Young Dancemakers Company, a tuition-free NYC public high school dance ensemble, announced its 2026 touring season, featuring student-created works and a repertory project with choreographer Milton Myers, culminating at the Ailey Citigroup Theater.
Young Dancemakers Company will celebrate its landmark 30th season this summer with a spirited series of original works created and performed by the teens themselves.
Young Dancemakers Company will present its 29th annual touring season.
Young Dancemakers Company, a tuition-free dance ensemble of students drawn from NYC’s public high schools, working under the guidance of acclaimed professionals, will present its 29th annual touring season.
Manhattan Theatre Club's world premiere of The Best We Could (a family tragedy), written by Emily Feldman (Three Women in Four Chairs, My Lover Joan) and directed by Daniel Aukin (Fool For Love, Fulfillment Center), is in its final weeks of performances at New York City Center – Stage I (131 West
Check out photos from opening night of Manhattan Theatre Club's world premiere of The Best We Could!
Manhattan Theatre Club’s world premiere The Best We Could (a family tragedy), written by Emily Feldman opens tomorrow night, Wednesday, March 1, at New York City Center – Stage I.
Get a first look at footage of the world premiere of Manhattan Theatre Club's The Best We Could!
Manhattan Theatre Club’s world premiere The Best We Could (a family tragedy), written by Emily Feldman and directed by Daniel Aukin, is now in preview performances at New York City Center – Stage I.
Read BroadwayWorld's interview with playwright Emily Feldman, as she discusses the world premiere of her play The Best We Could, now playing at Manhattan Theatre Club.
Manhattan Theatre Club’s world premiere The Best We Could (a family tragedy), written by Emily Feldman and directed by Daniel Aukin will now begin preview performances on Wednesday, February 8, at New York City Center – Stage I.
The full cast has been announced for Manhattan Theatre Club’s upcoming world premiere, The Best We Could (a family tragedy), written by Emily Feldman and directed by Daniel Aukin.
This September, The American Opera Project, one of America’s leading homes for the creation of original lyric theater, kicks off its 33rd season with premiere music from five distinctive new operas at an outdoor concert in its home neighborhood of Fort Greene, Brooklyn.
The October world premiere of White Snake Projects' Alice in the Pandemic – a virtual opera by creator and librettist Cerise Jacobs and composer Jorge Sosa – met with well-deserved praise from every corner, for its innovation and the possibilities it revealed for the future of digital opera prod
The American Opera Project announces First Glimpse, a video album of 20 songs created during the first year of AOP’s 2019-21 cycle of Composers & the Voice, the groundbreaking fellowship program that has been the starting point for many of today’s most recognized contemporary operas and artist
Manhattan Theatre Club (Lynne Meadow, Artistic Director and Barry Grove, Executive Producer) has announced casting for the upcoming world premiere of The Best We Could (A Family Tragedy), written by the company's 2019-20 Tow Playwright-in-Residence, Emily Feldman (Three Women in Four Chairs, My Love
Primary Stages' production of the world premiere of On That Day in Amsterdam, written by Clarence Coo (Beautiful Province (Belle Province)-a?"Yale Drama Prize) and directed by Kareem Fahmy (3/Fifths) will begin previews on Friday, November 1.
a??a??a??a??a??a??a??The American Opera Project (AOP), announces its selection of eight composers and librettists to receive fellowships for its 10th cycle of the Composers & the Voice training program.
Primary Stages announces casting for the world premiere of On That Day in Amsterdam, written by Clarence Coo
Honeck-Moss Productions is presenting a?oeIn The Works.
