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Review: BURLESQUE THE MUSICAL, Savoy Theatre

Burlesque the Musical has finally arrived in London. Loosely based on the 2010 film starring Cher and Christina Aguilera, Burlesque moves from LA to New York, as small-town girl Ali comes to the big city to search for her birth mother. On the way she starts working in a burlesque club as a waitress, only to become (spoiler alert) the main act. So far, so predictable.

Review: THE MERCHANT OF VENICE 1936, Trafalgar Theatre

Oswald Mosley’s Blackshirts are getting a foothold in London’s East End. Shylock, here a single parent, requests a pound of flesh from Antonio, part of Mosley’s aficionados, in order to clear his debts. The demands of the Jewish moneylender who’s endlessly abused in public by the same people who require her services immediately gain further nuance in Brigid Larmour and Tracy-Ann Oberman.

Review: THE CREAKERS, Southbank Centre

Based on Tom Fletcher’s best-selling children’s book and adapted by scriptwriter Miranda Larson, The Creakers musical is an escapade which highlights the very real need for sustainability, through a tale about Lucy and the ‘kidderlings’ of Whiffington. The children wake up to find that all of the adults have mysteriously disappeared and the local waste and recycling issues have oddly all but vanished too.

Cast Set For Tom Fletcher's THE CREAKERS

Casting announced for the new musical adaptation of Tom Fletcher's best-selling book THE CREAKERS. A photo of Tom Fletcher with the cast on the first day of rehearsals has been released.

Chicago Shakespeare Theater Reveals Cast of THE LORD OF THE RINGS - A MUSICAL TALE

Chicago Shakespeare Theater (CST)  has announced the cast and creative team of the highly anticipated The Lord of the Rings – A Musical Tale. Based on the books by J.R.R. Tolkien, this production comes to the stage in a US premiere production directed by Paul Hart, July 19–September 1, 2024 in The Yard at Chicago Shakespeare.

FOR BLACK BOYS... Extends in the West End

The Royal Court Theatre and Nimax Theatres have announced an extension to the current limited run of For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy for a further 4 weeks due to public demand and renewed critical acclaim.

Review: INSTRUCTIONS FOR A TEENAGE ARMAGEDDON, Garrick Theatre

Girlhood comes to the Garrick. Rosie Day’s moving one-woman play Instructions for a Teenage Armageddon transfers to the West End helmed by Bridgerton’s Charithra Chandran. Filled to the brim with trigger warnings and imbued with the blunt honesty and pure emotion owned by young girls only, the piece fits perfectly within the recent industry shift towards pink feminism. Directed by Georgie Staight, it’s a heartbreaking depiction of teenage depression and a touching journey through grief and loss. Eileen is barely a teenager when her sister dies of complications from an eating disorder. Suddenly turned into the only child of a grieving couple, she convinces herself that it’s her fault Olive died. Her parents are wrapped up tight in their own pain and her friends disappear. Unable to address the elephant in the room, unsurprisingly, she falls in with a bad crowd.

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