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Review: ROMÉO ET JULIETTE at Winter Opera

Opera is widely considered to be a seasonal flower.  Around the world opera festivals show their shoots in early spring, they blossom in the summer, and they stretch their glory into the fall.  In St. Louis, though, we find one of the few fine opera companies willing to brave the icy blasts of winter. 

Review: THE SORCERER at Winter Opera

Gina Galati’s delightful Winter Opera company has opened its season with a revival of a rarely seen Gilbert and Sullivan show—The Sorcerer.   It premiered in 1877, the first of the grandly popular series of light operas by G & S in which the authors had total control over casting and staging.

Review: New Jewish Theatre's TWO JEWS WALK INTO A WAR… is Wryly Amusing

Two Jews Walk into a War... is not slapstick or laugh out loud funny. It is more wryly amusing. The humor is abundant. Laughs come from Seth Rozin’s quippy script, Aaron Sparks’ crisp direction and sharp timing, and Gary Glasgow and Chuck Winning’s playful sparring. But Rozin, Sparks, and the actors take the audience beyond the laughs and comedy, leaving them with more.  Two Jews Walk into a War... provokes a quieted introspection about faith, ethics, beliefs, responsibility, and the relationships among the members of a community and religious congregation.

Photos: TWO JEWS WALK INTO A WAR… at New Jewish Theatre

New Jewish Theatre will present Two Jews Walk Into a War…, a comedy based on the true story of the last two Jews living in Afghanistan. The production will run July 24 through August 10 at the Wool Studio Theatre in St. Louis, under the direction of St. Louis Theatre Circle nominee Aaron Sparks. See photos from the production.

TWO JEWS WALK INTO A WAR to be Presented at NJT This Summer

NJT will present Two Jews Walk Into a War…, a modern vaudeville full of schtick, sorrow, and survival based on the true story of the last remaining Jews in Afghanistan. Learn more and see how to purchase tickets.

Review: DIE ZAUBERFLOTE at Winter Opera

Winter Opera rounds out its 18th season with a splendid production of Mozart’s Die Zauberflöte (The Magic Flute). This is perhaps the most popular opera in the world, and it is an all-round challenge for any company—vocally and technically.

Review: H.M.S. PINAFORE at Winter Opera

It's a splendid production of Gilbert & Sullivan’s 'H.M.S. Pinafore', and it brims with glorious music, wonderful voices, and bright, delightful, timeless comedy.

Review: TRAYF at The New Jewish Theatre is a Delightful Buddy Romp

New Jewish Theatre’s TRAYF is a delight. The remarkable chemistry between Miller and Schmidt is reminiscent of the great comedic acting duos from the buddy comedies of the past. Their contagious energy makes their portrayals of Schulmy and Zalmy endearing and irresistible. The realism that Sparks and his team bring to the production is commendable and creates enjoyable and believable storytelling. TRAYF is a wonderfully warm and winning comedy about friendship, love, and faith.

TRAYF Comes to New Jewish Theatre Next Month

New Jewish Theatre will present Trayf by Lindsay Joelle. Running Thursday, September 12 through Sunday, September 29, performances will take place in the J’s Wool Studio Theatre. Trayf had its World Premiere at Theatre J in in Washington D.C. in 2018, and this is its first production in St. Louis.

Review: WE ALL FALL DOWN at The New Jewish Theatre

The Stein family has gathered to celebrate the Passover Seder for the first time. Linda, the controlling family matriarch, insisted that all the members of her family gather for the traditional celebration that has been anything but a tradition for their non-practicing secular family.

Review: NAUGHTY MARIETTA at Kirkwood Performing Arts Center

Winter Opera continues it’s seventeenth season with another iconic operetta—Victor Herbert’s Naughty Marietta.  This lovely old show premiered in 1910. It was produced by the first Oscar Hammerstein (the grandfather of you-know-who).  In 1935 a movie version was made—with Jeanette MacDonald and Nelson Eddy.

Review: MANON LESCAUT at Winter Opera

Gina Galati’s wonderful Winter Opera company continues its 17th season with Puccini’s Manon Lescaut.  This work, which opened in 1893, was Puccini’s first great hit.  It was rather daring of Puccini to present this piece, based as it was on a novel that had already been adapted to opera by two other composers—first by Daniel Aubert (1856), and then in a hugely successful work by Jules Massenet 1884. 

Review: DON GIOVANNI at Winter Opera

The wonderful Winter Opera has opened a quite splendid production of what has been called “the opera of all operas”—Mozart’s amazing Don Giovanni.

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