Romanian director Carmen Lidia Vidu's documentary theater work MIGRATION DIARY: NEW YORK CITY EDITION will have its world premiere at La MaMa, presented in collaboration with the Romanian Cultural Institute and the National Theatre of Bucharest.
La MaMa Experimental Theatre Club has announced staged readings of CUL-DE-SAC by Leslie Gauthier and HOUSE GYALZ by Abigail C. Onwunali, this year's Morgan Jenness Experiments in Playwriting Fellows.
Pink Fang has announced The Table which brings together an ensemble of performers, designers, and interdisciplinary collaborators in a visceral, image-driven exploration of desire, grief, aging, and the question of what it means to have enough.
La MaMa Experimental Theatre Club will present COFFEEHOUSE CHRONICLES #183 — AN AFTERNOON WITH AGOSTO MACHADO on Saturday, May 30 at 3 p.m. at the Ellen Stewart Theatre.
Syracuse Stage will present THE BLACK NATIONALS, the sixth world premiere by Resident Playwright Kyle Bass, marking the end of his tenure. The play is inspired by Syracuse's 1954-55 NBA championship season and its pioneering Black players.
La MaMa will present the NYC premiere of Memory Generation, an interactive theater work co-created by Sara Zatz and Sherrine Azab exploring dementia, caregiving, and memory through communal storytelling in a memory café environment.
Eat the Peadies will present a workshop performance of THE PLANTER AND THE PLANT at QED Astoria. The new piece is designed for young audiences ages 3–8 and their families.
Syracuse Stage has revealed its 2026/27 season, featuring acclaimed comedies, contemporary dramas, exciting producing partnerships and two world premieres.
Ma-Yi Theater Company and The Public Theater have announced a one-week extension for the world premiere of JESA, written by Jeena Yi in her playwriting debut.
La MaMa Experimental Theatre Club will present Krymov Lab NYC's UNCLE VANYA, scenes from country life, from March 28 to April 12, 2026, at The Ellen Stewart Theatre in New York.
OBIE and NYIT Award-winning Peculiar Works Project returns to La MaMa ETC's Downstairs Theatre for the world premiere of Antigone in Analysis, written by Barbara Barclay and directed by Ralph Lewis, running March 20 - April 5, 2026.
La MaMa will present Jane Comfort and Company with a new world premiere and two landmark works, marking their first return in over eight years. The event, set for March 19-22, 2026, will feature a blend of dance and theater addressing America's cultural and political issues.
La MaMa will present the world premiere of FOOTNOTES, a multi-media puppetry show exploring the profound aspects of walking, from February 27 to March 15, 2026.
Mei Ann Teo, Artistic Director of New Work at Pink Fang, has been honored as a 2026 United States Artist Fellow, receiving a $50,000 award for her contributions to the arts.
La MaMa Experimental Theatre Club will present the workshop production of The Thousand and One Nights, a reimagining of the epic from Lebanese-American director and playwright Ghina Fawaz and Turkish dramaturg and artist Begüm 'Begsy' Inal.
Pink Fang has announced the premiere of two new theatrical works in 2026, along with the remainder of its 2025–26 season programming. The announcement follows the recent Ping Chong Archival Symposium held at Hunter College.
From December 3-14, 2025, FROM THE OTHER SIDE transforms La MaMa into a home for an incredible group of Balkan artists, on Wednesday, December 3, 2025 at 1PM.
The Dramatists Guild Foundation has named Syracuse Stage as the 2025 recipient of the Lucille Lortel Foundation Indigenous Theatermaker Award for their work to showcase the importance of Indigenous storytelling.
Pink Fang (formerly Ping Chong and Company), in partnership with the Hunter College Theatre Department, will present the Ping Chong Archival Symposium on Saturday, December 6, 2025, at the Ida K. Lang Recital Hall at Hunter College (CUNY).
The Stage Directors and Choreographers Society (SDC) has announced the release of 65 for the 65th, a celebratory publication honoring 65 directors and choreographers whose work has transformed the American theatre.
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