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July Lineup Set For the Meighen Forum

July will bring the Meighen Forum to the Stratford Festival, offering diverse experiences such as the Season Deep Dive week which features leaders and artists of the Festival, CBC Ideas Week: Brave New Worlds which will welcome back host Nahlah Ayed for a week of exploration.

The Washington Post Selects Naveen Kumar as New Theater Critic

The Washington Post has announced their new theater critic to be Naveen Kumar. He replaces Peter Marks, who was the chief theater critic from 2002 to 2023. For the Post, he will reportedly cover productions in D. C., New York, and across the country.

Broadway Buying Guide: January 29, 2024

Looking for the best deals on Broadway shows? Welcome to our new weekly guide to the most popular shows listed on BroadwayWorld. Check out which shows are selling this week, January 29, 2024.

SPAMALOT, SWEPT AWAY And More Nominated for 2024 Helen Hayes Awards

Tonight, at a celebration honoring outstanding theatre on stages across the Washington area, theatre artists, administrators, patrons, and special guests gathered at the ATLAS Performing Arts Center for Theatre Washington's announcement of nominees for the 40th Helen Hayes Awards.

Caissie Levy to Reprise Role in NEXT TO NORMAL West End Transfer

The critically acclaimed cast of the smash hit Donmar Warehouse production of the Broadway musical Next to Normal – which sold every seat at every performance across its season at Donmar Warehouse, where the production made its long-awaited UK Premiere –are to return as the show prepares to transfer to London’s West End.

Interview: A Voice for DC Theater and Beyond Says Goodbye.

If you have been around DC theatre for any length of time, you are very familiar with the writing of Chief Theater Critic for The Washington Post, Peter Marks. He has been the definitive voice of theater for the DMV and beyond for 21 years. On December 31st, Peter Marks’ stunning reign at The Washington Post will come to an end. After almost 30 years reviewing in DC and elsewhere, one of the most important voices in theatrical journalism will be absent from print. That is not a good thing!

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