Take Me Along 2008 - Articles Page 4

Is it time to take your acting skills to the next level?  Register now for the seven-week Meisner Acting Technique class at WaterTower Theatre and start taking control of your craft now!

As SYREN celebrates its 20-year anniversary, the company will present Ithaka, a nine-section modern dance created by Kate Sutter in collaboration with the dancers of SYREN and set to the lively and dynamic music of LA-based composer and producer Calimossa.

The Playwrights Realm will present the 2023 INK’D Festival of New Plays (April 24–27), the annual culmination of their Writing Fellows program.

The Roundhouse in association with leading live comedy production company Berk's Nest have announced the initial slate of 2023 programming for the first ever Roundhouse Comedy Festival.

Next to Normal is a 2008 Rock Musical written by Brian Yorkey and Tom Kitt. The plot tells the story of a mother (Diana) who struggles with progressive Bipolar Disorder and how managing the disease and its effects take a toll on her family. The award-winning musical covers such topics as depression, grief, suicide, drug abuse, and ethics of modern psychiatry all set against the backdrop of a suburban lifestyle.

Although it’s been romanticized and idealized in sitcoms like “Friends,” the wilderness years of the modern twentysomething has been most accurately captured in Jonathan Larson’s seminal work RENT. The musical premiered on Broadway in 1996 and subsequently became a phenomenon that’s influenced virtually every musical to follow in its wake.

Artistic Director Antoni Cimolino has announced the 2023 season, inspired by the theme of Duty vs Desire. The playbill includes 13 lively and thought-provoking productions across four theatres, along with a full slate of events in The Meighen Forum.

What did our critic think of TINA-THE TINA TURNER MUSICAL at Providence Performing Arts Center? The Providence Performing Arts Center opened its 2022-23 season with the National Tour launch of TINA-THE TINA TURNER MUSICAL-its 21st national tour launch since 2008's LEGALLY BLONDE THE MUSICAL.

deadmau5 and Kaskade - known jointly as Kx5 – have had much success with their 2022 single “Escape” featuring Hayla. Currently the track is sitting at #32 on Top 40 U.S. radio, a first for either artist. On the heels of “Escape,” the duo have shared the news of a new single with “Take Me High” which will be released on September 16.

Celtic Thunder, the multi-dimensional musical and theatrical ensemble celebrated around the world for emotionally powerful Irish-inspired performances have announced a new worldwide, live-streaming event.

Which Best Musical and Best Play nominees will win a Tony Award? BroadwayWorld has rounded up the winners of the Tony Awards, the Drama Desk Awards, the Drama League Awards and the Outer Critics Circle Awards for the last fifty years to compare winners year by year.

At last night's Met Gala, Lin-Manuel Miranda revealed that he is teaming up with Andrew Lloyd Webber for a new project this summer. The pair will work together on something for the Queen's Platinum Jubilee, set to take place in June.

Since theatre has returned to New York City, I have seen many different shows. I’ve been to musicals, plays, and even interactive shows. But nothing can compare to one of the modern classic plays, The Play That Goes Wrong. I’ve been lucky enough to see it twice over the past two months, and even knowing all of the twists and turns, the second performance ended up being just as entertaining, if not more, than the first! Recently, I had the opportunity to interview Chris Lanceley, who plays “Jonathan” in the off-Broadway production of The Play That Goes Wrong at New World Stages.

There may be an age difference between the women in this Duo Act but Ava Nicole Frances and Charlotte Crossley are, most certainly, simpatico.

The First National Tour has officially begun for the history-making production of To Kill a Mockingbird, Academy Award winner Aaron Sorkin's new play, directed by Tony winner Bartlett Sher and based on Harper Lee's classic novel. Read the reviews here!

The Green Room 42 has announced their March line-up for in-person performances. Located inside YOTEL Times Square (570 Tenth Avenue, Fourth Floor), The Green Room 42 is Broadway's newest and most spacious cabaret club.

