East Forest — the trailblazing DIY artist who has worked with Jon Hopkins and DJ Anna to Laraaji and pioneer Ram Dass —releases his deluxe edition of 2023 LP Music For The Deck Of The Titanic on Bright Antenna Records, featuring four all new tracks: “Drowse”, “Follow Me” (featuring Senegalese-American singer Marieme), “Adrift”, and “Sea Bed”.
IAN MCKELLEN, TOHEEB JIMOH & RICHARD COYLE star in Robert Icke's production of PLAYER KINGS, adapted from Shakespeare's Henry IV, Parts 1 & 2.
Nosferatu comes to Burgtheater this month. Performances run 19 January - 25 February.
History Fort Lauderdale’s 27th annual History Makers fundraiser has been rescheduled for Wednesday, January 31, from 6 – 8 p.m., at Galleria Fort Lauderdale.
Oedipus, a new adaptation created by Robert Icke after Sophocles, is set to have a West End run. Learn additional details and see how to purchase tickets!
Full casting has been announced for the UK Tour of Simon Beaufoy's THE FULL MONTY, arriving at the Theatre Royal, Glasgow from 20-24 February 2024.
Hailing from Long Beach, CA, Jakob Nowell announces ‘Enter: The Castle' - the debut record from his eclectic passion project Jakobs Castle. Born into music royalty as the son of late legendary Sublime frontman Bradley Nowell, there is no denying that his father's legacy had a hand in shaping the young artist's journey.
Ethan Lipton & His Orchestra will release their fifth album, Did You Do The Thing We Talked About?. The quartet announced the LP with the heartfelt opening track 'Talking To Bonnie' at the end of the year and shared 'Mess That Summer', with a video starring Alex Borstein from The Marvelous Mrs. Maisel.
Papatango has announced that their 2024 New Writing Prize will open for submissions at noon on Wednesday 17 January, until noon on Monday 11 March. Plus, this year's winning play, Some Demon by Laura Waldren, will transfer to Bristol Old Vic from 9 to 13 July.
GMCLA presents WE ❤️ BOY BANDS! at the Saban Theatre - MAR 23 & 24. Don't miss this exciting performance by the Gay Men's Chorus of Los Angeles celebrating the music of boy bands.
Over the years, I’ve heard several black actors complain about how their preferred hair plan was dismissed by producers. Now one is suing producer NETworks Presentations, 1776 Touring, and several of their employees, claiming that increasing tensions led to her being terminated after she expressed a desire to submit a written racism complaint.
New music by Isabelle Georges is a great thing, in any language.
I'm still not quite sure how I feel about this show, but it sounded like heaven.
Opera San José's 40th anniversary season continues with a thrilling production of Verdi's Rigoletto. Boasting some of opera's most memorable music, including the signature aria “La donna è mobile,” this gripping work follows the jester Rigoletto, his innocent daughter Gilda, and the corrupt Duke of Mantua whose callous treatment of women launches a storm of vengeance, murder, and tragic self-sacrifice.
Outer Critics' Circle award-nominated Royal Family Productions, a non-profit theatre company known for its innovative productions and development of new original work, will present a workshop run of a brand new chapter of the WOMEN ON FIRE series, subtitled Fair is Foul.
At the end of 2023, Many Hats Collaboration, which creates theatre performances that reimagine music and movement onstage, wrapped up its 5 in 5 Initiative.
The Curtis Symphony Orchestra returns to Verizon Hall on the Kimmel Cultural Campus for its second concert of the 2023–24 season on Saturday, January 27, at 3 p.m. with “Beethoven, Ortiz, and Barber.”
The Staten Island Museum presents a major exhibition, Taking Care: The Black Angels of Sea View Hospital opening to the public on January 26, 2024.
The hit film ROUDRAM RANAM RUDHIRAM will become a stage musical in Japan. The production will serve as the debut of director Shuko Sashida in the Takarazuka Grand Theater. The production will have dates in both Hyogo and Tokyo.
This self-identified “musical biography” doesn’t dig much further than the introduction paragraph of Turing’s Wikipedia entry. It’s contextually erratic and misses all the details that would make the audience fall in love with Alan rather than sit passively in front of him. The songs are unchallenging in both semantics and melody, while the narrative immediately becomes shallow and insubstantial. It’s a flawed, boring attempt at finding the next British theatre hit.
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