BWW Review: Pacific Northwest Ballet Shows Sophistication and Flair
The theme running through the sophisticated, contemporary triple bill now in repertoire for PNB is that of yearning...
BWW Review: Spooky THE LOST GIRLS at The Annex Theatre Misses Forest for Trees
Quarter-life crisis is the new midlife crisis, and the characters in The Annex Theatre's 'The Lost Girls' are suffering. What's the point of spending so much on a college education in the liberal arts only to work at a summer camp and move back in with your parents? On top of the expectations of the...
BWW Review: A Predictable Sitcom with UNEXPECTED WILDERNESS at The Annex Theatre
The Annex Theatre advertises their current production 'Unexpected Wilderness' to be a 'farcical romp'. I saw Jaryl Draper's show at The Annex, and I beg to differ. A farce is a madcap comedy where characters find themselves in extreme, exaggerated, ridiculous situations, and hilarity ensues. A ri...
BWW Review: NCTC's THE BIG MEAL is a Feast of Emotions and Brilliant Performances
Either I'm getting soft in my old age or everyone has decided to bring out their big guns (theatrically) at the end of the year as this is the third show in two weeks that has absolutely floored me. New Century Theatre Company's 'The Big Meal' takes what can be a simple romantic comedy/family drama...
BWW Review: Reboot's FLY BY NIGHT Charms but Mires Itself in Repetition
With their second production, Reboot Theatre Company hopes to charm its audience with this sweet little tuner "rebooted" by the company with its gender bent casting. Unfortunately, as talented and likable as the cast is, the show fails on two very important levels. It's certainly not little at 2 h...
BWW Review: Radial's WHITE RABBIT RED RABBIT Takes a Visceral Emotional Journey
Dear Readers, there's not much I can tell you about Nassim Soleimanpour's searing play, 'White Rabbit Red Rabbit' currently having it's Northwest Premiere at 18th and Union from Radial Theater Project. I'm unable to tell you about the play not because I don't remember but because you shouldn't know...
BWW Review: Theatre22's Elaborate THE PRIDE Pulsates and Plods
In the opening scene of 'The Pride,' we immediately understand two things about the men on stage: they are British, and they are uncomfortable. It's 1958. Oliver says hello to Philip. The conversation is taught, small, and as light-hearted as two people 'with nothing in common' can muster. In this m...
BWW Review: ACT's Deliciously Naughty and Complex DANGEROUS LIAISONS
One of my favorite things in seeing all the shows I do is to stumble upon one that I like to refer to as 'alchemy'. It's that rare instance where all of the elements, the script, actors, director, set, costume, lights, music, etc all come together in just the right way and at just the right times t...
BWW Review: Seattle Shake's MEDEA – A Shining Performance Disrupted by Gimmicks
Euripides' tragic title character in 'Medea' is one of those parts that actresses give their eye teeth (or even sacrifice their children) to play. She's a strong and committed woman with a wildly emotional arc. So with a role such as this where it's really all up to the lead, for the rest of the p...
BWW Review: Seattle Children's Theatre's THE LION, THE WITCH, AND THE WARDROBE: A Sprint Through Narnia
C.S. Lewis' 1950 fantasy novel, 'The Lion, the Witch and the Wardrobe' has withstood the test of time, delighting generations of children and adults, religious and non-religious alike in book, film, and theatre form. Adrian Mitchell's musical adaptation of 'The Lion, the Witch and the Wardrobe' now ...
BWW Review: Powerful and Evocative World Premiere ROZ AND RAY at Seattle Rep
Powerful plays such as "Angels in America" and "The Normal Heart" have driven right to the heart of the AIDS epidemic by spotlighting the ignorance and bureaucracy at the center of the disease which allowed it to spiral out of control so quickly. But beyond the gay community there was another group...
BWW Review: Dark Gritty Infidelity in Sidecountry's MURDER BALLAD
Sometimes some of the best shows out there are the cult followed ones, the ones that are really only known by niche groups or musical theater nerds. While mainstream audiences may go to shows about green girls or founding fathers, there are other audiences who travel off the beaten path to see show...
