A DELICATE BALANCE, Edward Albee's Pulitzer Prize and Tony-winning masterwork returns to Broadway with an extraordinary cast.
In A DELICATE BALANCE, Agnes (Glenn Close) and Tobias (John Lithgow), a long-married couple, must maintain their equilibrium as over the course of a weekend they welcome home their 36-year-old daughter (Martha Plimpton) after the collapse of her fourth marriage, and give shelter to their best friends (Bob Balaban and Clare Higgins), all the while tolerating Agnes' alcoholic sister Claire (Lindsay Duncan).
The Daily News calls A DELICATE BALANCE "a beautiful play- easily Albee's best and most mature, filled with humor and compassion and touched with poetry." It "proves that old-fashioned stage virtues- originality of voice, depth of feeling, richness of language- can still provide a thrill" (TIME Magazine). "If you really care about serious theatre, brilliant theatre, great acting, and great playwriting, this is the only play to see on Broadway" (New York Post).
Albee likes his works to be directed by MacKinnon because, I think, she makes no attempt to amplify the angst, but concentrates instead on total veracity in primary colors and on turning her actors -- no small feat here -- into an ensemble of interdependent players...Close, returning to Broadway after many years away, will need more time to fully lubricate her considerable skills in this kind of stage-savvy company, although a note of self-consciousness is hardly inapt for Agnes, and Close is always true. But with Lithgow, everything is always in play. Right now. As Tobias, Lithgow's colors are as ample as his fellow's growing understanding that a drink cart is about all that separates a well-appointed home from an elevator, going down...This is, to say the least, a pleasurable three acts of watching others teeter on the brink, which always helps you last another day on terra firma yourself. Albee's gift to humanity, you might say.
'A Delicate Balance' is no play for sissies...All these years later, it's still very disturbing to look this work in the eye...Close, with her fine bones, imperial manner and elegant wardrobe (by Ann Roth), is positively regal as Agnes...Although Agnes admits to the all-too-human fear of losing her marbles and becoming 'mad as a hatter,' she'll brook no challenge to her authority from husband Tobias, played in Lithgow's carefully calibrated perf as a worm of a man -- but a worm who will eventually turn and deliver a blistering reckoning of the family's alienation from the living...It takes guts to take on a role famously played by Marian Seldes in the original production and by Elaine Stritch in the 1996 Broadway revival. So hats off to Duncan for the devilish joy she takes in the spiteful humor of that social rebel, a colorful scandal to the whole family, but a real menace to her sister's domination of the household.
| 1966 | Broadway |
Broadway |
| 1996 | Broadway |
Broadway Revival Broadway |
| 2014 | Broadway |
Broadway Revival Broadway |
| 2022 | Off-Broadway |
Transport Group Off-Broadway Production Off-Broadway |
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