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BWW Review: DEATH IN VENICE, Royal Opera House

BWW Review: DEATH IN VENICE, Royal Opera House

by Gary Naylor — November 22, 2019

David McVicar's compelling new production of Benjamin Britten's last opera is an extraordinary tour-de-force that takes you inside a troubled mind and leaves you as ill-at-ease as you might expect, but strangely uplifted too, the beauty present in even a dying world underlined and celebrated.

BWW Review: ANNA, National Theatre

BWW Review: ANNA, National Theatre

by Marianka Swain — May 22, 2019

The audience plays surveillance state in this pioneering collaboration between playwright Ella Hickson and sound designers Ben and Max Ringham.

Submissions Open For The Linbury Prize 2019

Submissions Open For The Linbury Prize 2019

by Stephi Wild — May 9, 2019

The Linbury Prize is the UK's most prestigious award for Stage Design, providing a unique opportunity for graduating designers to work with some of the UK's leading theatre, opera and dance companies.

Song Insights: 'Buddy's Blues', FOLLIES

Song Insights: 'Buddy's Blues', FOLLIES

by Rona Kelly — April 6, 2019

Hello folks, we're into the Follies! To kick off the new Follies Song Insights, we're looking at the song that kicks off the Follies-style numbers which close the show: 'Buddy's Blues', with Buddy himself Peter Forbes and music director Nigel Lilley.

BWW Interview: Nigel Lilley Talks FOLLIES

BWW Interview: Nigel Lilley Talks FOLLIES

by Rona Kelly — April 3, 2019

Nigel Lilley serves as Music Director, part of a team who have worked alongside Stephen Sondheim and Jonathan Tunick on this production.


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