This production of Shakespeare's Othello has revelations galore, performed by an ensemble of actors whose comfort with the language and emotional power keep you riveted. Even if you've seen any number of Othello's beforea?'especially if you've seen a fewa?'the Riot Grrrls interpretation, as staged in the spartan Capitol Hill Arts Workshop space, gives vivid life to characters and speeches that usually get lost in the cavernous main stages across town.
Jackie Sibblies Drury's play, Fairview, currently playing at Woolly Mammoth Theatre Company, is a show that desperately calls for conversation. It's no wonder, then, that each performance is immediately followed by community discussions led by Build With, a DC-based anti-racist training, facilitation, and consulting practice focused on people, power, and partnership. While I wasn't able to stay for this event following Saturday night's performance, it is an important step in ensuring this work's complicated themes are digested in a clear way. Fairview is one of the most conceptual shows in recent memory. Not every idea can be fully explored in this production, which has a tight 100-minute run time that director Stevie Walker-Webb keeps clipping at a good pace. Nevertheless, Fairview is a necessary piece for anyone looking to dive deeper into discussions of race and identity in America.
In Theater J's fall opening, we are asked to consider: what really happens when love makes you sick? And yet, despite a strong cast and well-executed technical elements, 'Love Sick' suffers from a slight disconnect.
The central performance in Sarah Ruhl's The Oldest Boy, now playing at Spooky Action Theater through June 30, belongs to the ensemble as a whole. The title character, a reincarnated Tibetan Buddhist lama, is brought to life not by a single actor, but by the seven actors that create his world. Some are more directly responsible than others - the puppeteers, for example, move him from one place to another, help him to look where he needs to, help him to hold things - but all are crucial to helping us believe in him. When his mother looks into his eyes, we think we can catch him breathing. It's a leap of faith on our part, one that yields some of the richest results any show will bring this summer.
Taffety Punk, the insurrectionist yet classically trained company now in its 15th year does what it does best in a pair of striking Greek adaptations by Anne Carson, presented in one invigorating sitting.
Notable for being the final selection of Woolly's incomparable Founding Artistic Director Howard Shalwitz, Rajiv Joseph's 'Describe the Night' is a must-see for any serious DC area theatergoer
Carson McCullers' The Member of the Wedding centers around several steamy post-World War II Southern days as seen through the eyes of twelve-year-old Frankie Addams. Frankie, or F. Jasmine as she requests we call her, is on the cusp...of what she does not know.
Everyman Theatre's Founder and Artistic Director Vincent M. Lancisi recently exposed Baltimore theatergoers to the storytelling genius of Playwright Donald Margulies in their rendition of Dinner with Friends. Armed with an intelligent script that explores the nuances of romance and friendship, Everyman hit its mark of seeking connection through emotional storytelling in a way that left the audience pondering their own relationships.
To mark the 20th anniversary of the deadly shooting at Columbine High School, 1st Stage brings us a columbinus that, tragically, is as frightening, significant, and topical today as ever before. In the two decades since the massacre at Columbine High-the deadliest school shooting at the time-we have now experienced tragedies at Virginia Tech, Sandy Hook, Parkland, and more. columbinus mixes documentary fact with fiction to delve into the alienation, social pressure, intimidation, and rage of adolescent life in high school.
Coinciding with the 20th anniversary of the tragic 1999 massacre at Columbine High School in Littleton, Colorado, this docudrama combines fact and fiction to illuminate the dark realities of adolescence. Weaving together excerpts of real interviews with parents, survivors, and community leaders and powerful characterizations of contemporary teens, columbinus thoughtfully explores the Columbine shooting and the conversations that continue to this day. The New York Post hailed columbinus as 'a powerful and important piece about the churning rage that's all too likely to bubble over again.'
Like any culinary trend, relationships are destined to evolve over time-but can the recipe of friendship retain its zest if the key ingredients begin to change? A! fabulous dinner at the home of food writers Gabe and Karen proves hard to swallow when Beth drops the bomb that husband
Friday's opening performance of DINNER WITH FRIENDS was a family affair at Everyman, attended by many of the resident company, as well as season-ticket holders and friends of the theatre. The production of the Pulitzer prize winner is stellar; as one comes to expect from the talented team at Everyman. The play, by playwright Donald Margulies, tells the story of two married couples in the wake of divorce.
Second City's SHE THE PEOPLE at Woolly Mammoth delivers some sorely needed cathartic joy in the heart of the nation's capital. The Second City improvisational theatre troupe is famed for producing the likes of Tina Fey, Amy Poehler, Steve Carell, and Stephen Colbert, so you can be sure that when their name is involved you are in for high quality laughs. The stellar all female cast of Second City's SHE THE PEOPLE had me in stitches. I wouldn't be surprised to see any one of them follow in the footsteps of other Second City prodigies. And if you're one of those people who think women can't be funny, do us all a favor and buy yourself a ticket to SHE THE PEOPLE ASAP.
In Pike St., now at Berkeley Repertory Theatre, playwright and actor Nilaja Sun single-handedly presents a stage full of dynamic, three-dimensional characters engaging with each other in rapid-fire conversation and scenes of vigorous interaction.
1st Stage's A Civil War Christmas, directed by Deidra Lawan Starnes with musical direction by Markus Williams, is a riveting musical helmed by a strong diverse cast of twelve actors and beautifully done production design.
It's 1864 and Washington, D.C. is settling down to the coldest Christmas Eve in years. "History lessons and holiday warmth sit cozily alongside each other" (The New York Times) in this pageant of carols by Paula Vogel, the Pulitzer Prize-winning writer of Indecent. Stories of many intertwining lives- spanning from the battlegrounds of Northern Virginia to the halls of the White House- demonstrate that the gladness of one's heart is the best gift of all. This "rich and moving play with music" (Variety) is a treat the whole family will enjoy.
