My Shows
News on your favorite shows, specials & more!
Marc Brenner Headshot
News Alerts

Marc Brenner News

Get Marc Brenner Email Alerts

Be the first to get news, photos, videos & more.
Critics' Choice: Cheryl Markosky's Best Shows of 2024

Grand dame Sian Phillips stealing the show, Adam Cooper giving an unexpected twirl and smaller theatre spaces punching above their weight. These are some of BroadwayWorld reviewer Cheryl Markosky's favourite theatre moments of 2024.

Review: THE IMPORTANCE OF BEING EARNEST, National Theatre

This is an Earnest for a new generation, Bridgertonian in its approach and just brat enough. Everybody is a little gay. Everybody is incredibly horny. Everybody has the smoothest comeback. Webster forgoes any sanctimony with sacrilegious extravagance. Gorgeously anachronistic costumes by Rae Smith splash on Smith’s own set design, shaking up the comedy of manners conventions in favour of a more original take.

Photos: MY FAIR LADY At Curve Leicester

Check out production photos of the Made at Curve production of Alan Jay Lerner and Frederick Loewe’s classic musical MY FAIR LADY.

Interview: 'I've Always Hated the Play': Tracy-Ann Oberman on Antisemitism, Changing Attitudes and Adapting THE MERCHANT OF VENICE 1936

After a successful run at the Criterion Theatre earlier this year, The Merchant of Venice 1936, an adaptation of Shakespeare’s work by Brigid Larmour and Tracy-Ann Oberman, with Oberman starring as a female version of the Jewish moneylender, Shylock. Larmour and Oberman have moved the setting to London in the 1930s, when fascism was on the rise with Oswald Mosley and his Blackshirts, culminating in the Battle of Cable Street on 4 October 1936.

Review: THE PURISTS, Kiln Theatre

“This ain’t NWA, it’s NW6.” The preshow warm up rapper unironically proclaims down a booming mic. What a line.

Review: ALL’S WELL THAT ENDS WELL, Shakespeare's Globe

If, like me, you shrug bah humbug to Panto season and its saccharine cavalcade of festive frivolous fluff then you would do well to seek refuge at the Globe and its intelligently calibrated Winter offering of All's Well That Ends Well.

Review: THE ELIXIR OF LOVE, London Coliseum

​​​​​​​Nostalgia isn’t what it used to be. That’s the hypothesis of Harry Fehr’s new iteration of The Elixir Of Love, a self-reflexive swipe on 1970s sitcoms drunk on the saccharine sentimentalism of second world war triumphalism. Pip pip. Tally ho.

  …        10       …    

Get Marc Brenner Email Alerts

Be the first to get news, photos, videos & more.

Videos


TICKET CENTRAL
Hot Show
Tickets From $84
Hot Show
Tickets From $143
Hot Show
Tickets From $59
Hot Show
Tickets From $95