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SEATTLE THEATER REVIEWS

The latest reviews and critic recommendations from Seattle
BWW Review: Orwelian ONERUS Sets New Standard for Sci-Fi Dinner Theatre at Café Nord

BWW Review: Orwelian ONERUS Sets New Standard for Sci-Fi Dinner Theatre at Café Nordo

by Amelia Reynolds — September 28, 2017
The intensely immersive experience of dining at ONERUS is perfect for fans who love and respect well-written sci-fi. Directed by Opal Peachey, this thoughtful, thought-provoking cautionary tale is science fiction at its finest (and the food ain't half bad either)....
BWW Review: Theater Schmeater's NEIGHBORHOOD 3 Confounds with Little Payoff

BWW Review: Theater Schmeater's NEIGHBORHOOD 3 Confounds with Little Payoff

by Jay Irwin — September 25, 2017
Let me assure you that you need not have seen Neighborhood 1 or Neighborhood 2 in order to understand Theater Schmeater's current show Neighborhood 3: Requisition of Doom for two reasons. First, there are no such things as Neighborhood 1 or Neighborhood 2 as the title does not refer to an...
BWW Review: Forward Flux's Double Feature, Pt. 2: She's 32, He's 15, NO MORE SAD THIN

BWW Review: Forward Flux's Double Feature, Pt. 2: She's 32, He's 15, NO MORE SAD THINGS Is Still Worth Seeing

by Amelia Reynolds — September 24, 2017
It starts ambiguously; two actors stare lovingly into each other's eyes, knelt on the ground as a third person sound-checks their ukulele. The two lovebirds Jessiee (Kiki Abba) and Kahekili (Lance Valdez), do not look like your typical, starry-eyed couple. And that kind of becomes the joke in No Mo...
BWW Review: Forward Flux's Double Feature, Pt. 1: LAS MARIPOSAS Y LOS MUERTOS Calls O

BWW Review: Forward Flux's Double Feature, Pt. 1: LAS MARIPOSAS Y LOS MUERTOS Calls Out Cultural Appropriation in Modern Music

by Amelia Reynolds — September 24, 2017
Forward Flux's hosts another double feature, currently performing at West of Lenin. Las Mariposas Y Los Muertos is one big middle finger to Pitchfork and Vampire Weekend. Rolled into a story of three jaded musicians striving for more authenticity in the cultural milieu, here lies a call to arms co...
BWW Review: THE LAST FIVE YEARS at Taproot Showcases More Talent Than You Might Expec

BWW Review: THE LAST FIVE YEARS at Taproot Showcases More Talent Than You Might Expect

by Jay Irwin — September 22, 2017
The Last Five Years , that Jason Robert Brown quirky two hander gets put up quite a bit and it stands to reason, it's a fun show filled with rich songs, it's only two actors, it typically has little to no set and so everyone and their dog puts it on. I've seen it multiple times since it came on th...
BWW Review: Et Tu, Brute? is Comme Ci Comme Ça with Seattle Shakespeare Company's JU

BWW Review: Et Tu, Brute? is Comme Ci Comme Ça with Seattle Shakespeare Company's JULIUS CAESAR

by Amelia Reynolds — September 20, 2017
This rendition of Julius Caesar by the Seattle Shakespeare Company will offer a few surprises. It is a streamlined production with a race and gender-diverse cast. With no clear-cut villains and heroes, this epic tale of political savagery has an engaging narrative. But when said savagery feels tep...
BWW Review: TEH INTERNET IS SERIOUS BUSINESS from WET brings the Lulz and Even Some T

BWW Review: TEH INTERNET IS SERIOUS BUSINESS from WET brings the Lulz and Even Some Thoughtz

by Jay Irwin — September 19, 2017
First and foremost, this is not a typo. The current show from Washington Ensemble Theatre is titled Teh Internet is Serious Business no matter how many times spell check tries to auto correct it for me. And with a title like that you might assume that this will just be a series of computer jokes...
BWW Review: Strawberry Theatre Workshop's WHY WE HAVE A BODY a Head-Scratcher

