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Review: What the Hades – the Met Brings Back Morris's Lovely ORFEO with Costanzo

Considering all the productions in the Met’s repertoire that have been conceived (or, perhaps more justly, concocted) by directors from other media who don’t seem to understand or like opera, Mark Morris is a gem. So is his concept for Gluck’s ORFEO ED EURIDICE, the myth of a man who is permitted to go to the land of the dead to retrieve his beloved wife, which was seen in a revival that opened the other night with countertenor Anthony Roth Costanzo and soprano Ying Fang in the title roles.

PARTENOPE Comes to San Francisco Opera This June

San Francisco Opera’s 2024 Summer Season will continue June 15 with George Frideric Handel’s Partenope in director Christopher Alden’s award-winning production.

Celebrity Series of Boston Reveals 2024/25 Season

Celebrity Series of Boston has announced its 2024/25 season, marking 86 years of bringing world-class touring and local performing artists to Boston. Learn more about the season lineup here!

Video: Watch Excerpts from The Met Opera's EL NIÑO

Watch excerpts from The Met Opera's El Niño, running through May 17th. In these videos, the chorus sings 'For With God No Thing Shall Be Impossible,' from Part I and 'In the Day of the Great Slaughter' from Part II during the final dress rehearsal.

Kronos Quartet Archive Acquired By the Library of Congress

Kronos Quartet receives triple honors from the Library of Congress, including acquisition of their archive, D.Harrington's appointment as Kluge Chair, and 'Pieces of Africa' induction into the National Recording Registry.

Review: John Adams's EL NINO Finally Arrives at the Met After World Travels

Back in December, I saw the chamber version of John Adams’s EL NINO—dubbed EL NINO: NATIVITY RECONSIDERED—at the Cathedral of St. John the Divine. Pared down to its essence, it was wonderful, starred two of the singers who made their debuts in the premiere at the Met, soprano Julia Bullock and bass-baritone Davone Tines plus countertenor Anthony Roth Costanzo, who were at their best. It was a somber evening in a dramatic setting—a far cry from the oratorio/opera’s over-the-top welcome to Lincoln Center last night, in Lileana Blain-Cruz’s production that made me wonder what Franco Zeffirelli might have done with it. Think the Parisian throngs in Act II of the Met’s LA BOHEME (which, of course, is one of the Met’s most popular productions with audiences).

San Francisco Opera Medal Awarded To Director Michael Cavanagh

San Francisco Opera presented the Opera Medal, the Company's highest honor, to Michael Cavanagh shortly before his death last month. The acclaimed Canadian opera director, who passed away on March 13 from leptomeningeal cancer at the age of 62, was a guiding, creative force behind a number of important new productions for San Francisco Opera over the past decade.

Video: Get A First Look at EL NIÑO at the Metropolitan Opera

Get a first look at The Met premiere of John Adams’s opera-oratorio EL NIŃO, which features soprano Julia Bullock, mezzo-soprano J’Nai Bridges, and bass-baritone Davóne Tines in an all-new video from rehearsals.

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