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Olivier Awards 2026- Complete List of Winners

London theatre's biggest night returned for its 2026 ceremony at the Royal Albert Hall, where Nick Mohammed hosted the Olivier Awards. Check out a full list of winners here.

Review: CARMEN Sizzles with Akhmetshina Heading Stellar Cast at the Met

From her first appearance on stage, it was clear that mezzo Aigul Akhmetshina was no flash in the pan, giving us a scorching Carmen when this production was new just two years ago. The program describes the title character as “a force of nature” and that’s certainly what we got at the Met, in such arias as the Habanera (“L’amour est un oiseau rebelle”), the Seguidilla (“Pres des ramparts de Seville”) or in the opera’s Finale with Don Jose.

Photos/Video: INTO THE WOODS at the Bridge Theatre in London

London Theatre Company has released a trailer and new production photos from Into The Woods. The major new production, directed by Jordan Fein with set and costume design by Tom Scutt, is now playing the Bridge Theatre.

Photos: INTO THE WOODS Sitzprobe at the Bridge Theatre

London Theatre Company has released photos from the Sitzprobe of Into The Woods. The production, helmed by director Jordan Fein with set and costume design by Tom Scutt, is now in previews.

Photos: Inside Rehearsal For INTO THE WOODS at the Bridge Theatre

London Theatre Company has released photos from the rehearsal room of Into The Woods. The production, helmed by director Jordan Fein with set and costume design by Tom Scutt, will begin previews in December. Check out photos here!

Review: In Freud's Vienna, Grigorian Thrills as Anguished TURANDOT under Kober

Perhaps it’s only fitting in a town that’s known for art, music and psychoanalysis (and maybe a little whipped cream on the side), that the Vienna State Opera’s production of Puccini’s TURANDOT—with the stunning soprano Asmik Grigorian in the title role—features a traumatized characterization of the title role, with the fine Russian tenor Ivan Gyngazov as Calaf.

Review: When Akhmetshina's CARMEN Is On Stage at The Met, Don't Fence Her In

Sometimes you hear a singer who embodies a role so completely that it’s hard to imagine her in anything else. That’s how I felt about the wonderful mezzo Aigul Akhmetshina, who’s singing the title role in the Met’s new production of Bizet’s CARMEN, which I saw at its second performance. Her portrayal was as full-bodied as her voice and she sizzled, filling up the stage as much as one can imagine. It’s little surprise that she’s considered the Carmen of the moment, having appeared in seven other productions (with two to come).

VIDEO: Aigul Akhmetshina and Piotr Beczała Perform “Je vais danser en votre honneur” from Bizet's CARMEN At The Metropolitan Opera

The Met celebrates the new year with a new production of Bizet's Carmen by acclaimed English director Carrie Cracknell, opening on Sunday, December 31, at 6:30PM. In her highly anticipated Met debut, Cracknell reinvigorates the classic story of deadly passion with a staging that moves the action to modern day and explores themes that could not be more relevant today: gendered violence, abusive labor structures, and the desire to break through societal boundaries.

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