BWW Review: BEAUTIFUL at the Paramount Lives Up to Its Name
The major problem I have seen with jukebox musicals is they may have the music to entertain with a nostalgic value but not the book. Then there's the pitfall of the music itself being so focused on one artist that, unless you're a die-hard fan, you can get bored ('Jersey Boys' falls into both traps...
BWW Review: The Dream is Impossible with 5th Ave's MAN OF LA MANCHA
Dale Wasserman, Mitch Leigh, and Joe Darion's "Man of La Mancha" is a bona fide classic. It's a sweeping epic filled with power, pathos, romance, and tragedy … when it's done right. The show is by no means bulletproof. I've seen incredible productions and I've seen mediocre productions. And af...
BWW Review: Teatro ZinZanni's Exuberant WELCOME TO WONDERLAND
I don't think I've ever seen a bad Teatro ZinZanni show. I mean I really don't think there could be one unless they inexplicably decided to sit on the stage and blankly stare at the audience for three hours while serving us large plates of runny eggs and sour milk. Teatro ZinZanni shows are always...
BWW Review: Gender Roles Examined Through Music, Dance, and Word in SANS
My regular readers know of my distaste for performance art. Mostly this is due to the fact that I usually just don't get what they're trying to convey or find the way they are conveying it gratuitous and self-gratifying. On the other hand I love music and dance and of course good theater. And so ...
BWW Review: Classic RAISIN IN THE SUN at Rep Spotlights How Far We Haven't Come
There are certain plays out there that remain enduring classics. Maybe they're just that good. Or maybe they still pack a punch all these years later and resonate with attitudes of today. Well the Seattle Rep is presenting one on those classics with Lorraine Hansberry's "A Raisin in the Sun" and ...
BWW Review: Experience the Savory and Spooky at HOTEL NORDO
Who doesn't love a good ghost story? Myself, I've always been drawn to shows like 'The Twilight Zone' or 'American Horror Story'. Now how about a ghost story coupled with some fantastic music and a sumptuous meal? Well prepare yourself for a fabulous evening out perfect for these autumn months wi...
BWW Review: Seattle Public Theater's Blisteringly Intense ON CLOVER ROAD
Hang with me here, Dear Readers, as there are only a few things I can tell you about Seattle Public Theater's current production of 'On Clover Road' lest I give away any surprises. In fact when I arrived to the theater the management asked me not to open the press packet they gave me to keep the se...
BWW Review: Ibsen's GHOSTS at ArtsWest: A Haunting Triumph
Henrik Ibsen's lesser-known drama 'Ghosts' should be just as prolific as 'A Doll's House.' This 19th-century societal criticism is one to check off your classical theater bucket list, and Richard Eyre's masterful adaptation at ArtsWest is impressively close to the original. On top of casting two ...
BWW Review: Fantastic Z's DEVIL BOYS FROM BEYOND a Bit Too Campy
Fantastic Z Theatre is closing out their season of gay comedy with the campy take on 50's sci-fi, Buddy Thomas and Kenneth Elliott's 'Devil Boys From Beyond'. And while this crazy romp certainly has the fun of their previous shows, at times the camp gets to be a bit much to the point of lacking foc...
BWW Review: Alien Charades in Gilded Armor in Forward Flux's THE WEDDING GIFT
What do you get when you cross a science fiction slavery parable with a game of charades? You get Forward Flux's production, 'The Wedding Gift' by Chisa Hutchinson....
BWW Review: Hell is Other College Students in Forward Flux's Harrowing THE SUMMER HOUSE
There lies an insidious nature beneath excessive indulgence, and three college students' summer break perfectly captures how dark too much fun can get in 'The Summer House'....
BWW Review: Schmeater's TRUMP THE KING Mimics Current Political Events a Bit Too Much
It would be fairly difficult to not know what's going on with the political campaign these days especially all the asinine things a certain candidate keeps saying which have been fodder for every news cycle and comedian for months. So I guess it was just a matter of time before we get a bit of thea...
BWW Review: WET's REVOLT. SHE SAID. REVOLT AGAIN. Hits Hard but Not Always Coherently
I've never been a fan of performance art as it tends to lose its message amidst the blur of being odd. I mean I'll never forget the piece I saw where a woman gave birth to herself only to be followed by a group of men beating her with pillows. Having said that, Washington Ensemble Theatre's curren...
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