Joined by Grammy-nominated producer Brad Cook (Bon Iver, the War on Drugs, Waxahatchee), the foursome took off to El Paso, Texas to record at the legendary Sonic Ranch. Lending his incredible ear, Cook helped accomplish the daunting task of capturing the Menzingers’ distinctive live energy within the confines of a studio.
Miami New Drama, the visionary theater company known for its groundbreaking work and unwavering commitment to multi-cultural representation, has announced its highly anticipated 2023-2024 Season. Under the leadership of Artistic Director Michel Hausmann and Managing Director Nicholas Richberg, the company continues its bold journey of artistic excellence, bringing captivating stories to the diverse and dynamic city of Miami.
The producers of the multi award-winning, critically acclaimed production of CABARET at the KIT KAT CLUB has announced that from Monday 25 September 2023, the roles of The Emcee and Sally Bowles will be played by music icons Jake Shears and Rebecca Lucy Taylor AKA Self Esteem.
This holiday season, the Charleston Gaillard Center brings back its unique Spiegeltent, a “mirror tent,” originally used as a traveling European dance hall in the 20th century. Under the elaborately ornate big top, patrons will have an opportunity to experience vibrant performances from a variety of contemporary artists spanning circus to comedy to music.
On the composer's long-gestating new album, Waiting Room, a rich and elegiac song cycle that draws upon film scores, neoclassical piano, and minimalist composers of the late twentieth century, McKenzie has found that honesty. It will be released on LP/cd/digital and showcases Stubbert’s textured approach and toy box take on the neo-classical style.
Matthew Greenhough, Creative Director of Wound Up theatre and writer of The Death of Molly Miller, on the representation of working class people in theatre.
The five winners of the inaugural Seoul Arts Awards are announced tonight (7.30pm, Monday 14 August) at an award ceremony held in Assembly's Ballroom. These new awards were set up to celebrate and encourage the global cultural exchange of performing arts without language barriers.
Every comedian dreams of their big break, the one gig that will change their life. What if that gig is in Cirque de Soleil’s new show in Las Vegas, Mad Apple? What if they want you to fly out to Vegas with your wife and newborn baby? Then, the dream gig might be a bit more complicated than you first thought.
Audiences can enjoy this delightful musical comedy at Dutch Apple Dinner Theatre through September 16th. Two of the actors in this production, Craig Smith (portraying Nathan Detroit) and Anthony Christopher Milfelt (playing Rusty Charlie), took some time to tell BroadwayWorld how they feel about Guys and Dolls.
Fresh from the Soho transfer of his last show Colossal, Patrick McPherson is back at the Fringe with a new one man show. The Way Way Deep dives into male friendship and self-identity with the writer/performer’s trademark storytelling flair. McPherson is a master storyteller, holding the audience’s attention from start to finish with constant energy and passion. He manages to balance brash confidence and stage presence with moments of vulnerability
Derry Girls meets Spring Awakening in this absolute triumph of new musical theatre writing. Performed by a talented young cast, this is a show that deserves a very long life. We’ll Have Nun Of It follows a year in the life of four close friends at an Irish Catholic boarding school in the 1960s. Each of the girls has their own backstory and personality, very quickly distinctive, and the dynamics between each of them are fun to watch play out.
Italian performer Greta Zamparini takes extracts from Concita De Gregorio and creates a complex solo show about the commodification of the female body. A series of women open up and explain why they do what they do. From a high-end escort to a trafficked woman who’s finally back home, Temporarily Yours provides a very wise and rational take to the subject with an eloquent script that keeps crossing the lines of empowerment and exploitation.
All production photos have been released for the new expanded version of Kathy and Stella Solve a Murder!, the sell-out smash-hit of the Edinburgh Festival Fringe 2022, which is now playing to packed houses at Underbelly at the Edinburgh Fringe until 27 August.
The glam queen showcases her knack for storytelling, comedy and operatic vocals (that RANGE though) in an anecdote-filled, fabulous performance extravaganza.
A one-woman show about growing up with a trans female parent, written and performed by Maria Telnikoff. Filled with hilarious tales from her school days, it shows the difficulties of fitting in as a young person and the fears we feel about being labelled as 'outside the box'. Brimming with life and sincerity, the play challenges a world of heteronormative values.
This autumn the New Vic brings its most spectacular show ever back to its in-the-round stage. New Vic Artistic Director Theresa Heskins and Upswing Artistic Director Vicki Dela Amedume MBE will direct, following on from their successful collaboration on Olivier award-winning The Worst Witch.
Have you ever been through a breakup? Did that breakup happen while you were trying to give each other some “space” through long distance? Are you currently living in the house next to your ex’s parents, who are trying to be nice but want you to leave? Sophie Santos is ready to tell us all about it in Sophie Santos . . . is Codependent.
At this stage, it might be a bit wobbly, but promises great potential. It’s a portrait of toxic masculinity and female empowerment, a personal reflection of the horrors experienced during the regime. Mostly, it’s genuinely amusing. Alminas spins a yarn full of peculiar characters and relentless social commentary. She just needs to tinker it appropriately.
It’s hard to believe there are any origin stories that haven’t been explored yet at this stage given the success of previous shows such as Unfortunate at multiple Fringe venues, but there is still one, tiny tale to be told: that of a certain fairy from JM Barrie’s Peter Pan and how she ended up so small.