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Photo Flash: First Look at Harry Hadden-Paton, Carmen Cusack and Tony Yazbeck in FLYING OVER SUNSET

Lincoln Center Theater, under the direction of André Bishop is producing the new musical FLYING OVER SUNSET during its 2019-2020 season.  FLYING OVER SUNSET, with a book and direction by James Lapine, music by Tom Kitt, and lyrics by Michael Korie, will feature choreography by Michelle Dorrance, and will begin previews March 12, 2020 and open on Thursday, April 16, 2020 at the Vivian Beaumont Theater (150 West 65 Street).  Carmen Cusack, Harry Hadden-Paton and Tony Yazbeck will head the cast.

MacDowell Announces 2020 Public Season Of Works-in-Process And Artist Conversations In New York

On January 23, The MacDowell Colony kicks off the year-long MacDowell NYC Salon Series a?oeSpark & Illuminationa?? with an evening of original musical theatre as James Lapine, Tom Kitt, and Michael Korie (pictured at MacDowell above) will be on hand to present excerpts of Flying Over Sunset and talk about their MacDowell-supported collaboration just weeks before the musical's Broadway premiere. Writer-director Lapine, composer Kitt, and lyricist Korie will present songs from their new play in an intimate setting in Chelsea and will share stories of their creative process. The evening launches a series of public salons scheduled for 2020, as some of the contemporary art world's most dynamic creators will perform, exhibit, and read from works created at The MacDowell Colony in Peterborough, NH, one of the nation's leading contemporary arts organizations and its first artist residency program.

Theatre Communications Group Will Honor David Henry Hwang and National Black Theatre Festival at 2020 Gala

Theatre Communications Group (TCG), the national organization for theatre, has announced the 2020 TCG Gala: Our Stories will be held on Monday, February 3, 2020 at The Edison Ballroom (240 W 47th Street). The Gala will honor the National Black Theatre Festival of Winston-Salem and David Henry Hwang and will include festive performances, inspiring speakers, and a celebratory dinner with theatre leaders, celebrities, and enthusiasts. A 6:00pm cocktail reception will be followed by a 7:00pm seated dinner, with entertainment beginning at 7:20pm. Additional programming will be announced soon.

Byron St. Cyr Returns To The Duplex With BYRON ST. CYR: BACK TO BEFORE

Byron St. Cyr, 2018 MAC Nominee, returns to The Duplex with a new solo show, 'Byron St. Cyr: Back to Before'. After a year of being back on the theatrical stage Byron comes to the place where his journey back began with some of his favorite musical moments and tales of returning to his first love after almost a decade away.

BWW Interview: Julian Emile Lerner in LAST DAYS OF SUMMER at George Street Playhouse 10/15 to 11/10

George Street Playhouse opens their inaugural season at the New Brunswick Performing Arts Center (NBPAC) with 'Last Days of Summer.' It is based on the contemporary novel by Steve Kluger and directed by two-time Tony Award nominee Jeff Calhoun with music by Grammy winner Jason Howland. Broadwayworld.com had the pleasure of interviewing Julian Emile Lerner who plays Joey Margolis in the show.

Photo Flash: Inside DOCTOR ZHIVAGO at Cadogan Hall

Doctor Zhivago made its UK concert debut starring Ramin Karimloo (Yurii Andreyevich Zhivago) and Celinde Schoenmaker (Lara Guishar) at Cadogan Hall, on 1 September, 2pm and 6.30pm. See photographs from the concert below!

Zoe Van Tieghem Brings GENERATION Z, A Cabaret, to The Duplex

Primal Productions presents Zoë Van Tieghem in Generation Z on September 14th, 2019. In her Duplex debut, Zoë Van Tieghem will perform musical theater songs sung by characters she will (probably) never play...and maybe a few she will. Zoë has performed at Feinstein's/54Below, Le Poisson Rouge, Naked Angels Tuesdays@9, Postmarked Cafe, and opened for Debbie Harry at the Bearsville Theater in Woodstock, NY. Zoë Van Tieghem in Generation Z plays The Duplex Cabaret Theatre (61 Christopher Street) on September 14th. There is a $15-$20 cover charge and a two beverage minimum.

BWW Review: DOCTOR ZHIVAGO, Cadogan Hall

Boris Pasternak's 1957 novel Doctor Zhivago won its author a Nobel Prize for Literature and later spawned a lengthy (and fairly sluggish) film directed by David Lean in 1965. It took 41 years for the original material to be turned into a musical. Written by Lucy Simon (score), Michael Weller (book), Michael Korie and Amy Powers (lyrics), it then debuted on Broadway in 2015 in a massive production led by Tam Mutu and Kelli Barrett, receiving a rather cold shoulders from critics.

BWW Interview: Ramin Karimloo & Celinde Schoenmaker Talk DOCTOR ZHIVAGO at Cadogan Hall

Ramin Karimloo and Celinde Schoenmaker have both played leading roles in Les Miserables and The Phantom of the Opera but never at the same time, until now. They now lead the cast of a concert version of Doctor Zhivago which will be performed at Cadogan Hall on 1 September. Ramin and Celinde spoke to BroadwayWorld about the show during their rehearsals.

BWW Review: WAR PAINT at Atlanta Lyric Theatre

On Friday evening, Atlanta Lyric Theatre, in a display of pure bravura, opened their 40th Anniversary Season with the regional premiere of the musical War Paint, a new tuner with a book by Doug Wright, music by Scott Frankel, and lyrics by Michael Korie that tells the story of the rise and fall of two of the cosmetics industry's most notable trailblazers, Helena Rubenstein and Elizabeth Arden.  The musical opened on Broadway in 2017 to lackluster reviews and played only 269 performances before shuttering, even with two of Broadway's biggest divas, Christine Ebersole and Patti Lupone, at the helm.   There's a reason for this.  War Paint has what I like to call Sleepless-in-Seattle Syndrome when I'm talking to a group of juiced-up creative writing students.  That's a story that, like the Tom Hanks-Meg Ryan film, has this problem:  the characters don't share enough time together in scenes to generate the type of tension needed to sustain interest over the course of the story.  The musical places too many limitations on itself by remaining true to the real-life story which includes the fact that Helena Rubenstein and Elizabeth Arden didn't actually know each other in real life and ends up painting a stage where the two principal characters are separated by an imaginary wall that can't ever be scaled, not even emotionally, and not even by the most talented actors.  But Atlanta Lyric, with their artistic director, Mary Nye Bennett, an absolute mega-talent in the role of Helena Rubenstein, and gorgeous scenic by Stephanie Polhemus, manage to offer up an excellent evening at the theater under the direction of a capable Susan G. Reid. 

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