Each Friday at midday a limited number of tickets will be made available to book online and through the Box Office for the week ahead. Learn more about how to get this deal here!
With Tom Littler's production of Twelfth Night currently in performances, Orange Tree Theatre has announced a special Shakespearean Under the Orange Tree fundraiser celebrating Twelfth Night.
Orange Tree Theatre has announced that the company will embark on a capital development project to transform both the audience and artist experience. Learn more here!
Orange Tree Theatre has announced full casting for the world première of Churchill in Moscow by Howard Brenton directed by OT Artistic Director Tom Littler.
The Royal Theatrical Support Trust (RTST) and the Octagon Theatre Bolton have announced that the 2024 RTST Sir Peter Hall Director Award Scheme is now open for entries.
The second Greenhouse Festival will return this Autumn, from 2 to 7 September, continuing the collaboration between the Orange Tree Theatre and the drama school LAMDA, celebrating the talents of emerging directors and artists.
Orange Tree Theatre has announced further information for its 2024 Autumn season. The season features world premières of David Edgar's Here in America and Hannah Khalil's adaptation of Treasure Island alongside a revival of Rajiv Joseph's Guards at the Taj and Jane Asher joining Oliver Ford Davies to star in Twelfth Night.
The JMK Trust today announces the eight shortlisted theatre directors, and the designers they partnered with, in the running for the 2024 JMK Award – Dipo Baruwa-Etti, Adam Karim, Zoe Murtagh, Josh Parr, Joanna Pidcock, Zoë Templeman-Young, Amelia Thornber and Sam Woof.
Shakespeare’s Globe has announced the cast of Much Ado About Nothing, directed by Associate Artistic Director Sean Holmes (The Comedy of Errors, Globe), with Ekow Quartey and Amalia Vitale as Benedick and Beatrice.
The pure joy of theatre is its ability to constantly renew and surprise. For me, 2023 saw a plethora of excellent musicals. Notoriously hard to get right, this year seemed to feature both clever revivals and future successes, many of which remained in my thoughts long after I left the theatre.