Theater fans have turned Senator Bernie Sanders' appearance at President Joe Biden's inauguration into a meme today, juxtaposing him into iconic pictures and posters of Broadway shows. Senator Sanders has been dropped into the worlds of in Sunday in the Park With George, Chicago, Beetlejuice, Hadestown and more.
Playhouse on the Square, in partnership with Sue and Frank Guarino, have announced the staged readings for this year's competition finalists. Streamed live via Zoom, the six readings will take place on the Playhouse on the Square main stage, December 6-8 & December 13-15 at 7:00 pm.
What is more fitting story during Covid-19, than that of a man called Murdo who takes to his bed for metaphysical reasons? What will get him out of bed? he cast of Lazybed, directed by Levi Gore hails from Albuquerque, Austin and Atlanta!
BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!
Now celebrating its 18th year, the annual production of THE MANOR has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors who each inhabit their characters to a tee, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 91 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the tragic Doheny family saga have been changed, of course, a?oeto protect the guiltya?? as we are told before the play begins by the mansion's loyal butler, James, portrayed this year by David Hunt Stafford who also produces the show for Theatre 40 in association with The City of Beverly Hills.
An interview with Beverly and Kirby Ward, producers and directors of the new production of 'Big River' at the Rubicon Theatre Company.
'Macunaima', Mario de Andrade's masterpiece, won a new theatrical production by Barca dos Coracoes Partidos Company. The direction by Bia Lessa proposes a reflection on contemporary life, transforming the text into a musical rhapsody. The show is part of the permanent relevance of the most characteristic work of Brazilian Modernism: its ability to still provoke spectators, more than ninety years after its creation. Behind the apparent comedy, we are faced with a tragic character that sums up many of the impasses of contemporary Brazil. After all, Macunaima is, at the same time, an indian and a quilombola who is seen, by force of circumstances, moved to the big city, where everything is different and frightening. He is also a survivor: on returning to his quest, he discovers that he has been decimated. There is no more place for him in the world. Maybe there is no world anymore.
When it opened on Broadway in 2006, The Drowsy Chaperone boasted an all-star cast and garnered five Tony Awards, including Best Book of a Musical and Best Original Score. You can expect that same quality in Broadway at Music Circus' third production of the summer, with Lynne Wintersteller returning to Sacramento in the title role. Lynne was last seen here in 2017 as Dolly Levi in Hello, Dolly! and as Mother Superior in Sister Act, where she solidified her place as Music Circus royalty and left audiences anticipating her return. We are now lucky enough to witness that event and Lynne was generous enough to speak with Broadway World Sacramento about her newest role and what we can expect from her in the future.
Wheelock Family Theatre at Boston University announces its 2019-2020 Season including Roald Dahl's musical Willy Wonka (October 25-November 24, 2019), Little Women: The Broadway Musical (January 31-February 23, 2020), The Little Prince (April 8-May 24, 2020), and Bud, Not Buddy (April 28-May 24 2020). Subscription packages are now on sale. Visit www.wheelockfamilytheatre.org to view savings options and benefits. Single tickets for the 2019-2020 Season will go on sale September 3, 2019.
Mint Theater (Jonathan Bank, Producing Artistic Director) will present the American Premiere of The Mountains Look Different by Micheal mac Liammoir, hailed as 'a courageous play in which there is no beating about the bush' by The Christian Science Monitor. Performances will begin May 30th and continue through July 14th only at Theatre Row (410 West 42nd Street). Opening Night is set for June 19th.
Skidmore Theater is pleased to announce its Spring Main Stage Production, Cabaretby Joe Kander, Fred Ebb, and Joe Masteroff, directed by artist-in-residence John Michael DiResta. This production explores queerness, fascism, and jazz in a highly immersive fashion in which the theater space is reinvented, transforming the JKB into the Kit Kat Club and allowing some audience members to sit on the stage at cafe tables
The University of Washington's Meany Center for the Performing Arts, under the leadership of Executive and Artistic Director Michelle Witt, announces its 2019/20 Season with a lineup of 23 adventurous and visionary artists from around the globe. One of the nation's leading university presenters, Meany Center brings artists of exceptional artistry and diverse perspectives to Seattle, providing extraordinary performances and unique learning experiences to both community and campus. The 2019/20 Season explores the theme of empathy in the arts and celebrates the 250th anniversary of the birth of Ludwig van Beethoven, an artist whose life and work resonates with the season's theme. The new season will also feature work by two Creative Research Fellows participating in the UW's Creative Fellowships Initiative, choreographer Brian Brooks and performance artist Daniel Alexander Jones.
Skidmore Theater has announced its Spring Main Stage Production, Cabaret by Joe Kander, Fred Ebb, and Joe Masteroff, directed by artist-in-residence John Michael DiResta. This production explores queerness, fascism, and jazz in a highly immersive fashion in which the theater space is reinvented, transforming the JKB into the Kit Kat Club and allowing some audience members to sit on the stage at cafe tables.
Celebrate the 91st birthday of the Ohio Theatre with a free concert and singalong showcasing the Ohio's original "Mighty Morton" theatre pipe organ. CAPA featured organist Clark Wilson will replicate the audience singalong performed by former resident organist Roger Garrett on February 16, 1969, as part of the "final performance" at the Ohio Theatre. This will be followed by a concert from world-renowned organist Simon Gledhill featuring music from Broadway, Hollywood, and the Great American Songbook.
