BWW Review: TONI STONE at The Alliance
by Jennifer Skura Boutell
- Feb 26, 2022
A co-production with Milwaukee Repertory Theater on the Coca-Cola Stage until February 27, 2022, Alliance Theatre shares that TONI STONE is considered 'the 'Best New Play of 2019' by The Wall Street Journal,' and 'is a funny and fascinating story of race, gender, and raw ambition… and an unheralded superstar you’ll never forget.'
Hartford Stage Announces Artistic Team for ANGRY, RAUCOUS & SHAMELESSLY GORGEOUS
by Chloe Rabinowitz
- Dec 29, 2021
Hartford Stage announced today the artistic team for the next production of their 2021-2022 season, acclaimed playwright Pearl Cleage's Angry, Raucous & Shamelessly Gorgeous. The smart new comedy, directed by Susan V. Booth, runs at the Tony Award-winning theatre in downtown Hartford starting January 13 through February 6, 2022.
One-Week Extension Announced for CULLUD WATTAH at The Public Theater
by Chloe Rabinowitz
- Nov 15, 2021
The Public Theater announced a one-week extension of the world premiere play CULLUD WATTAH through Sunday, December 12. Written by Susan Smith Blackburn Prize winner Erika Dickerson-Despenza and directed by Lilly Award winner Candis C. Jones, CULLUD WATTAH follows three generations of Black women living through the Flint Water Crisis.
BWW Review: SHUTTER SISTERS at The Old Globe
by E.H. Reiter
- Oct 26, 2021
SHUTTER SISTERS is a very enjoyable and empathetic look at how connections between mothers, daughters, friends, and even strangers impact the story of your life. Playing at The Old Globe in the Sheryl and Harvey White Theatre through November 7th.
BWW Review: “MASTER HAROLD”…and the Boys at Syracuse Stage
by Timothy Treanor
- Jun 17, 2021
It is 1950, and on a rainy South African afternoon in the St. George’s Park Tea Room, Hally (Nick Apostolina) is becoming himself. He was a boy – one prone to arrogance and self-pity, certainly but vulnerable, and capable of sweetness and hope. But now he is becoming a man – a brutal man, “MASTER HAROLD”, who embraces the world’s ugliness and claims it as his own. He does this by spitting in the face of Sam (L. Peter Callender), a Black man who had sheltered him to that point from the world’s worst, including his own father. In this primal way Master Harold joins the oppressors as a way of not joining the oppressed.
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