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BWW Review: WAITRESS, Adelphi Theatre

BWW Review: WAITRESS, Adelphi Theatre

by Marianka Swain — March 7, 2019

Sara Bareilles and Jessie Nelson's 2015 musical adaptation of Adrienne Shelly's film, about a small-town waitress who processes her feelings via her skilful baking, brings its sugar and spice mixture to the West End.

BWW Review: JESUS HOPPED THE 'A' TRAIN, Young Vic

BWW Review: JESUS HOPPED THE 'A' TRAIN, Young Vic

by Gary Naylor — February 28, 2019

Stephen Adly Guirgis's play is as relevant today as ever, its coruscating examination of the nature of American justice and religious redemption losing none of its power a generation on from its first outing.

BWW Review: FOLLIES, National Theatre

BWW Review: FOLLIES, National Theatre

by Louis Train — February 23, 2019

Follies begins with a gentle piece of music: warm, slow, romantic, that erupts into a jazz and brass extravaganza.

Review Roundup: What Did Critics Think of THE CANE?

Review Roundup: What Did Critics Think of THE CANE?

by Julie Musbach — January 3, 2019

Alun Armstrong, Maggie Steed and Nicola Walker star in the world premiere of The Cane, written by Mark Ravenhill and directed by Royal Court Artistic Director Vicky Featherstone.

BWW Review: SWEAT, Donmar Warehouse

BWW Review: SWEAT, Donmar Warehouse

by Charlie Wilks — December 20, 2018

A society is in ruins, and in this tale of depression, dependency and deluge, the human experience is voyeuristically examined, to reveal what happens when you leave folks behind.


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