Chelsea Birkby: Is In Full Control The Entire Time is a solo stand-up comedy show combining pop psychology, philosophy, and culture around the theme of free will and personal choice. After a magician predicted her every move, Chelsea feared her choices might not be her own...
Rockpools is a darkly funny, one-woman play about hoarding, loss and endometriosis. The Woman is unhappily married and harbouring a huge secret. When her in-laws suddenly die, she struggles to cope with her grieving husband, and begins hoarding seaside-themed objects in Room...
Sofie won a comedy award in 2015 and she thinks you all stopped talking about it too soon. Anyways, despite being constantly online from 2016-2024, she never saw it coming that the fascists would be taking over. She did so many feminist tweets to prevent it. How can this be happening?…
Hasan Al- Habib has a lot to get off his chest, but Stuck in the Middle (East) with You never feels like a therapy session masquerading as stand up.…
The play delights in its ambiguities. Neither character is wrong, yet they’re both somewhat problematic in their own way. They’re complex and real, yet they become the universal representatives of a broader social discourse. The script succeeds in avoiding any kind of forceful rhetoric, opting f…
The mise en scène is mesmerising. Little marionettes, Russian dolls, vintage tchotchkes of questionable provenance become his companions. Pervaded by childhood wonder, we join Georges as he flees from his troubles and meets a collection of kooky characters, ending up in various absurd situations. A…
With his latest hour of stand-up comedy, Paddy Young proves himself as a master of his craft.…
Performing at the Edinburgh Festival Fringe for the fifth year in a row, Ania Magliano shows us all why she is one of Britain's greatest stand-ups going today.…
It’s a beautifully written retrospection, full of evocative allegories and distinctive descriptions of what it feels like to lose someone you adore. From the absolute helplessness of the immediate aftermath to the way people react when they learn about it (their lips go thin, she says, their face …
While the first part of the show is endearing and entertaining, featuring a healthy dose of cheesy comedy and coming-of-age humour, it could be tightened. It does make Jonathan’s change of demeanour more evident, but it also dilutes the core of the play. The build-up could be more tense, more fran…
Carrie-Anne Ingrouille directs the production, establishing a remarkable pace that moves the action across the timeline seamlessly. Emma Houston and Tessa Redman join the writers in the cast, shifting between the characters’ mates and more allegorical roles. The result is an exciting brand of stor…
It’s a dark, gripping, and truly affecting project. Its comic side doesn’t overpower the tragedy, but it brings light to an otherwise dreary subject.…
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