Manhattan School of Music will confer Honorary Doctor of Musical Arts degrees on mezzo-soprano J'Nai Bridges, Misty Copeland, Donna McKechnie, Jane Chu, and Jason Moran at its annual Commencement Ceremony at The Riverside Church in New York City.
Boston Conservatory at Berklee honored Grammy-nominated opera producer Beth Morrison and MOMIX founder Moses Pendleton with honorary doctorates at its commencement ceremony, where 246 graduates from around the world gathered at the Berklee Performance Center.
New Camerata Opera will present L'AMANT ANONYME at the Rose Nagelberg Theatre at Baruch Performing Arts Center, reimagining Joseph Bologne's only surviving opera inside a 1960s TV studio as an homage to Bologne and Leontyne Price.
When Charlotte Symphony announced their 2025-26 schedule last March, they couldn’t have predicted the serendipity of two recent concerts a year later. Three subsequent events had to align. Houston Grand Opera’s world premiere recording of Jake Heggie’s Intelligence had to be released in August, and the recording, conducted by Charlotte Symphony music director Kwamé Ryan and starring soprano Janai Brugger, had to be nominated for a Grammy Award.
The audience at New York’s 92nd Street Y the other night was certainly happy to be at a recital, “From Ordinary Things,” by the trio of soprano Julia Bullock, with her colleagues Seth Parler Wood on cello and pianist Conor Hanick. But there was almost nothing traditional about the proceedings, save for a sumptuous song by Ravel, “Nahandove” (during which Bullock sounded most mezzo-like, as she often does).
Lincoln Center Theater’s new Kenny Leon production of Gian Carlo Menotti’s AMAHL AND THE NIGHT VISITORS, presented in association with the Metropolitan Opera, is hardly “A Charlie Brown Christmas” or “The Nutcracker.” Yet it manages to give us faith, hope and charity at a time we could all use more than a little of it, though there doesn’t seem to be much of a nod by director Leon to the setting of “The Present” mentioned in the Playbill.
In honor of the Aida’s 25th anniversary, BroadwayWorld spoke to stars Heather Headley (Aida), Adam Pascal (Radames), Sherie Rene Scott (Amneris), Schele Williams (Nehebka), as Thomas Schumacher (original producer and Disney Theatrical Group chief for its first three decades), lyricist Tim Rice, and book writer David Henry Hwang to compile an oral history of the show’s early days, transition to Broadway, and legacy beyond the boards.
Lyric Opera of Chicago and the Black Leadership Arts Collective will present Echoes of Excellence: Celebrating the Legacy of Chicago’s Black Voices. Learn more!
The Richard Tucker Music Foundation has announced the recipients of its prestigious Richard Tucker Award, Richard Tucker Career Grant, and Sara Tucker Study Grant.
Boston Conservatory at Berklee Executive Director Michael Shinn will present honorary doctorates to Pulitzer Prize-winning composer Tania León and Tony Award-winning actress and singer Kelli O'Hara. Learn more!
The International Voice Competition Boris Martinovich is pleased to announce the opening of its application period for the 2025 competition. This pioneering online vocal competition welcomes singers of all ages and skill levels, offering a unique platform to showcase talent and advance careers.
The Town Hall will celebrate Houston and the premiere of The Voice of Whitney: A Symphonic Celebration, conducted by internationally renowned conductor and music director Sean Mayes, featuring Pops of Color. Learn more!
Mezzo-soprano Denyce Graves’ career has garnered unparalleled popular and critical acclaim. Ms. Graves’ acclaimed appearances as Carmen and Dalila in Samson et Dalila have resounded in the world’s greatest opera houses, and her success has been recognized in notable television appearances, interviews, masterclasses, and magazines.
A bewitching spectacle is brewing in Hell’s Kitchen, just in time for spooky season. On October 19, tenor Jordan Weatherston Pitts will transform into his alter ego, Creatine Price, for “Cantata: Blood Magic” at Red Eye NY, promising an afternoon of high notes and even higher heels.
San Francisco Opera will open its 102nd season on Friday, September 6 with Giuseppe Verdi’s Un Ballo in Maschera and Opera Ball, the opening night benefit co-hosted with San Francisco Opera Guild.
There are no adjectives that can effectively describe the level of greatness in which Samara Joy delivers the sounds of Jazz. She is phenomenal and an 'old soul' in a beautiful contemporary body. She is on the frontline of bringing jazz to a new generation of followers.