February 21. Check out photos from the opening night below!