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Review: BACK TO THE FUTURE: THE MUSICAL at Hollywood Pantages

Is there some sort of formula for roping in both fans of a hit movie and stage hounds, to catch lightning in a new medium? Judging by what the musical's book writer Bob Gale, director John Rando and the musical team must have been thinking, the answer is you slavishly remake the movie on stage.

Interview: 'From The Outside, It Looks Impossible': Director Tinuke Craig on Rep Theatre, Genre-Jumping and THE SCHOOL FOR SCANDAL at the RSC

Few directors are as comfortable helming a sparkly winter panto as they are a psychologically gruelling Sarah Kane play. But few directors have credits as varied as Tinuke Craig. A former Bayliss Associate at The Old Vic, she is now making her RSC directorial debut with Richard Sheridan’s The School for Scandal, a restoration comedy written in 1777. 247 years later – what can it tell us today?

Kim Sava Will Lead Workshop of DANCE NIGHT

Kim Sava (Beetlejuice) will star in the developmental workshop of Dawn Powell’s DANCE NIGHT, written by Kevin P. Hill (On The Twentieth Century, Guys and Dolls) with original music composed by stage & screen composer, Zev Burrows. 

Review: BEETLEJUICE at the Aronoff Center

With stunning design elements, a highly professional cast, and an engaging plot, Beetlejuice is very worthy of its nearly sold-out run at the Aronoff Center in Cincinnati, OH.

Review Roundup: SPAMALOT Opens On Broadway

The Tony Award-winning Best Musical Comedy Monty Python's Spamalot celebrates opening knight tonight at the St. James Theatre (246 West 44th Street).   Read the reviews!

The Miami Museum Of Contemporary Art Of The African Diaspora Kicks Off SOUL BASEL Next Month

The Miami Museum of Contemporary Art of the African Diaspora premieres 'This Life: Black Life in the Time of Now' - a captivating documentary and digital exhibition exploring contemporary Black existence. The virtual art exhibit sparks meaningful conversations about the complexities of Black identity. Attendees can join in-person or virtually.

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