Lauren Marshall News

With its fresh new take on the beloved tale of a young woman who is transformed from a chambermaid into a princess, the hilarious and romantic Rodgers + Hammerstein’s Cinderella combines the story's classic elements – the glass slippers, the pumpkin, and the prince’s ball – along with some surprising twists.

Penguin Project artists have a wide spectrum of needs including Down syndrome, Autism Spectrum Disorders, intellectual disabilities, cerebral palsy and ADHD. Participation in the program enhances social skills, communication skills, and self-esteem.

Luckily, for audiences at Crossville's Cumberland County Playhouse (where Elf, The Musical runs through December 21 in a delightful and sparkling production helmed by producing director Bryce McDonald), the role of Buddy is entrusted to Chris Hallowes, who has proven himself the personification of the term a?oesong-and-dance mana?? during his tenure at the Playhouse, and who once again proves his mettle with his latest onstage assignment. Were it not for the fact we've always considered Hallowes a star, we'd say Buddy is a starmaking performance for him.

Who'd have ever thought a seven-foot-tall, dark, handsome and green chap a?' crafted from the bits and pieces of various fellows gone home to meet their maker, as it were a?' could prove to be so likable, charming and, we daresay, sexy? But leave it to Mel Brooks (and Gene Wilder, his co-writer on the 1974 film) to create such a protagonist and to surround him with memorable characters in a story set to music that's a wonderful homage to the very best of classic Broadway and silver screen musicals!

Powerhouse vocals from its two leading players (Anthony Lazzaro and Cassie Donegan), along with focused direction, spirited choreography, effusive music coming from the pit and an eye-popping visual design aesthetic combine to make Cumberland County Playhouse's most recent iteration of Joseph and the Amazing Technicolor Dreamcoat another in a long line of onstage hits sure to attract audiences eager to escape the sultry heat of a Tennessee summer.

It's that time of the week, theater lovers! With the weekend set to kick off at any moment - personally, we like to consider Thursday morning at 12:01 a.m. the official start of the weekend (that's directed primarily to the Dowager Countess of Grantham who quite clearly didn't understand what actually constitutes a 'weekend') - so we are back with a few suggestions of our own to help make your job easier. There are some new shows opening, others which are continuing their runs and still more which will be winding up their slate of performances this weekend!

It's another busy weekend in Nashville - but when is Music City not packed with events, festivals, affairs? - and we're back with our Critic's Choice recommendations to have you cut through the theatrical flotsam and jetsam and find a cultural opening that's a good fit for your harried lifestyle. Nashville Opera opens its staging of Marc Blitzstein's The Cradle Will Rock at Noah Liff Opera Center, Way Off Broadway Productions unveils its version of Les Liaisons Dangereuses at Music Valley Event Center, Street Theatre Company invites you to the see their staging of Lynn Nottage's Sweat at their new venue on Elm Hill Pike and Nashville Rep continues its celebration of 10 years of The Ingram New Works Festival at Nashville Children's Theatre.

Deciding where to go for college or university is nothing short of daunting. There are all kinds of factors to consider such as location, ideal class size, and admission requirements. We're rounding up some of the top theatre schools to give students some stats to consider when getting ready to apply or even transfer.

'Based on a true incident' seems a phrase best reserved for a hardboiled television detective series, circa 1954 - perhaps followed by a title card reading, 'A Quinn Martin Production' (if you're of a certain vintage, you'll get my meaning) - but in the case of Bright Star, the Tony Award-nominated musical by Steve Martin and Edie Brickell now onstage at Cumberland County Playhouse through June 6, it's definitely fitting.

Bright Star - the five-time Tony Award-nominated musical with "a glorious score and moving story," according to Cumberland County Playhouse's producing director Bryce McDonald - opens in Crossville this Friday night, April 26 and continuing through June 6.

Growing up in a small Southern town with fewer than 1,000 people, the prevalent thoughts tend to be centered on how to get out of that stifling, archly conservative community, in order to search for the proverbial greener pastures and to find like-minded people who will make you feel more "at home" with yourself and in your own skin. While that may well be the honest-to-God true story of my youth, nonetheless it always startles me when my emotions are stirred up by a stage musical set in the years long before my birth, with a show that fairly reverberates with the heart and soul, memories and nostalgia usually associated with a trip back home.

In anticipation of the gala 30th anniversary celebration of The First Night Awards, Tennessee's best and brightest in live theater were revealed tonight as First Night's Top Ten of 2018 - reviewer and critic Jeffrey Ellis' annual recognition for theater in the Volunteer State - were announced during a Facebook Live presentation from Nashville.

What better way to leave behind the turmoil of the modern world than by indulging in a bright, shiny new musical burnished with the warm glow of nostalgia and featuring a score by the inimitable Irving Berlin? We can't imagine anything more fun - or more timely, for that matter - than a couple of hours or more spent in the audience of Cumberland County Playhouse to experience the company's latest musical treat: Irving Berlin's Holiday Inn.

Fog comes billowing out over the footlights, bringing with it a pervasive sense of foreboding that sets the tone for the next three hours of what is - without any fear of exaggeration - the most satisfying theatrical experience of 2018. Eye-poppingly gorgeous, with a design aesthetic that's perfectly wedded to the source material provided by composer/lyricist Stephen Sondheim and book writer Hugh Wheeler, and featuring some of the most electrifying performances we've ever witnessed at Cumberland County Playhouse (where they know a thing or 100 about staging musicals), Sweeney Todd, The Demon Barber of Fleet Street is spectacular.

Managing to find time amid a typically busy week in Crossville, actors Weslie Webster and Lauren Marshall - who play Mrs. Lovett and the neighborhood beggar woman, respectively - graciously agreed to submit to The Tuesday 5(+1) and to answer our questions with enough candor and intrigue to ensure audiences come see their show!

Managing to find time amid a hectic tech week, actor Brett Mutter - who plays Beadle Bamford - graciously agreed to submit to The Friday 5(+1) and to answer our questions, hopefully, intriguing potential audience members with some background about his theatrical career and to explain why he thinks you should reserve your tickets now for Sweeney Todd.

Village Theatre is excited to announce the lineup for The 18th Annual Festival of New Musicals, a series of five staged readings of musicals currently in development. The Festival will take place in Issaquah on August 10-12, 2018.

Cumberland County Playhouse presents an all-new musical version of Sleepy Hollow by Tony Award nominees Hunter Foster and Paul Gordon, running October 13-November 11 in Crossville.

SLEEPY HOLLOW runs through November 11 at Cumberland County Playhouse. Take a look at the cast in these production photos!

Cumberland County Playhouse presents an all-new musical version of Sleepy Hollow by Tony Award nominees Hunter Foster and Paul Gordon, running October 13-November 11 in Crossville.