The Green Room 42 has announced their February line-up for in-person performances. Additionally, The Green Room 42 is excited to launch 5/5/5 Tickets – in celebration of their 5th Anniversary, five $5 tickets will be available for every show from February 15, 2022, through February 14, 2023.

The Guthrie Theater today announced its 2021–2022 Season, including the national tour of What the Constitution Means to Me by famed writer Heidi Schreck; a world-premiere adaptation of A Christmas Carol by Lavina Jadhwani, featuring all-new creative design; Lorraine Hansberry’s heralded A Raisin in the Sun, and more.

The Warner Bros. Pictures film fuses Lin-Manuel Miranda’s kinetic music and lyrics with director Jon M. Chu’s lively and authentic eye for storytelling that captures a world very much of its place, but universal in its experience.

Glenn played Dawn Pinket in the original Broadway production of Waitress (2016). Other theatre credits include: Love's Labour's Lost (2013, Delacorte Theatre); Yoshimi Battles the Pink Robots (La Jolla Playhouse, 2012); and Spring Awakening (National Tour, 2008-2010).

The criteria are that these shows have been nominated for Best Musical from the 3rd Tony Awards (the ceremony that started the Best Musical category) in 1949 to the nominations of what will now be the 74th Tony Awards in 2021. I will be determining their signs based upon their Broadway premiere date. With those rules in mind, here we go!

The everyone else part of ME, MYSELF, AND EVERYONE ELSE all comes from one amazing woman and breathtaking whirlwind of talent. This is Christina Bianco.

Martin Markinson, one of the leading Broadway producers and independent theatre owners of the past 50 years, died on Thursday, January 7th at his home in Santa Fe, New Mexico surrounded by love. He was 89 years old.

Baring It All with Call Me Adam returns today, Thursday, January 7, 2021 when Season 2 of the entertainment podcast begins. This season, Baring It All host Adam Rothenberg focuses on his guest’s legacy and lessons learned.

Talking to Khori Dastoor, General Director of Opera San José brings to mind that old quote from Elizabeth Taylor when she was faced with unimaginable adversity, “Now is the time for guts and guile.” Just one year into her tenure as GD, Dastoor is faced with an almost impossible situation due to the Covid pandemic. Out of all the arts, opera, the artform which she has made her life’s work, arguably has the biggest challenges. After all, the act of singing operatically produces enormous amounts of aerosols, the core audience is older and thus especially at risk for Covid, and the population at large may not consider opera to be essential to their lives. Since creating new works is practically impossible, many GD’s are offering a sort of greatest hits of former glories, video snippets from past years that were already in the can. Or maybe something like a “reading” of an old holiday chestnut like Der Rosenkavalier, presented Brady-Bunch style on Zoom. So what does Dastoor do instead? She goes bravely programs a brand-new, beautifully-produced production of Jake Heggie’s Three Decembers, starring no less than world-renowned opera star Susan Graham, alongside two of Opera San José’s super-talented Resident Artists, soprano Maya Kherani and baritone Efraín Solis. This immensely moving chamber work is based on an unpublished play by Terrance  McNally, adapted by librettist Gene Scheer, and tells the story of a family struggling to connect during the early years of the AIDS pandemic. The work premiered in 2008, yet somehow feels more relevant than ever, given the parallels with what we’re all going through today, as evidenced by McNally’s death from Covid earlier this year. The opera is currently available for streaming through the end of December. For more information or to purchase tickets, visit operasj.org. BroadwayWorld spoke with Dastoor shortly after the filming of Three Decembers had been completed. Dastoor was remarkably open and forthcoming about the challenges of the opera world right now, even as her passion for growing the artform burns stronger than ever. We talked about how she managed to produce Three Decembers during Covid, her successful earlier career as a lyric soprano, and the imperative to keep the arts alive during these difficult times. Her responses to my questions were invariably thoughtful, often surprising and not without humor. And, as a rare woman of color leading an opera company, her understanding of the need to open up her artform runs deep. Above all, though, she is just plain fun to talk to - effortlessly engaging, whip-smart, emotionally transparent, and without an ounce of pretension.