BWW Review: Strawberry Theatre Workshop's WHY WE HAVE A BODY a Head-Scratcher

by Amelia Reynolds — September 19, 2017
Everyone has memories that feel rife with significance, but said significance does not necessarily make sense to others. And if the best depiction of said memory is beyond traditional language, then playwrights like Claire Chafee use poetic language to communicate said significance. In Chafee's Why...
BWW Review: Book-It Examines the Birth of an Icon with I KNOW WHY THE CAGED BIRD SING

BWW Review: Book-It Examines the Birth of an Icon with I KNOW WHY THE CAGED BIRD SINGS

by Jay Irwin — September 17, 2017
Easily one of the most influential American writers of our time, Maya Angelou beyond being an amazing poet an author was also an outspoken civil rights activist and icon for our age. Book-It Repertory has done honor to this fine woman with their current production of her autobiography I Know Why t...
BWW Review: Village's INTO THE WOODS Has Moments in the Woods but No Connections

BWW Review: Village's INTO THE WOODS Has Moments in the Woods but No Connections

by Jay Irwin — September 16, 2017
I'll admit, Dear Readers, that when I saw the cast list for Village Theatre's current production of Stephen Sondheim and James Lapine's classic Into the Woods I was quite excited. It was (and is) quite a list of powerhouse talent and not the usual suspects for a Village show. But Sondheim's show...
BWW Review: Charming Meta Journey with KING OF THE YEES at ACT

BWW Review: Charming Meta Journey with KING OF THE YEES at ACT

by Jay Irwin — September 15, 2017
It's a world we may not know much about, that of old school Chinatown, with their family associations and insider customs. Hell, Lauren Yee grew up in this world and even she seems to be cut off from it and her Father Larry Yee runs the Yee Family Association. But that's the point of her play Kin...
BWW Review: Previously Promised SOMETHING ROTTEN! Finally Comes to 5th Ave - Worth th

BWW Review: Previously Promised SOMETHING ROTTEN! Finally Comes to 5th Ave - Worth the Wait?

by Jay Irwin — September 14, 2017
Let's set the Way Back Machine to the 2014/2015 season where the 5th Avenue Theatre touted the pre-Broadway tryout of a new musical comedy called Something Rotten! . Many musical theater geeks, myself included, were quite excited at the premise of this new tuner but then the theater Gods frowned u...
BWW Review: The Williams Project's BLUES FOR MISTER CHARLIE a Masterpiece

BWW Review: The Williams Project's BLUES FOR MISTER CHARLIE a Masterpiece

by Amelia Reynolds — September 10, 2017
Stop reading and find time in your schedule for this ridiculously good play at www.williamsproject.org. This show has a short run, and it's pay what you can, so there's no reason why one should not see this play....
BWW Review: Fresh-Faced THE SOUND OF MUSIC at The Paramount : Something Good

BWW Review: Fresh-Faced THE SOUND OF MUSIC at The Paramount : Something Good

by Amelia Reynolds — September 9, 2017
Rogers & Hammerstein's 'The Sound of Music' has been a musical staple for generations. Currently showing at the Paramount, this touring production has all of the snow-capped mountains, starched habits, and vocal prowess one could want. The young and eager cast makes this classic feel fresh....
BWW Review: ArtsWest's THE WHO AND THE WHAT Doesn't Connect with the Who or the What

BWW Review: ArtsWest's THE WHO AND THE WHAT Doesn't Connect with the Who or the What

by Jay Irwin — September 8, 2017
Playwright Ayad Akhtar is one of the darlings of contemporary theater with his Pulitzer Prize winning play "Disgraced" as well as his acclaimed "The Invisible Hand" (my favorite of his) getting production after production around the world. He manages to take on seriously hot button topics and expos...
BWW Review: Sound Theatre Company's GOBLIN MARKET a Feast for the Eyes and Ears

BWW Review: Sound Theatre Company's GOBLIN MARKET a Feast for the Eyes and Ears

by Amelia Reynolds — August 16, 2017
'Goblin Market' is a macabre fairytale about two women struggling to fight against temptation. Based on the narrative poem by Christina Rossetti, this one-act musical is a world-premiere written by Polly Pen and Peggy Harmon. As a musical production, 'Goblin Market' tells the bulk of the narrative t...
BWW Review: Pony World's Collaborative AMERICAN ARCHIPELAGO is Bizarre, and Works as

