Review: ANTONÍN DVOŘÁK’S NEW WORLD SYMPHONY at Knight Theater
by Perry Tannenbaum - Apr 1, 2026
When Charlotte Symphony announced their 2025-26 schedule last March, they couldn’t have predicted the serendipity of two recent concerts a year later. Three subsequent events had to align. Houston Grand Opera’s world premiere recording of Jake Heggie’s Intelligence had to be released in August, and the recording, conducted by Charlotte Symphony music director Kwamé Ryan and starring soprano Janai Brugger, had to be nominated for a Grammy Award.
Review: Bullock, Woods and Hanick Are Anything but ORDINARY THINGS at NY's 92nd Street Y
by Richard Sasanow - Jan 27, 2026
The audience at New York’s 92nd Street Y the other night was certainly happy to be at a recital, “From Ordinary Things,” by the trio of soprano Julia Bullock, with her colleagues Seth Parler Wood on cello and pianist Conor Hanick. But there was almost nothing traditional about the proceedings, save for a sumptuous song by Ravel, “Nahandove” (during which Bullock sounded most mezzo-like, as she often does).
Review: Before There Was Charlie Brown, There Was Menotti’s AMAHL, now at Lincoln Center Theater
by Richard Sasanow - Dec 21, 2025
Lincoln Center Theater’s new Kenny Leon production of Gian Carlo Menotti’s AMAHL AND THE NIGHT VISITORS, presented in association with the Metropolitan Opera, is hardly “A Charlie Brown Christmas” or “The Nutcracker.” Yet it manages to give us faith, hope and charity at a time we could all use more than a little of it, though there doesn’t seem to be much of a nod by director Leon to the setting of “The Present” mentioned in the Playbill.
Back to Nubia: Stories from the Making of AIDA After 25 Years
by Caitlin Hornik - Dec 6, 2025
In honor of the Aida’s 25th anniversary, BroadwayWorld spoke to stars Heather Headley (Aida), Adam Pascal (Radames), Sherie Rene Scott (Amneris), Schele Williams (Nehebka), as Thomas Schumacher (original producer and Disney Theatrical Group chief for its first three decades), lyricist Tim Rice, and book writer David Henry Hwang to compile an oral history of the show’s early days, transition to Broadway, and legacy beyond the boards.
International Voice Competition Boris Martinovich Announces 2025 Competition
by A.A. Cristi - Mar 6, 2025
The International Voice Competition Boris Martinovich is pleased to announce the opening of its application period for the 2025 competition. This pioneering online vocal competition welcomes singers of all ages and skill levels, offering a unique platform to showcase talent and advance careers.
BWW Q&A: Denyce Graves on THE PASSION OF MARY CARDWELL DAWSON at North Carolina Opera
by Joshua Wright - Nov 6, 2024
Mezzo-soprano Denyce Graves’ career has garnered unparalleled popular and critical acclaim. Ms. Graves’ acclaimed appearances as Carmen and Dalila in Samson et Dalila have resounded in the world’s greatest opera houses, and her success has been recognized in notable television appearances, interviews, masterclasses, and magazines.
Interview: Creatine Price Spills About CANTATA: BLOOD MAGIC at Red Eye NY
by Chloe Yang - Oct 8, 2024
A bewitching spectacle is brewing in Hell’s Kitchen, just in time for spooky season. On October 19, tenor Jordan Weatherston Pitts will transform into his alter ego, Creatine Price, for “Cantata: Blood Magic” at Red Eye NY, promising an afternoon of high notes and even higher heels.
Review: THE JAZZ STYLIST OF THE 'INCOMPARABLE SAMARA JOY' at Belk Theater
by Vickie Evans - Jun 6, 2024
There are no adjectives that can effectively describe the level of greatness in which Samara Joy delivers the sounds of Jazz. She is phenomenal and an 'old soul' in a beautiful contemporary body. She is on the frontline of bringing jazz to a new generation of followers.