Sand
Sand is a non-verbal circus and physical theatre show by Kook Ensemble in which a couple, Dylan and Heather, navigate living with dementia against the...
Summerhall
Upcoming Shows
Bigfoot Ripped My Dog In Half I Saw It
Written and performed by triple Fringe First Award winners Xhloe Rice and Natasha Roland, this absurdist physical theatre piece is set in a flood-ravaged, 1990s...
Playback
Playback is a tragicomic drama drawn from Scottish writer and performer Euan Munro's lived experience as a YouTuber between the ages of 10 and 14,...
BABY EVERYTHING
Baby Everything is the UK premiere of Lee Minora's solo comedy show, created and performed by the acclaimed Philadelphia comedian, performer and writer. The show...
Concerts of the Future
Concerts of the Future is a production by The Sonicrats and Melbourne Symphony Orchestra, presented as part of House of Oz's 2026 Edinburgh Festival Fringe...
Daddy
Daddy is an autobiographical solo performance by choreographer and dancer Joel Bray, a proud Wiradjuri man making his UK debut with this work that has...
Glass Child
Glass Child is a production by The Farm, presented as part of House of Oz's 2026 Edinburgh Festival Fringe season at Summerhall....
GOOD ENOUGH?
Good Enough? is a queer physical theatre piece by HIMHERANDIT, the award-winning Danish performance company led by Andreas Constantinou. The work celebrates imperfection, self-expression and...
How Not To Make It In America
How Not To Make It In America is a production by Emily Steel, presented as part of House of Oz's 2026 Edinburgh Festival Fringe season...
I AM JOHNNY
I AM JOHNNY is the debut solo theatre show from acclaimed actor and theatremaker Tessa Parr, who creates and performs the character of Johnny the...
Is it too late now to say sorry?
Award-winning theatremaker Adam Lenson presents a solo show fusing storytelling, music, memoir, and journalistic exposé, exploring the way we apologise, the pain we carry, and...
JULIUS CAESAR VARIETY SHOW
Writer-director Joy Nesbitt presents the UK premiere of her multi-award-nominated play at Edinburgh Festival Fringe 2026. Set during the 2023 Dublin riot, a Black actor,...
The Plot
The Plot is a high-stakes theatrical thriller set in the immediate aftermath of the Gunpowder Plot, blending courtroom drama, backstage theatre and epic tragicomedy into...
Review: BIG BAD RIDING HOOD, Oran Mor
It’s been another long, wet summer in Panto Land, it’s enough to make you right bloody miserable, so it is! But, on the edge of Woodlands Road, Gran’s not letting that get her down. She’s just grateful to have everything she could ever have wanted: a humble, comfy, wee house; her two grandso…
Review: THE KARATE KID THE MUSICAL, Theatre Royal
Don’t miss the unforgettable theatrical experience of the season as this heartfelt coming-of-age story takes flight with spectacular musical numbers and dazzlingly inventive choreography. Daniel LaRusso’s journey is reimagined through movement, music, and raw, energetic storytelling. At its hear…
Review: MEAN GIRLS, King's Theatre
Winner of Best New Musical (WhatsOnStage Awards) and direct from the West End, Mean Girls is the hilarious smash-hit musical comedy from an award-winning creative team including writer Tina Fey (30 Rock, Unbreakable Kimmy Schmidt and Saturday Night Live) and starring TV personality, actor & Steps st…
Review: SUNSET BOULEVARD: THE BACKSTAGE CUT, Òran Mór
A fascinating insight into the one of the most iconic films in cinematic history. In front of the camera were award-winning performances centred around the story of a wealthy egotistical faded star, Norma Desmond, desperate to ‘return to the millions of fans she deserted’, and a young down-on-hi…
Review: KANPUR: 1857 at Tron Theatre, Glasgow
After an Edinburgh Fringe sell-out, Kanpur:1857 came to the Tron in association with Glasgow Mela. Strapped to a cannon, an Indian rebel (Niall Moorjani) finds themselves answering to a British officer (Jonathan Oldfield) for the crimes of Kanpur - an Indian uprising against British colonial forces.…
Review: ALLEGRA at Theatre Royal
What did our critic Natalie O'Donoghue think of ALLEGRA at Theatre Royal?…
Review: THE HEN NIGHT, Òran Mór
Jade, Amber and Lilac have been organising Coral’s hen night for the past six months and it’s going to be epic! But at the last minute, Coral’s cousin Luna rocks up uninvited. Perfect skin, a model, a poet, and a human rights lawyer…a total goddess. It’s too easy to hate her but little do…
Review: MISS SAIGON, King's Theatre
Michael Harrison in association with Cameron Mackintosh presents the spectacular new production of MISS SAIGON as Boublil and Schönberg’s legendary musical is reborn. The soaring score features hit songs including; “The Heat is On”, “The Movie in My Mind”, “Last Night of the World” an…
Review: THE LONG DROP, Citizens Theatre
Between whisky-soaked confessions and half-truths swirling in cigarette smoke, William Watt and Peter Manuel share a night that will change everything. Winding through stale-aired bars, shadowed backstreets and tangled lies – leading to one of the most infamous trials in Scottish history. …
Review: MY ROMANTIC HISTORY, Tron Theatre
A fast, funny, painfully relatable rom-com about two people who might just be perfect for each other – if they can ever get over their past. In a world of dodgy office flings and terrible exes who never quite stay exed, My Romantic History asks: if you haven’t met ‘the one’ by thirty, are yo…
Past Shows
Stuntman
Stuntman takes inspiration from classic and contemporary action movies like Die Hard, John Wick and Enter the Dragon to create high-octane and sometimes ridiculous fight...
Centre of The Universe
'This has never been done before. No person, no woman, no young woman has ever admitted to being the Centre of the Universe.'Fifteen year-old Mary...
NIUSIA
After a sell-out development season at La Mama Theatre and two further award-winning seasons at Melbourne Fringe (2023) and Adelaide Fringe (2025), NIUSIA is making...
Tomatoes Tried to Kill Me but Banjos Saved My Life
Tomatoes Tried to Kill Me but Banjos Saved My Life is a true story that explores the journey of Keith Alessi, who faced a life-threatening...
Lynn Faces
Laura Horton returns to the Edinburgh Fringe with Lynn Faces, her second play that explores the journey of recovery from trauma through the lens of...
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Antigone 1989: A Town Hall Musical Gilded Balloon Patter House (8/05-8/29) |
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Elvis in Chaos Lime Studio at Greenside @ George Street (8/07-8/15) |
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Spin Cycle Underbelly (Clover) (8/05-8/31) |
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The Steamie Alhambra Theatre (10/29-10/31) |
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Chris Grace: 88% Assembly George Square (8/05-8/31) |
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Couplet: Folk Marry Kill Assembly George Square (8/05-8/30) |
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Mark Thomas: 40 In Stand Up Years The Stand 1 (8/05-8/30) |
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In a Bad Way Gilded Balloon Patter House (Blether), (8/05-8/31) |
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This Is How I Got Arrested (after smuggling drugs across the border but never actually getting caught with any drugs) ZOO (Playground 3) (8/07-8/30) |
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Felicity Ward: I Wish I Could Come Out Of My Shell Cab Vol 1 @ Monkey Barrell (8/17-8/30) |