If We Really Were Witches is flying into Under St. Marks as part of the FRIGID New York & Something From Abroad's Days of The Dead Festival after returning from two sold-out performances in The Scranton Fringe!
Lincoln Center for the Performing Arts will present the fourth annual Summer for the City. The 2025 festival will include world and New York premieres, participatory events, and more.
Rehearsals are underway for the Off-Broadway production of Vanya starring Andrew Scott, which has also extended its run. Check out rehearsal photos here!
Olivier Award®-winning actor Andrew Scott will reprise his wildly acclaimed performance in Vanya, a radical new adaptation of Chekhov’s masterwork, Uncle Vanya, which Mr. Scott co-created with adaptor Simon Stephens, designer Rosanna Vize and director Sam Yates, in its American Premiere.
Ice Theatre of New York has announced the 2024 Home Season Performances, beginning on Friday, May 3 at 7pm and continuing Saturday, May 4 at 7pm, before concluding with the Benefit Gala and Performance on Monday, May 6 at 6:30pm.
Kelly Moran has solidified her status as a trailblazing figure in modern music, challenging the piano's traditional, classically-imposed school of thought with a more contemporary, experimental approach. An accomplished and highly sought-after composer, Moran has collaborated with artists the likes of Oneohtrix Point Never.
Draaimolen has announced that they will be hosting an opening concert for Draaimolen Festival on September 7th at 013 Poppodium in Tilburg. They will be kicking off this year's edition with three live shows from Actress, Bruce and Kelly Moran.
Tin Drum––the world's premier mixed reality content production studio––has announced its latest collaboration, KAGAMI. Created with award-winning musician and composer Ryuichi Sakamoto, the mixed reality concert event will debut this June at The Shed in New York and during the Manchester International Festival in the United Kingdom. In 2024, the KAGAMI tour will continue with presentations including the Sydney Opera House and Big Ears Festival.
The Southbank Centre, its six Resident Orchestras and wider orchestral partners have today announced Classical Music Spring/Summer 2023, an exciting, varied programme of over a hundred events featuring a wealth of established and emerging artists from the UK and internationally.
Open Fist Theatre Company is presenting the world premiere of To the Bone, a darkly funny comedy about family, baseball, and genetics, written and directed by Catherine Butterfield. The play centers on sisters Kelly Moran and Maureen Dugan from the 'Irish Riviera' south of Boston, where they were known as 'hard girls' back in high school. And since the adage says that it's better to write about the things you know, I decided to ask Catherine Butterfield about how much of her own personal life is reflected in the play and what it's like to write and direct it herself.
Sometimes you get thrown a curveball. Open Fist Theatre Company will present the world premiere of To the Bone, a dark comedy about family, baseball, genetics — and the unexpected vagaries of life.
As Opera North celebrates the opening of its long-awaited restaurant, Kino, the Company's venue on the floors above, the Howard Assembly Room, announces an international programme of chamber music to mark its first year since reopening.
Bang on a Can announces the launch of LONG PLAY, a new, three-day destination music festival. Originally scheduled for May of 2020, Long Play will be presented for the first time from Friday, April 29 through Sunday, May 1, 2022.
Battery Dance celebrates the 40th Anniversary of its free summer festival from August 12-20, 2021, in partnership with Battery Park City Authority. The 40th Annual Battery Dance Festival features 16 international dance films from August 12-14 at 7pm ET via YouTube. 40 in-person and livestreamed performances will be staged at Robert F. Wagner, Jr. Park, New York City, from August 15-20 at 7pm ET. In total, 32 premieres by 53 dance companies are offered to international audiences, promoting Battery Dance’s mission of connecting the world through dance.
LIFT Lab Live presents studio performances of solos and duets for socially distanced audiences of 10. NYTB first produced LIFT Lab Live in October and November 2020, providing emerging and established choreographers with a safe space to create and audiences with strict Covid protocols and a rare opportunity to enjoy live performance.
Bang on a Can announces its next Bang on a Can Marathon – Live Online – on Sunday, April 18, 2021 from 1-5pm ET. All 15 pieces on the program will be world premiere performances of newly commissioned works, streamed from musicians' homes around the country and across the world. Over its first six live online Marathons in 2020-2021 (May 3, June 14, August 1, October 18, February 21, and March 21)
New York Theatre Ballet will present the second installment of LIFT Lab Live, an in-house live performance series created in the fall, that provides emerging and established choreographers with a safe space to create and offers audiences a safe space to experience live music and live performances of new choreography.
Producer and vocalist Malibu debuts a rework of her song 'Lost At Sea' from composer and pianist Kelly Moran.
In February, Kaufman Music Center's Ecstatic Music series presents one of its most eagerly-awaited programs: an evening with acclaimed composer/performers Missy Mazzoli and Kelly Moran (February 29), who will perform solo sets with piano, keyboards, and electronics, and give the world premiere of Mazzoli's The Night Ahead and No Real Fate. Violinist Olivia De Prato (Mivos Quartet) will join Mazzoli on selected pieces. This concert at Merkin Hall is part of Ecstatic Music's 10th anniversary season, and a New Sounds Live co-presentation, hosted by John Schaefer and streamed live at newsounds.org.
Minihorse are sharing the third single, 'King Of The Concrete', from their debut LP Living Room Art, out July 26th on Park The Van Records, with The Alternative who liken the band's debut to 'the brittle hooks of Elliott Smith, the dynamic progressions of Grandaddy, and the textural girth of My Bloody Valentine' and say that 'Collins' songs are incredibly well-produced and meticulously performed, with tons of space in the mix for distorted guitar leads and gravelly basslines to float alongside one another like stardust...[King Of The Concrete] is over and done in a blink, but there's enough going on in that brief moment to go back and dissect multiple times.'
