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National Theatre Of Parramatta Presents Two Of The  Brightest New Voices In Western Sydney In LAUNCHPAD

Launchpad – Double Bill shares stories of the space in between years - the time just after high school and post university. With the works traversing the glittering lights of Mardi Gras, through to the Moulin Rouge and back again to the streets of Fairfield and the RSL. It's about pivotal moments in life where your redefining relationships, discovering insights about yourself and trying to figure out what's next! 

Brandy Clark performs 'Like Mine' on THE ELLEN DEGENERES SHOW

In addition to “Like Mine,” the deluxe album features all eleven songs from Your Life is a Record as well as five more bonus tracks including “Remember Me Beautiful,” a song Clark wrote earlier this year as part of NPR’s Morning Edition Song Project.

T.J. Newton's KIKI'S CLOSET Releases 25th Episode

Debuting in May 2020, Seasons 1 (10 Episodes) and Season 2 (15 Episodes) are now available on YouTube, as well as Instagram @kikisclosetshow. Kiki's Closet features roundtable discussions with BIPOC artists, both onstage and behind the scenes.  

BWW Review: CONSTELLATIONS at Out Of Pocket Productions

I learned early on in the pandemic (Spring 2020, aka COVID 1.0) that filmed/livestreamed/Zoomed theatre doesn't really do anything for me. That's not a knock against any particular show or performer or theatre company, just a reality of the medium itself. When you take the quintessential elements of live theatre-the energy, urgency, proximity, and community of fellow audience members-and strip them away, something vital to the art form is lost. If I'm going to devote two-or-three hours to consuming a piece of storytelling, I asked myself, why would I opt for a piece of filmed theatre instead of one of the innumerable offerings on Netflix, Hulu, HBO Max, etc., all of which are teeming with movies and TV shows that were designed to be viewed on a screen? Thus I haven't accepted many invitations to do theatre criticism over the past year; the invitations have almost exclusively been for streaming productions, and it didn't seem fair to subject a production to my critique when I had a baseline objection to the format.

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