Levi Brown joins Adrian Lester and Susannah Fielding in the RSC's West End transfer of CYRANO DE BERGERAC at the Noël Coward Theatre, with a full company of over a dozen additional cast members now announced.
The Sandra Feinstein-Gamm Theatre announced its 2026-27 Season 42 lineup, featuring works by Arthur Miller and Tom Stoppard alongside a world premiere adaptation of Helen DeWitt's THE ENGLISH UNDERSTAND WOOL. Subscriptions go on sale May 6.
The Menier Chocolate Factory has announced full casting for Lindsay Posner's major revival of Peter Shaffer's Equus, in its co-production with Theatre Royal Bath Productions.
The Menier Chocolate Factory has announced that Toby Stephens will play Dr. Martin Dysart in Lindsay Posner's major revival of Peter Shaffer's Equus, in its co-production with Theatre Royal Bath.
Selma Is Now: The Photography of Spider Martin - a powerful exhibition featuring newly restored photographs documenting the 1965 Selma marches is coming to African American Research Library and Cultural Center.
The Menier Chocolate Factory has announced the full cast for its upcoming revival of Ryan Craig's THE HOLY ROSENBERGS, directed by Lindsay Posner.
This weekend, producers Robert Fox and RZO Entertainment Inc are exclusively releasing the filmed London production of Lazarus for three streamed performances only, January 8-10, in remembrance of David Bowie on his birthday and to mark the fifth anniversary of his untimely death.
Celebrating its 10th anniversary with a ceremony held in the iconic Grand Hall of Battersea Arts Centre on Sunday 8 March 2020, the Off West End Awards once again celebrated the best of independent, fringe and alternative theatres across London.
After starring on Broadway as Emilio Estefan and headlining the 1st National Tour of On Your Feet! for a year, Mauricio Martinez, the Mexican star of theatre, music, and television (currently starring in NBC Universo's “El Vato” on Netflix), returned to Feinstein's/54 Below after his sold out debut last year with his solo concert De México To Broadway, where he took the audience on a musical journey of his life & multifaceted career…and his “love affair” with New York.
As an event organizer, I always feel like it's important that I organize the types of events that I see myself going to. If I can't personally see myself attending or spending money to see my own performances then how can I expect other people who don't know me to do the same. What that means for me as a classically-based musician is that I always try to redefine not only how I present the music to audiences but also how I determine what constitutes meaningful and significant repertoire worthy of performance. That's why at many of Driftwood's performances you'll hear music by video game and film composers such as Nobuo Uematsu or Joe Hisaishi alongside works by Mahler or William Grant Still. It's very important to me that we always treat the music with the same due level of care and interpretation whether we're playing an arrangement of Fake Love by Drake or Handel's Water Music. We take the same approach with our collaborations as well. We've played soundtracks to live films, performed with jazz rhythm sections, and performed music that's paired with poetry and spoken word.
