Elderly assisted living can be a shared room prison, so the set for David Lindsay-Abaire play 'Ripcord' at the Keegan Theatre has the tidy room explode a coupe of times into some unexpected scenes, from a haunted house to the blue skies that give the comic play its title.
The Keegan Theatre presents David Lindsay-Abaire's heartwarming and hilarious comedy RIPCORD, making its regional premiere on June 15, 2019 at The Andrew Keegan Theatre in Washington, DC, with the press opening slated for June 18.
You may be forgiven if the phrase 'romantic getaway' doesn't immediately inspire images of Iceland and, though it features several couples, Steve Yockey's 'Reykjavik' is unlikely to change your mind. What it will do is give a momentary, and at times uncomfortably intimate, glimpse into the relationships of these couples as paths intersect and unwind in the titular city. It is a haunting and disorienting ride you won't want to miss.
James is in Reykjavik for the Northern Lights, but they're not here. Instead he ventures into the 24-hour dark of the Icelandic winter and finds himself entangled with dangerous strangers, suspicious lovers, malevolent birds and the mysterious Huldufolk.
It is difficult to think of another work of American literature that has so captured the imagination or has inspired more reincarnations than L. Frank Baum's The Wonderful Wizard of Oz. This summer, Synetic Theater manages to make a mark on this prolific field with their own adaptation.
It's 1965 in New York City and the lights are about to go out. But not before a melancholy sandwich maker becomes enchanted with two sisters in this bittersweet romantic tale about finding hope in a world best by darkness. This truly original rock-fable, nominated for 4 Drama Desk Awards, will sweep audiences off their feet and enchant them in an evening under the stars filled with romance, mystery and enchantment… but not a lot of light.
It's 1965 in New York City and the lights are about to go out. But not before a melancholy sandwich maker becomes enchanted with two sisters in this bittersweet romantic tale about finding hope in a world best by darkness. This truly original rock-fable, nominated for 4 Drama Desk Awards, will sweep audiences off their feet and enchant them in an evening under the stars filled with romance, mystery, and enchantment… but not a lot of light.
There is something to be said about being present in historical plays. But when the characters in the Theater Alliance's powerful production 'The Raid,' begins with the characters sitting alongside the audience in the seats that ring the performance space and announce their impending demise, we realize we are in for a more visceral experience than history books often provide.
The nominees for the 2018 Helen Hayes Awards were announced on February 5, 2018. One of the country's most prestigious cultural honors, The Helen Hayes Awards recognizes and celebrates excellence in professional theatre throughout the Washington metropolitan area. The National Theatre's Helen Hayes Gallery set the scene for the announcement of nominees in 47 categories for artistic excellence, and the theatre companies eligible for the 2017 John Aniello Award for Outstanding Emerging Theatre Company. The recipient of the 2018 Helen Hayes Tribute will be announced shortly.
Theater Alliance kicks off 2018 with Idris Goodwin's The Raid, an imagined debate between two American icons. On the eve of the raid on the federal armory in Harpers Ferry, John Brown and Frederick Douglass argue the merits of violence and pacifism, order and chaos, and the possibility of a nation free of the scourge of slavery.
The Hub Theatre presents a nativity play like you have never seen by DC-native Anne M. McCaw. In PEEKABOO! A Nativity Play Mary and Joseph learn they are to be parents - of the world's savior no less - they get caught up in something much, much bigger than a couple of na ve kids are ready for. Directed by Hub Artistic Director Helen R. Murray, with musical arrangements by Jonathan Feuer, PEEKABOO! is a heartfelt farce of biblical proportions.
The Hub Theatre presents a nativity play like you have never seen by DC-native Anne M. McCaw. In PEEKABOO! A Nativity Play Mary and Joseph learn they are to be parents - of the world's savior no less - they get caught up in something much, much bigger than a couple of na ve kids are ready for. Directed by Hub Artistic Director Helen R. Murray, with musical arrangements by Jonathan Feuer, PEEKABOO! is a heartfelt farce of biblical proportions.
Two days was an exceedingly short time to take in the innovative collaboration project this week titled 'Digital Eye.'
See where Spooky Action artists are appearing! Quantum Entanglement is the official name for Einstein's 'spooky action at a distance.'
Whew - what a night out! Rorschach Theatre's revival of their 2013 production of Neverwhere, Neil Gaiman's fantasy novel, features a fine roster of new and returning players, and is a perfect night out for adventurous families-especially those with restless older kids.
Rorschach Theatre announces the cast and designers for its revival of NEVERWHERE (2013), Robert Kauzlaric's adaptation of Neil Gaiman's modern cult classic about a man who stumbles upon adventure in a dangerous and magical world that exists below the streets of London. The ensemble cast will include returning cast members Sarah Taurchini as Door and Daniel Corey as Richard Mayhew. The design team will include cutting-edge set and projections design collective Pixelumen Lab.
Synetic Theater's 'beautifully disturbing' HUNCHBACK OF NOTRE DAME is gripping storytelling at its best. The wordless production conveys the epic tale with movement, spectacle, connection, and artistry.
Spooky Action Theater opens its season with a cutting-edge play that covers politics, celebrity, and the nature of genius. RAMEAU'S NEPHEW, adapted from an 18th century work by Denis Diderot, is hardly new, but this 2016 incarnation is as timely and amusing as can be. Director Richard Henrich delivers a production with flashes of outright brilliance that compensate for a few (non-fatal) flaws.
For a brief moment when the opening night performance of IN A WORD ended there was quiet. A stillness fell as the audience collected itself, took a breath, and processed the intensity of the experience. Then, after a beat, the well-deserved applause began.
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