BWW Review: Pony World's Collaborative AMERICAN ARCHIPELAGO is Bizarre, and Works as a Comedy

by Amelia Reynolds — July 30, 2017
Pony World's world premiere 'American Archipelago' is a collaborative examination of American culture and values. Written by Holly Arsenault, Kelleen C. Blanchard, Tre Calhoun, Vincent Delaney, Brendan Healy, Maggie Lee, Sara Porkalob, and Seayoung Yim, 'American Archipelago' feels more like an incu...
BWW Review: CURIOUS INCIDENT at the Paramount – A Brilliant Gut Punch

BWW Review: CURIOUS INCIDENT at the Paramount – A Brilliant Gut Punch

by Jay Irwin — July 26, 2017
A few years back I had the great fortune of seeing Simon Stephens' brilliant play, "The Curious Incident of the Dog in the Night-time" on Broadway. By intermission I was visibly shaken and by the end I was an emotional mess. But seeing it again last night for its current run at the Paramount Theat...
BWW Review: ACT's Stirring ALEX & ARIS Relies Too Much on Advance Knowledge

BWW Review: ACT's Stirring ALEX & ARIS Relies Too Much on Advance Knowledge

by Jay Irwin — July 23, 2017
There are certain shows out there that, while being engaging and performed well, make you feel like you're missing something. Many of the plays of Tom Stoppard are that way for me in that, unless you've taken a master class on that particular subject matter, you may not get the full impact. The Wo...
BWW Review: Café Nordo's SUNDOWN AT THE DEVIL'S HOUSE is Anything But Hellish

BWW Review: Café Nordo's SUNDOWN AT THE DEVIL'S HOUSE is Anything But Hellish

by Jay Irwin — July 22, 2017
Don't let this worry you but it's time to summon the Devil. Well that's the conceit of the current show at Cafe Nordo, "Sundown at the Devil's House". And while they may not summon up THE Devil they do summon up some delicious food, hilarious and touching antics and rockin' music making for a devi...
BWW Review: Sound Theatre Company's Unapologetic HOODOO LOVE Doesn't Romanticize

BWW Review: Sound Theatre Company's Unapologetic HOODOO LOVE Doesn't Romanticize

by Amelia Reynolds — July 19, 2017
Sound Theatre Company's 'Hoodoo Love' is an important piece that's neither romantic nor for the faint of heart. In collaboration with The Hansberry Project, the fabric of Katori Hall's depression-era tragedy is original blues music, folk magic, and the dismal realities of being a black woman in 193...
BWW Review: Taproot's Sweet PERSUASION Brims with Potential

BWW Review: Taproot's Sweet PERSUASION Brims with Potential

by Jay Irwin — July 15, 2017
There are certain things that spring to mind when thinking of a Jane Austen story. Blistering on again, off again romances. Sweeping emotions. And of course, Colin Firth emerging from a lake. Well the new musical adaptation of Jane Austen's "Persuasion", currently playing at Taproot Theatre, may...
BWW Review: Gripping and Beautiful FUN HOME at the 5th Avenue

BWW Review: Gripping and Beautiful FUN HOME at the 5th Avenue

by Jay Irwin — July 14, 2017
It's not a revival of an old classic. It doesn't have the cache of a recognizable movie title. And it's got a synopsis that may make some people weary. All of these reasons could be why there were far too many empty seats at last night's opening night of "Fun Home" at the 5th Avenue. And that fa...
BWW Review: MAP Theatre's GREENSWARD Exposes the Cutthroat World of Grass

BWW Review: MAP Theatre's GREENSWARD Exposes the Cutthroat World of Grass

by Jay Irwin — July 8, 2017
I always hated mowing the lawn as a kid but it was one of the chores with which I was saddled. So, if someone told me they invented a grass that only needed mowing once a year I'd be all over that. But some might not appreciate this new revelation and do anything to stop it. This utterly absurd p...
BWW Review: Intensity and Anger Abounds in Theatre22's DOWNSTAIRS

BWW Review: Intensity and Anger Abounds in Theatre22's DOWNSTAIRS

by Jay Irwin — June 18, 2017
Some plays are light bits of fluff, perfect for an evening's entertainment filled with laughs and warm fuzzy feelings. Others, however, take you to a dark and intense place filled with foreboding and anger and, if you're lucky, some gripping performances. Theatre22 and ACTLab's west coast premiere...
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