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Opera Industry Shows Support for Washington National Opera

A bold statement of opera industry solidarity with the Washington National Opera was issued following the news of the company's decision to leave Kennedy Center. A group of more than 60 opera industry leaders, including John Adams, Kevin Puts, Kelli O'Hara, Joyce DiDonato, John Corigliano, Isabel Leonard, Anthony Roth Costanzo, Jeanine Tesori and more, signed an open letter pledging support to the company.

Carnegie Hall Unveils UNITED IN SOUND Festival 2026 Partner Events

Carnegie Hall has announced its schedule of partner events presented by leading cultural and academic institutions across New York City and beyond from February through July 2026 as part of the Hall's United in Sound: America at 250 festival.

Tickets for Chicago Theatre Week 2026 to go on Sale This Week

Chicago Theatre Week, an annual celebration of the rich tradition of theatre-going in Chicago during which visitors and residents can access value-priced tickets. Chicago Theatre Week 2026 will take place February 5-15, 2026. Find out how to get tickets here.

Jordan Donica to Join Isabel Leonard for Concert at Carnegie Hall

Isabel Leonard has had a career that has brought her to leading opera houses and concert halls around the world. This season, she will return to her native New York, where she curates a four-concert Perspectives series at Carnegie Hall.

Review: Before There Was Charlie Brown, There Was Menotti’s AMAHL, now at Lincoln Center Theater

Lincoln Center Theater’s new Kenny Leon production of Gian Carlo Menotti’s AMAHL AND THE NIGHT VISITORS, presented in association with the Metropolitan Opera, is hardly “A Charlie Brown Christmas” or “The Nutcracker.” Yet it manages to give us faith, hope and charity at a time we could all use more than a little of it, though there doesn’t seem to be much of a nod by director Leon to the setting of “The Present” mentioned in the Playbill.

Heartbeat Opera Will Present MANON! This Winter

MANON! (ten performances January 27, 28, 29, 31, February 1, 3, 4, 6, 7, 8) follows Manon as she is rescued from her fate in a convent and finds herself pulled between two suitors: Power and True Love. Opera's original 'it-girl,' she deftly invents and reinvents herself throughout the work, transforming her circumstances even when the stakes turn deadly. 

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