The Shakespeare Theatre Association (STA) annual conference came to Prague this year. It has an extensive performance program, crafted by host Guy Roberts and Prague Shakespeare Company, that was open to the public as well as conference attendees. The conference was all about bringing the focus back to the artistic sides of things, as theatre tries to compete in a world filled with on-demand entertainment.
Every January I look forward to attending THE MANOR by Katherine Bates, presented by Theatre 40 inside the historic Greystone Mansion in Beverly Hills where the story upon which it is based actually took place. Now celebrating its 17th year, the annual production has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 90 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the Doheny saga have been changed, of course, "to protect the guilty" as we are told before the play begins by the mansion's loyal butler, James (Daniel Lench who has masterfully played the part for 6 years).
Irish Repertory Theatre announced today special events and programming for the month of February as part of the The Sean O'Casey Season, celebrating 30 years of Irish Repertory Theatre.
After a hard day's labor in a parish workhouse for children, a nine-year-old orphan named Oliver asks for a second serving of gruel. The workhouse master, annoyed by Oliver's impertinence, sells him into an apprenticeship with a drunken undertaker and his abusive wife. Fearing for his life, the boy escapes to London, where he falls in with the Artful Dodger and a band of juvenile pickpockets led by the criminal Fagin. Oliver discovers heroes and villains in all manner of strange places as he learns how to survive and thrive on the streets of the city. Including such favorite songs as "Food, Glorious Food," "Consider Yourself," and "You've Got to Pick a Pocket or Two," Lionel Bart's adaptation of Charles Dickens' social satire of 19th-century London remains a cherished musical for all ages.
Brecht and Weill's The Threepenny Opera (l'Opera de Quat'Sous in French) is one of those works that became the hallmark of its era. Its sound, its look, and its cynicism are pure Weimar. However, during the 1928 Berlin premiere, early songs such as 'The Ballad of Mac The Knife' and 'Pirate Jenny' landed with a shrug, and it wasn't until the 'Canon Song,' halfway through the first act, that the audience became engaged. All of this to say that The Threepenny Opera is a complicated play whose virtues might not be immediately evident to the uninitiated. The production at Avignon's Opera Confluence, as directed by Jean Lacornerie, comes in at a swift two hours without intermission. While crammed onto an over-packed stage and breathlessly paced, Lacornerie still manages to keep the action moving with style.
Michael J. LaChiusa (music, lyrics and book) and George C. Wolfe's (book) musical interpretation of Joseph Moncure March's once scandalous 1928 poem THE WILD PARTY is an escapist night of deliciously dark debauchery. The latest production from Little Triangle Theatre is a feast for the senses with fabulous music combining with brilliant choreography and creative costuming.
The Stratford Festival lost one of its pioneers today. Douglas Rain died of natural causes early this morning at the age of 90 at St. Marys Memorial Hospital, just outside of Stratford, Ontario, the city in which he established his career, becoming one of the world's great classical actors.
Rarely produced in full, Metropolitan Ensemble Theatre (MET) presents the entirety of Horton Foote's nine-act Magnus Opus “The Orphans' Home Cycle” running in repertory through November 18, 2018. This massive production utilizes over 30 veteran performers from across the Metro KC area in 64 roles throughout the expansive production.
The Resident Acting Company, a new troupe drawn from the performing ensemble of The Pearl Theatre Company, will present a staged reading of 'The Belle's Strategem' by Hannah Cowley on Monday, October 29 at 7:00 PM at The Players Club, 16 Gramercy Park South. The reading is the second installment of the troupe's 'The Language Series,' which is devoted to plays that delve into the use of words to lie, deceive, manipulate, conquer, tell the truth, work out the meaning of life and even to find love.
Marius (Justin Mouledous) begs Eponine
(Emma Pollet) for help finding Cosette
'Life-changing,' 'Engaging,' 'Rewarding,' 'Surreal,' 'Exciting,' 'Humbling,' 'Wonderful,' 'Extraordinary,' and 'A Blast and a Half' are just a few of the ways this extraordinary, young cast is encapsulating what it is like to be a part of The New Octavians production of the epic, grand, and uplifting, Les Miserables School Edition-The show that packs an emotional wallop that has thrilled over 65 million people worldwide. Winner of over 100 international awards, Les Miserables is an epic and inspiring story about the survival of the human spirit. The musical, based on Victor Hugo's novel, adapted for high school performers, features one of the most memorable scores of all time and some of the most memorable characters to ever grace the stage. This cast of nearly fifty students, hailing from twelve different schools from the Northshore area of the New Orleans Metropolitan area, is certainly fulfilling expectations. It is always a challenge to produce a show of this magnitude, but for Director, Brent Goodrich, being able to recruit talent from all over our community has made this production not only possible, but even more sensational.
Prepare for an illuminating journey when The Psychedelic Film and Music Festival holds its inaugural event featuring a lineup of science fiction, horror, fantasy, surrealist and virtual reality films, music and stage performances and panel discussions set to explore the altered states of consciousness and truth behind the vibrant and enduring psychedelic culture. The week-long gathering will feature musical performances by Simon Boswell with The AND, Psychic Ills, Heaven, Michael Tapper, Roosevelt Island and Nosh alongside appearances by researchers Dr. Dennis McKenna, Robert Barnhart and other special guests notable for breakthroughs in the psychedelic community. Premiering at venues in Brooklyn, Manhattan and Queens, the festival will run October 1-7, 2018.
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