Review Roundup: TWO GIRLS at the Cherry Lane Theatre
The Cherry Lane Theatre is now presenting Two Girls, written and conceived by Eliya Smith. See what the critics are saying about the production in BroadwayWorld's Review Roundup!
Discover the best reviewed Broadway shows by top critics on BroadwayWorld.
The Cherry Lane Theatre is now presenting Two Girls, written and conceived by Eliya Smith. See what the critics are saying about the production in BroadwayWorld's Review Roundup!
The Cherry Lane Theatre is now presenting School Pictures, written and performed by Milo Cramer. See what the critics are saying in BroadwayWorld's Review Roundup.
The Imaginary Invalid by Molière, translated by Doug Skinner, adapted by Tony Award winner Bill Irwin, with direction by Tony Award nominee Brandon J. Dirden, is officially open on Broadway. Read the reviews!
Mint Theater Company's New York premiere of PHYL, a rarely seen comedy by pioneering British playwright and suffragist Cecily Hamilton, is now officially open at Theatre Row. Read the reviews!
The Curious Case of Benjamin Button, starring Andrew Durand, has officially opened at The Public Theater. Find out what critics are saying about the musical's North American premiere.
Billy Crystal returns to Broadway with his new solo show 860 at the Imperial Theatre. Read what critics are saying about the production, directed by Scott Ellis.
The Bodyguard feels more like a tribute concert than a traditional Broadway musical. With its focus on the lead character, the show trades large-scale choreography and out-of-the-box supporting characters for a celebration of Whitney Houston’s music. Laced with nostalgia for the rhythms and styles of the '90s, the show reflects the increasing popularity of the themes, films, and music that shaped millennials’ childhood and adolescence.
What did our critic think of A CASE FOR THE EXISTENCE OF GOD at New Conservatory Theatre Center?
What did our critic think of HALLOWEEN SPOOKTACULAR at Robinson Center?
Smyth brought rock-star energy big enough to power the type of thousand-seat venues she typically plays to the intimate Carlyle room, and it was magnetic.
As spooky season comes to a close, Ballet Des Moines is opening another season by bringing a set of dark tales to the stage for two performances through 10/24.
She Kills Monsters illuminates the ways in which our stories intersect with one another. Under the direction of Kamryn Felty-Heck through October 25th, Lebanon Community Theatre presents a thought-provoking, funny, and emotional production.
What did our critic think of BOUNCERS at The Modern Theatre At Suffolk University?
13 Reasons why Arthur Miller's haunting look at the Salem Witch Trials endures.
What did our critic think of LOVE AND FEAR TOUR at Target Center Minneapolis?
What did our critic think of LISE DAVIDSEN, SOPRANO & JAMES BAILLIEU, PIANO at Ordway Concert Hall?
What did our critic think of RINGLING BROS. AND BARNUM & BAILEY at Grand Casino Arena?
London City Ballet (LCB) is a company on the rise. Christopher Marney’s rebirth of the company was only three years ago. Now they are filling the house at Sadler’s Wells with the great and the good of the ballet world present for opening night.
A thrilling, darkly funny new musical, LIKE FATHER at the Alliance Theatre pairs an electrifying score with a gripping story and powerhouse performances in a world premiere that lives up to the hype.
A generally riveting account of an important historical episode.
Rupert Reyes' Esperanza brings humor, heart, and humanity to a story about immigration, motherhood, and the families we choose. With four natural performances, a few predictable turns, and a moment that brought the audience to spontaneous applause, this timely new play deserves a long life.
A visually striking production with outstanding singers, beautiful costumes and an audience clearly swept up in the music and drama. While Don Giovanni’s treatment of women is deeply detestable, the story remains disturbingly relevant — and his ultimate punishment satisfying.
What did our critic think of BOOP! THE MUSICAL at The Aronoff Center?
I enjoyed Hamilton every bit as much as I did in 2019. What struck me most this time was the sheer skill and stamina required of the cast. I still can't imagine performing this fast-paced, rap lyric-heavy musical night after night. Though it's one of the longest musicals I've attended, it moves at such a rapid-fire pace that the time seems to fly by, a testament to both the performers' talent and the brilliance of the material.
This is a name we’ve all heard somewhere. For Poles, it’s synonymous with fighting heroically, even when you lose. For Americans, he’s above all the brilliant military engineer behind West Point.
Rossini's rare early comedy shines with cartoonish visual humor, deadpan comedic timing, and razor-sharp coloratura at Wexford Festival Opera.