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Review: THE MOTION at Arena Stage

An utterly convincing rollercoaster of life, death, and the world around us. See what our critic had to say.

Review: South Coast Repertory Presents West Coast Debut of FREMONT AVE.

Beautifully acted, engagingly riveting, and populated with impactful characters, Reggie D. White's thoughtfully sprawling and emotionally layered new play—directed by Lili-Anne Brown—delivers an ambitious, deeply affecting examination of generational legacy, Black identity, masculinity, and the elusive pursuit of emotional healing. Set almost entirely within the walls of a suburban home in Southern California, the touching, and, often times, quite humorous play unfolds across multiple decades, chronicling the intersecting lives of three generations of African-American men connected not only by blood, but by inherited silence, buried resentment, generational trauma, and a complicated yearning for deep connection.

MISERY to Close Out Alley Theatre's 2025-26 Season

Houston's Alley Theatre will present Misery, William Goldman's adaptation of Stephen King's thriller, directed by Brandon Weinbrenner and starring real-life married couple Elizabeth Bunch and Chris Hutchison as Annie Wilkes and Paul Sheldon.

Review: FREMONT AVE. at Arena Stage

The play Fremont Ave., which is now at the Kreeger Theater at the Arena Stage, is an interesting attempt to show the healing effects of intergenerational family bonds. The playwright, Reggie D. White, has attempted to convey a multitude of  themes and moods as affects the Plique family as they live their lives in a southern California  suburb from 1968 until the 2020’s. As the characters in the play confront their dreams, ambitions, and fears the audience reacted with such interactive yelling and talking back to the stage that the play certainly evoked much response –so much response that I was unable to hear the lines at many times.

Cast and Creative Team Set for FREMONT AVE. at Arena Stage

Arena Stage has revealed the cast and creative team for Fremont Ave., a searing and soulful new dramatic-comedy where three generations of Black men face off against masculinity, identity, and the weight of silence passed down.

Review: AMERICAN PSYCHO THE MUSICAL at HOUSTON BROADWAY THEATRE

Broadway, film, and television star Robert Lenzi (THE HAPPENING and THE TINA TURNER MUSICAL) is Patrick Bateman for this Houston run. He plays Patrick as an apex predator, but one that surprisingly gets lonely or feels isolated. There is not just the cold killer, but also a sense of what’s killing him.

Review: FROZEN Thaws a Disney Classic at Pittsburgh CLO

A refreshingly non-replica production design breathes new life into the sometimes-overexposed property.aOne of the fascinating things about modern musicals is also one of the most frustrating: we are experiencing them as what Richard Wagner called a Gesamtkunstwerk.

Review: THE JANEIAD at Old Globe Theatre

In the 100-minute, decades-spanning duration we spend with this woman who feels so very recognizable, Ziegler, director Maggie Burrows and actors Nadine Malouf, Ryan Vasquez and Michaela Watkins leave us affected, contemplative and more than a little bit heartbroken.

Review: THE JANEIAD at The Old Globe

In “The Janeiad,' at The Old Globe through July 13th, playwright Anna Ziegler blends myth, memory, and modern grief into a lyrical meditation on loss and the fragile myths we build to survive it.

Review: New Regional Production of Disney's FROZEN Debuts at La Mirada

Touted as the first 'non-replica' regional production of this Disney stage musical mounted in Southern California, La Mirada Theatre's fresh iteration of FROZEN - THE MUSICAL still has plenty of Disney-esque magic to offer young and old audience members alike seeking to revisit the land of Arendelle. Enhanced significantly by an energetic ensemble cast led by a pair of compelling lead actresses, this entertaining new production is lively, colorful, and grand-sounding overall, making it stand as a respectable modern musical filled with likable characters, relatable emotions, and some genuine laughs. This new Los Angeles premiere production—directed and choreographed by Dan Knechtges—continues performances through June 29 in the city of La Mirada.

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