BWW Review: Seattle Public Theater's THE LIAR: Effervescent and Groovy
Modern adaptations of traditional texts are common, but mod adaptations of traditional texts are quite rare.
The latest reviews and critic recommendations from Seattle.
Modern adaptations of traditional texts are common, but mod adaptations of traditional texts are quite rare.
Is it possible to put a really good horror story on stage? It has been done to some limited success with things like "Sweeney Todd" or "The Woman in Black" and now we have the truly creepy offering from National Theatre of Scotland with their adaptation of "Let the Right One In".
Something's wrong when a tertiary character with no name upstages your main character.
I do love it, Dear Readers, when a show manages to thrill without the aid of elaborate sets or gimmicks.
There's something to be said for a bunch of actors, putting in the work and leaving it all out on the stage unencumbered by elaborate sets.
Who am I to judge how anyone processes the political climate? Well, when it's theatre, technically, it's my job.
Conceptual productions are tricky because you have to find that balance of being cerebral and being entertaining, especially when you market yourself as a comedy.
I've never been a huge fan of Rodgers and Hammerstein's "The King and I", currently playing at the Paramount Theatre.
Behold, a rare gem, a piece of art that combines two vastly different disciplines: theater, and math.
I was fortunate enough to see Tyne Daly in Terrence McNally's "Mothers and Sons" when it was on Broadway.
If you've ever seen Patrick Barlow's brilliant stage adaptation of the Hitchcock film "The 39 Steps" you know what a fast paced thrill ride it is.
It's easy to feel skeptical when young Sara Porkalob steps onto Cafe Nordo's stage and claims to be celebrating her sixtieth birthday.
You know that nightmare you have where nothing makes sense as the plot keeps switching from one horrible situation to the next? You try and try but you just can't make anything good last for more than five minutes.
I'll admit to a large dose of skepticism when heading in to see "Woody Sez: The Life and Music of Woody Guthrie" currently playing at the Seattle Rep.
Lord, save us from pop songwriters who think they can write musical theater.
When you have a show that is so focused on one character, it's always interesting to see the different takes different actors give to the role.
In these chaotic and somewhat disturbing times, we can all use a good laugh as a release valve.
The “playwright” of “Vietgone”, currently playing at the Seattle Rep, tells us from the beginning that this is not a war story but a love story.
Welcome aboard the HMS Whooville for your holiday excursion.
Just a few days ago I reviewed a show that, if you remember, I felt had one major downfall; that the newer songs bringing it from the film version to the stage version had lyrics written by Glenn Slater.
Let me see if I can get us into that Noir mood, Dear Readers.
The original animated film of "Disney's The Little Mermaid" is arguably one of the best of the Disney canon.
I remember my first exposure to Robert Louis Stevenson's classic, "Treasure Island".
It's that time of the year again! Theatre Schmeater's 'Twilight Zone: Live!' celebrates its 24th birthday with three culturally pertinent episode adaptations.
There's always a danger in any kind of entertainment that the show will be hyped up so much that when you finally see it, it cannot possibly live up to the image in your mind.
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Million Dollar Quartet Harlequin Productions (6/19-7/19) |
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The Play That Goes Wrong Seattle Rep Theater (6/11-6/28) |
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Jack Johnson at Gorge Amphitheatre Gorge Amphitheatre (9/26-9/26) |
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Wonderland Ballyhoo Theatre (7/17-7/25) |
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Silent Movie Mondays: The General The Paramount Theatre (7/27-7/27) |
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BEDROOM FARCE at Tacoma Little Theatre Tacoma Little Theatre (7/10-7/26) |
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Monsta X Wamu Theater (10/24-10/24) |
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Mötley Crüe Cascades Amphitheater (9/26-9/26) |
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Professor Brian Cox Moore Theatre (1/16-1/16) |
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Wish You Were Here by Sanaz Toossi ArtsWest (6/11-7/05) |