Review: DESIGN FOR LIVING at Odyssey Theatre
by Amanda Callas
- Jul 13, 2024
A glamorous, pansexual, queer 1930s romp through the world of artists, playwrights, interior decorators, and their lovers, Design for Living was an instant hit with the sold-out audience on the afternoon I attended, who loved every minute of it.
Review: DORIAN: THE MUSICAL, Southwark Playhouse
by Cindy Marcolina
- Jul 11, 2024
However, penned by Joe Evans (score and lyrics) and Linnie Reedman (book and direction), Dorian is an awkward production that’s supposedly adapting the mores and morals of the time for a social media-obsessed audience. They reimagine the protagonist as a lonely rocker who gains overnight popularity after producer Harry Wotton takes him under his wing. Basil Hallward becomes Baz, a celebrity photographer charmed by the young star, while Sibyl Vane is a besotted opera singer. We wish we could say it works, but the team desecrates the original material - and not in a good way. Sex, drugs, and rock’n’roll have never looked so dull and unappealing.
Creede Repertory Theatre Selects Emily Van Fleet as Next Artistic Director
by Blair Ingenthron
- Jun 23, 2024
Creede Repertory Theatre has announced Emily Van Fleet as the theatre's new Artistic Director. The company continues its momentum of an all-female executive team with Van Fleet joining Managing Director Morgan Manfredi in a dual leadership role beginning August 3rd.
Review: Trauma in Two Nights, as SALOME follows TURANDOT to the Analyst's Couch in Vienna
by Richard Sasanow
- Jun 12, 2024
I couldn’t help but wondering whether the scheduling last week of two recent productions at the Vienna State Opera, Claus Guth’s TURANDOT and Cyril Teste’s SALOME, on subsequent nights had anything more than the availability of the stars behind it. After all, both portrayed the title characters as abused women scarred by powerful men—not exactly the business-as-usual for these works by Puccini and Strauss, respectively—in pared-down productions that hearkened to the father of psychoanalysis, Sigmund Freud, as well as to #MeToo.
Review: ACCOLADE, Theatre Royal Windsor
by Kat Mokrynski
- Jun 10, 2024
Written by Emlyn Williams in 1950, Accolade tells the fictional story of an accomplished writer named Will Trenting (Ayden Callaghan) who finds the world he has built falling apart in front of him as a secret from the past comes to haunt him. The production, directed by Sean Mathias, is part of Mathias' 2024 Season for the Theatre Royal Windsor.
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