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Sidney Myer Will Headline New Year's Eve at Pangea with SIDNEY MYER LIVE!

Cabaret arch-angel Sidney Myer, who is in the midst of a remarkable career surge since returning to regular performing at Pangea in 2018, will headline Pangea's New Year's Eve festivities in back-to-back shows at 8pm and 10:30pm.  The New Year's Eve edition of a?oeSidney Myer Live!a?? is a new evening of stylish specialties and signature songs, with music direction by Tracy Stark on piano and Matt Scharfglass on bass.  The show piggybacks on Myer's dazzling string of sold-out shows at Pangea, his newfound performance home, where he has sold out four separate engagements, three of which were extended by popular demand.

Photo Coverage: Judy Garland Celebrated at New York Cabaret Convention

The third night of the Mabel Mercer Foundation's New York Cabaret Convention hosted by Judy Garland expert John Fricke and actor, singer, humorist Klea Blackhurst had many noteworthy performances during it's three hours last night at Rose Theater. However, the most touching and dramatic Judy Garland minute was not musical. It happened when Sidney Myer a New York City Cabaret superstar related a story from his youth. It seems that Sidney survived the stress of the 50's and 60's of being “different” in the all boy New Jersey Prep School he attended (which Sidney recalled was populated by boys who specialized in terrorism) by focusing on his love of music and his worship of Judy Garland. He described to a spellbound Convention audience of being brought to a Judy Garland concert by his parents, he had his sign “ We Love Judy” in hand and with thousands cheering her as she walked down the aisle in a twist of fate he accidentally came face to face with her. Judy shook his hand and he managed to get out a “thank you” even though he had rehearsed a speech for years if this kind of moment ever happened. . There wasn't a dry eye in the house after his story. The evening had many humorous and emotional moments as Emmy Award winning host John Fricke, who is considered the preeminent Judy Garland and Wizard of Oz authority related many stories about Garland. Klea Blackhurst is probably one of the most effective and beloved Convention hosts and she used her wit and music to make it as always one of the most enjoyable of Convention nights.

Asia-Pacific Triennial Of Performing Arts Announces 2020 Program

In its second iteration, Asia TOPA: Asia-Pacific Triennial of Performing Arts will return from January a?" March 2020 to celebrate the creative imagination of artists and cultures in the Asia-Pacific region. The stunning and multi-art form collection of works over the three-month long festival of Asian, Australian and Pacific performing arts and public programming will explore the connections between contemporary Australia and its growing diaspora.

Ludovico Einaudi Comes to The Sidney Myer Music Bowl

Acclaimed Italian composer and pianist Ludovico Einaudi will perform his extraordinary new work, Seven Days Walking, at Arts Centre Melbourne's Sidney Myer Music Bowl on 25 January, 2020 as part of a national tour. This will be Einaudi's first ever outdoor performance in Australia and in the Sidney Myer Music Bowl's 60th anniversary year.

BWW Interview: Tom Frueh of HOUDINI at Theatre Row

Over twenty years after debuting his one-man solo musical HOUDINI in New York City nightclub cabaret Don't Tell Mama, Tom Frueh brings the fully fleshed out show to the prestigious United Solo Theatre Festival, giving hope to every cabaret artist who dreams, one day, of seeing their show off-Broadway as well.

Photos/Review: American Songbook Association Honors Sheldon Harnick With Lifetime Achievement Award

Last night, Sheldon Harnick received the Lifetime Achievement Award from the American Songbook Association! Performers included Kissy Simmons, Klea Blackhurst, Adam Heller, Danny Bacher, Samantha Massell, Melanie Moore, Alexandra Silber, Brad Oscar, Liz Callaway, Jeff Harnar & Alex Rybeck, Alan Schmuckler, Jeffrey Saver and Rhyn Mclemore Saver, Ed Dixon, Sidney Myer, Judy Kuhn, Robert Cuccioli, and Steven Skybell.

The Mabel Mercer Foundation Celebrates 30th Annual NY Cabaret Convention At Jazz At Lincoln Center

In a combined triumph for the Classic Popular Songbook, its purveyors and adherents, and the professionalism and perseverance of THE MABEL MERCER FOUNDATION, that unique organization presents its 30th Annual New York Cabaret Convention at The Rose Theater, Jazz at Lincoln Center, beginning Monday, October 28th and running through Thursday, October 31st. The four individual concerts will be offered at 6:00 PM each evening, and more than seventy-five vocalists and musicians are scheduled to perform. Tickets are on sale at the Jazz at Lincoln Center box office and www.jazz.org starting today, Monday, September 9.

Michael Kirk Lane: JUST BECAUSE Returns To Don't Tell Mama For Encore Dates

After two nearly sold out performances, 2018 BroadwayWorld Cabaret Award Winner for Best Show and Three Time MAC Award nominee Michael Kirk Lane (Hell's Belles), returns to Don't Tell Mama with encore dates of his newest show 'Just Because.' The show will return Monday 10/7/19 at 9:30 pm and Wednesday 10/16/19 at 7:00 pm

Photo Flash: Michael Kirk Lane Stars In JUST BECAUSE

2018 BroadwayWorld Cabaret Award Winner for Best Show and Three Time MAC Award nominee Michael Kirk Lane (Hell's Belles), returns to Don't Tell Mama with a new show 'Just Because.' Musical Director William TN Hall joins Lane with Direction by Jay Rogers. 

American Songbook Association to Honor Sheldon Harnick; Kate Baldwin, Laura Benanti and More to Perform

The American Songbook Association presents their second annual gala a?oeTo Life! Celebrating Sheldon Harnick,a?? on Monday, September 16 at 7:30 PM. Highlighting the gala is the presentation of the 2019 ASA Lifetime Achievement Award to this legendary lyricist of iconic shows such as Fiddler on the Roof, Fiorello!, She Loves Me, and more. The event takes place at the Pershing Square Signature Center's Romulus Linney Courtyard Theatre

BWW Feature: SALON Offers a Safe Space at Don't Tell Mama

Salon is a weekly open mic night where artists can try out new material in a judgment-free zone. I recently did some undercover reporting. It wasn't dangerous or glamorous, like Hunter S. Thompson or Nellie Bly, though it was both alluring and scary at times. I infiltrated the cabaret community to see what it's like being a nightclub singer - and I had a really good time, but I don't want to do it again. I don't know how cabaret performers do it. It's exhausting and it's expensive. You spend all your time promoting yourself, you pay musicians, press reps, photographers and dry cleaners, and every day you run the risk of waking up with a cold and no voice, and an obligation to sing. It's nerve-wracking. Still, these artists continue to produce art for a willing audience: they do it for love of the art and of the audience. It begs the question, though, when a cabaret performer doesn't have a show to do, how do they keep their skills up? How do they continue to grow without spending precious earned cash on an expensive master class?

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