Lili-Anne Brown News

Watch the SDCF Awards hosted by the Stage Directors and Choreographers Foundation!

Top stories include casting for the Ragtime reunion concert, an all new production of Peter Pan which will embark on tour next year, and more! Plus, the design team has been announced for the Broadway-bound production of The Wiz!

The Muny announced has announced the directors, choreographers and music director/conductors for The Muny’s 2023 Premier Season. See details about The Muny's season, and see how to purchase tickets.

Nominations have been announced for the 37th Helen Hayes Awards, which will be presented on Monday, May 22. Nominees include productions from Arena Stage, Signature Theatre, GALA Hispanic Theatre and more.

The winners have been announced for the 2022 BroadwayWorld Washington, DC Awards, honoring the best in regional productions, touring shows, and more which had their first performance between October 1, 2021 through September 30, 2022.

The latest standings as of Monday, December 19th, have been released for the 2022 BroadwayWorld Washington, DC Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The latest standings as of Monday, December 12th, have been released for the 2022 BroadwayWorld Washington, DC Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The latest standings as of Monday, December 5th, have been released for the 2022 BroadwayWorld Washington, DC Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

 The Gift Theatre has announced its 2023 season, featuring the Chicago premiere of Anna Ouyang Moench’s dark comedy Mothers, directed by Lili-Anne Brown and a revival of Jim Cartwright’s powerful, award-winning drama The Rise and Fall of Little Voice, directed by Devo de Mayo.

Stage Directors and Choreographers Foundation, the not-for-profit foundation of Stage Directors and Choreographers Society announced the recipient and finalist for its annual Zelda Fichandler Award.

As the director says, this is a 'Black play that speaks to Black people and talks about Black shit.' But it allows larger audiences a chance to listen in to the conversation and laugh, if more gently, at the jokes. While not everything in the show is funny, much of it is irresistibly so.

Fasten your seatbelts, and prepare for turbulence. Baltimore Center Stage (BCS), in a co-production with Woolly Mammoth Theatre Company, presents the regional premiere of AIN’T NO MO’ written by Jordan E. Cooper and directed by Lili-Anne Brown now through November 20, 2022. See photos from the production.

JOE TURNER'S COME AND GONE was the first Wilson play produced at the Huntington in 1986, the beginning of a 19-year relationship that saw all ten of his American Century Cycle plays chronicling the African American experience in the 20th century performed on the local stage.

Goodspeed Musicals has announced its 2023 season at the Goodspeed Opera House. It will be an exciting and memorable season with stories that range from Vaudeville to Motown, from powerful to playful and everything in between, featuring the world premiere of Summer Stock, based on the Judy Garland – Gene Kelly film, and more.

Fasten your seatbelts, and prepare for turbulence. Baltimore Center Stage, in a co-production with Woolly Mammoth Theatre Company, will present the regional premiere of AIN'T NO MO' written by Jordan E. Cooper and directed by Lili-Anne Brown from October 27 through November 20, 2022.

The Huntington has announced the casting and creative team for the highly anticipated revival of August Wilson’s Joe Turner’s Come and Gone, directed by Lili-Anne Brown. Wilson’s masterpiece serves as the inaugural production of the newly renovated Huntington Theatre and runs from October 14 – November 13, 2022.

What did our critic think of AIN'T NO MO' at Woolly Mammoth?Thanks to Barack Obama's presidency but, alas, because of Rachel Dolezal's wannabe caper, American drama requires some updated, Black-originated satire; Jordan E. Cooper obliges with Ain't No Mo', his 100 minute whupping of white privilege, supremacy, and presumptive cultural majority at Woolly Mammoth through October 9. Cooper follows the late Douglas Turner Ward and George C. Wolfe whose Day of Absence (1965) and The Colored Museum (1986) lampooned white dominance with comedy both uproarious and bitter, and so does this show. It's good to have the real, live, three-dimensional exchange that only theatre provides. No disrespect, Dear White People, Get Out, Sorry to Bother You, and the canon of Spike Lee.

Following a tumultuous period for the Victory Gardens Theater, this week the board dismissed the remainder of its staff following the unionization effort. The staff was informed their positions were eliminated due to 'lack of business and operational needs.'

Fasten your seatbelts, and prepare for turbulence. In a co-production with Baltimore Center Stage, Woolly Mammoth Theatre Company will present the regional premiere of AIN’T NO MO’, written by Jordan E. Cooper.   

Woolly Mammoth Theatre Company has announced that single tickets for the 2022-23 season will be available for purchase starting August 12. Regular price tickets start at $29, with a range of special discounts available for those 30 and under, military, educators, and more.