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Review: THE LEHMAN TRILOGY Pays Dividends at Capital Stage

Capital Stage’s twenty-first season has begun with a mesmerizing work from playwright Stefano Massini. The Lehman Trilogy is the 2022 Tony Award winner for Best Play, capturing the public’s admiration with its unique structure and storytelling style. Director Michael Stevenson tackles this ambitious piece with only three actors performing a myriad of characters.

COME FROM AWAY & More Set for Milwaukee Rep 2025/26 Season

Milwaukee Repertory Theater has revealed its inaugural season of the Associated Bank Theater Center, its new home for entertaining, provoking, and engaging theater. See the lineup and learn how to purchase tickets.

Review: THE LEHMAN TRILOGY, Gillian Lynne Theatre

One of my biggest bugbears in theatre is a production that remains on stage well past its welcome. Overlong and flabby shows do neither the audience nor the show itself any favours. It is therefore a huge endorsement for me to state that a production of nearly three and a half hours really is worth every second of your time.

Review: ONE OF THE BOYS, The Playground Theatre

Tim Edge’s sophomore project is described as a nail-biting show that uncovers the dark truths of vicious competition and ferocious career moves. The production over-promises and under-delivers. It’s not only plagued by a debilitating case of women-written-by-a-man, it’s also predictable and formulaic.

Cast Set For the West End Return of THE LEHMAN TRILOGY

Full casting has been announced for the five-time Tony Award winning production of The Lehman Trilogy which returns to London's West End following highly acclaimed international performances. 

Review: THE LEHMAN TRILOGY at ZACH

Wow. Get thee to ZACH quick. This weekend is the last for the epic THE LEHMAN TRILOGY. This work by Italian playwright Stefano Massini, chronicles the history of the Lehman Brothers firm from its inception in the mid-19th century to its dramatic collapse in 2008.

UTOYA Comes to the Arcola Theatre in August

A searing reflection on the domestic effects of societal trauma, Utoya offers a timely reminder of the threat of far-right extremism, inviting us to consider how tragedy can both bind people together and pull them further apart.

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