CHS PERFORMING ARTS CENTER

by Steve Murray - May 15, 2024

Marin Theatre closes out their 2023/24 season with a newly revised production of Harvey Fierstein’s Tony Award-winning Torch Song. A smash hit in 1982, the original trilogy opened the floodgate of LGBT representations in theatre, film, and television with its universal themes of self-acceptance, fam...

by Steve Murray - May 09, 2024

Tom Wingfield opens Tennessee William’s haunting memory play with this admonition: “Yes, I have tricks in my pocket, I have things up my sleeve. But I am the opposite of a stage magician. He gives you the illusion that has the appearance of truth. I give you truth in the pleasant disguise of illusio...

by Steve Murray - May 03, 2024

What did our critic think of FUNNY GIRL at Orpheum Theatre?...

by Steve Murray - April 27, 2024

What did our critic think of BITCH SLAP! at SF Oasis?...

by Steve Murray - April 26, 2024

Stuart Ross’ 1989 jukebox homage to boy bands of the 1950’s is a pleasant whiff of nostalgia sure to remove you from the stress of today’s less naïve and chaotic present. Forever Plaid follows The Plaids, a youthful quartet with stardom in their eyes killed in a car accident in 1964. Like the baseba...

by Steve Murray - April 25, 2024

There was a considerable buzz of excitement at the West Coast premiere of Michael R. Jackson’s A Strange Loop. Could the musical live up to the hype generated by its eleven Tony nominations and wins for Best Musical and Best Book? That would be a hell yes! Right from the opening number “Intermission...

by Jim Munson - April 16, 2024

What did our critic think of TIGER STYLE! at TheatreWorks Silicon Valley? BroadwayWorld reviews Mike Lew's riotous and biting comedy 'Tiger Style!' running through April 28th in Mountain View....

by Jim Munson - April 07, 2024

What did our critic think of DOS MUJERES at San Francisco Ballet? BroadwayWorld reviews this pairing of two very different ballets by Latina choreographers running through April 14th at the War Memorial Opera House....

by Steve Murray - April 05, 2024

It’s March 2020 and the country is shutdown by a new, mysterious virus called COVID-19. Broke, newly unemployed performance artist Kristina Wong is in full crisis mode. She’s got no audience, no kids, and no prospects, but she’s got a plan. ...

by Jim Munson - April 04, 2024

What did our critic think of NEXT@90 CURTAIN CALL at San Francisco Ballet? BroadwayWorld reviews this program of 3 marvelously varied dances being reprised from last year's festival of world premieres....