Opera is widely considered to be a seasonal flower. Around the world opera festivals show their shoots in early spring, they blossom in the summer, and they stretch their glory into the fall. In St. Louis, though, we find one of the few fine opera companies willing to brave the icy blasts of winter.
Gina Galati’s delightful Winter Opera company has opened its season with a revival of a rarely seen Gilbert and Sullivan show—The Sorcerer. It premiered in 1877, the first of the grandly popular series of light operas by G & S in which the authors had total control over casting and staging.
Two Jews Walk into a War... is not slapstick or laugh out loud funny. It is more wryly amusing. The humor is abundant. Laughs come from Seth Rozin’s quippy script, Aaron Sparks’ crisp direction and sharp timing, and Gary Glasgow and Chuck Winning’s playful sparring. But Rozin, Sparks, and the actors take the audience beyond the laughs and comedy, leaving them with more. Two Jews Walk into a War... provokes a quieted introspection about faith, ethics, beliefs, responsibility, and the relationships among the members of a community and religious congregation.
New Jewish Theatre will present Two Jews Walk Into a War…, a comedy based on the true story of the last two Jews living in Afghanistan. The production will run July 24 through August 10 at the Wool Studio Theatre in St. Louis, under the direction of St. Louis Theatre Circle nominee Aaron Sparks. See photos from the production.
Josh Sharp's ta-da! officially opened Off-Broadway at the Greenwich House Theater on July 21. In attendance at opening night were Sadie Sink, Cole Escola, and more. Check out photos below!
NJT will present Two Jews Walk Into a War…, a modern vaudeville full of schtick, sorrow, and survival based on the true story of the last remaining Jews in Afghanistan. Learn more and see how to purchase tickets.
Winter Opera rounds out its 18th season with a splendid production of Mozart’s Die Zauberflöte (The Magic Flute). This is perhaps the most popular opera in the world, and it is an all-round challenge for any company—vocally and technically.
It's a splendid production of Gilbert & Sullivan’s 'H.M.S. Pinafore', and it brims with glorious music, wonderful voices, and bright, delightful, timeless comedy.
New Jewish Theatre’s TRAYF is a delight. The remarkable chemistry between Miller and Schmidt is reminiscent of the great comedic acting duos from the buddy comedies of the past. Their contagious energy makes their portrayals of Schulmy and Zalmy endearing and irresistible. The realism that Sparks and his team bring to the production is commendable and creates enjoyable and believable storytelling. TRAYF is a wonderfully warm and winning comedy about friendship, love, and faith.
New Jewish Theatre will present Trayf by Lindsay Joelle. Running Thursday, September 12 through Sunday, September 29, performances will take place in the J’s Wool Studio Theatre. Trayf had its World Premiere at Theatre J in in Washington D.C. in 2018, and this is its first production in St. Louis.
Vest-Pocket Productions will present THE MONROE DOCTRINE, a world premier new play by award-winning Baltimore playwright Mark Scharf, at the Baltimore Theatre Project.
The Stein family has gathered to celebrate the Passover Seder for the first time. Linda, the controlling family matriarch, insisted that all the members of her family gather for the traditional celebration that has been anything but a tradition for their non-practicing secular family.
Winter Opera continues it’s seventeenth season with another iconic operetta—Victor Herbert’s Naughty Marietta. This lovely old show premiered in 1910. It was produced by the first Oscar Hammerstein (the grandfather of you-know-who). In 1935 a movie version was made—with Jeanette MacDonald and Nelson Eddy.
Gina Galati’s wonderful Winter Opera company continues its 17th season with Puccini’s Manon Lescaut. This work, which opened in 1893, was Puccini’s first great hit. It was rather daring of Puccini to present this piece, based as it was on a novel that had already been adapted to opera by two other composers—first by Daniel Aubert (1856), and then in a hugely successful work by Jules Massenet 1884.
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